REDISCOVER Paul Simon

Jackie Robinson

Damaged

sweet thing - click "buy" for free download

Graceland (Alben für die Ewigkeit)

You Can Call Me Al

Paul Simon

Me and Julio Down by the Schoolyard (Demo - San Francisco 2/71)

Still Crazy After All These Years

50 Ways to Leave Your Lover

One-Trick Pony

Late in the Evening

This one's for mom and dad <3

I do not own the rights, this is just my humble interpretation.
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Mrs Robinson (Thommie G remake) Free Download

Fatboy Slim -Praise You (Dave Echo Edit)

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On candy stripe legs the spider man comes...

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The Cure - Lullaby (Baba Sikander's Edit)[Free DL]

Six Blade Knife (Bow's Bongo Bootleg) FREE DOWNLOAD

oiginal music -https://www.youtube.com/watch?v=o5cELP06Mik  Le Buena Vista Social Club était une mythique boîte de nuit dans la banlieue de La Havane à Cuba (situé « Calle 41 » entre les numéros 46 et 48, dans le quartier Marianao). Après la révolution cubaine de 1959, cette boîte de nuit fut détruite.
Quarante ans après sa destruction, son nom fut repris pour un projet musical, imaginé par Nick Gold de la maison de disques World Circuit et le guitariste américain Ry Cooder. L'idée de ce projet était de réunir dans un même enregistrement des musiciens cubains « campesinos » (soneros légendaires des années 1930, 40 et 50), et des musiciens d'Afrique de l'Ouest. Retenus à l'aéroport de Paris, les Africains ne purent se rendre à Cuba, et finalement l'enregistrement de l'album s'effectua sans eux.

L'album enregistré en 1996, "Buena Vista Social Club", rencontra un tel succès que le groupe fut incité à se produire sur scène à Amsterdam en 1998, suivi de plusieurs concerts au Carnegie Hall de New York.
Le cinéaste Wim Wenders fut sollicité pour les filmer. Il en fit un documentaire, en ajoutant les interviews, effectuées à La Havane, des différents musiciens. Le film fut lui aussi intitulé Buena Vista Social Club.  
                                                                                                                                
The Buena Vista Social Club was a mythical nightclub in the suburbs of Havana, Cuba (located at &quot;Calle 41"; between numbers 46 and 48, in the Marianao district). After the Cuban revolution of 1959, this nightclub was destroyed.
Forty years after its destruction, its name was taken up again for a musical project, conceived by Nick Gold of the World Circuit record company and American guitarist Ry Cooder. The idea of this project was to bring together in the same recording Cuban &quot;campesino"; musicians (legendary soneros from the 1930s, 40s and 50s), and musicians from West Africa. Held at Paris airport, the Africans were unable to travel to Cuba, and finally the album was recorded without them.

The album recorded in 1996, "Buena Vista Social Club";, was so successful that the group was encouraged to perform in Amsterdam in 1998, followed by several concerts at Carnegie Hall in New York.
The filmmaker Wim Wenders was asked to film them. He made a documentary of it, adding the interviews, carried out in Havana, of the different musicians. The film was also called Buena Vista Social Club.

Unofficial remix
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Buena Vista Social Club - chan  Chan (Jack Essek Edit)


Gli Underpaid Man ripropongono molti dei brani che hanno fatto la storia del rock in chiave semi-acustica ponendo particolare attenzione alla raffinatezza dei suoni e degli arrangiamenti .

Il repertorio spazia da Simon&Garfunkel ai Dire Straits, dai Beatles a Eric Clapton passando per i classici del rock anni '50 .


Mrs Robinson - Simon & Garfunkel ( cover by Underpaid Man )

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@kalamanmusic - Sol [EP] - Out May 22, 2020
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C๏sʍ๏tunes ★ 37 - @seantoja
Release date: September 29 | 2020
Label: @cosmovisionrecords
Mastering : @elextravagante
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About this edit :
This edit evokes the sound of latino psych rock supplemented with heavy percussion and  güiro as the main invitation to dance and drink tequilas. It is a tropical remembrance to a timeless movie scene from the classic Quentin Tarantino film From “Dusk Till Dawn“ (1996)
Where Salma Hayek (also from Veracruz) performs an iconic dance with a Burmese Python around her neck. This scene can be many times imitated but never equalled. The origin of the film is a revolutionary mexican cult film named “Satánico Pandemónium, El Diablo Va a México“ (1973) by Gilberto Martínez Solares. Historic film that Tarantino loved since he worked at a Blockbuster and discovered the VHS. The film involved nuns, nudity and satanic thoughts against the church. It was considered an extremely difficult stunt for the producer to pull off at the time because of the morality, censorship, and the influence of religion in the state decisions.  
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About Sean Toja : 
Sean Toja, multi disciplinary artist from Veracruz, Mexico. Co founder of @bailehibrido. His remixes and DJ sets are limit-less regarding to generes and styles just as his psychedelic analog collage visuals. Sean experiments in music from sampling acoustic instruments like the traditional jarana in Son Jarocho to synthesizers and other electronic rhythms. 
https://soundcloud.com/seantoja
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About Tito & Tarantula 
Latin rockers Tito & Tarantula comprised singer/guitarist Tito Larriva, previously best known for founding the seminal Los Angeles punk band the Plugz. Larriva was born in Ciudad Juarez, Mexico but spent his early years living outside Fairbanks, Alaska; his family later relocated to El Paso, Texas, where he studied violin and flute as a member of his school orchestra. After high school he flirted with attending Yale University before landing in L.A. during the mid-'70s; there Larriva formed the Plugz, which in 1979 released their debut LP Electrify Me, the first album to emerge from the city's thriving punk scene. Shortly after scoring Alex Cox's 1984 cult classic Repo Man, the Plugz were rechristened the Cruzados, signing to Arista to release a self-titled 1985 LP; After Dark followed two years later, and the group disbanded in 1990. From there Larriva continued writing film music, also turning to acting; with guitarist Peter Atanasoff and a host of other L.A. session vets he eventually formed Tito & Tarantula, which quickly emerged as a major favorite on the local club scene. Among their most vocal supporters was filmmaker Robert Rodriguez, who not only enlisted the group to contribute material to his movies Desperado and From Dusk till Dawn, but also found small roles for Larriva in both; Rodriguez additionally helped produce 1997's Tarantism, released on the band's own Cockroach label. Hungry Sally & Other Killer Lullabies followed in 1999.

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