I love the retro feel of this song. Just don't drink the Kool Aid. Ha!

This is excellent! Really love the syd barrett-type vocals.

Elephant Stone puts our spin on the Doors' 70s classic LA Woman. Nothing will ever be the same again.
Out March 4th, 2014. Preorder NOW from itunes: http://georiot.co/cnH

Elephant Stone - L.A. Woman

"Take Me With You" appears on the Moon Duo/Psychic Ills Split 7" , Out Now

iTunes- https://itunes.apple.com/us/album/zoned-take-me-with-you-single/id545399461
CD/LP- http://bit.ly/1ZhdAMk

http://www.sacredbonesrecords.com/collections/moon-duo
http://www.sacredbonesrecords.com/collections/psychic-ills

Website:  
http://www.psychicills.com/
http://moonduo.org/
Facebook:
 https://www.facebook.com/psychicills
https://www.facebook.com/moonduoofficial/
Twitter:
 https://twitter.com/psychicills
https://twitter.com/moonduo

TOUR DATES: 
http://bit.ly/1Mq3aDc
http://bit.ly/1yvf0dU

Psychic Ills - Take Me With You

From GOAT's forthcoming full-length, 'Commune', out 9/23 on Sub Pop.

Pre-order:
https://megamart.subpop.com/releases/goat/commune
https://itunes.apple.com/us/album/commune/id889458536
http://www.amazon.com/dp/B00L9QYI8Y/ref=cm_sw_su_dp

https://www.facebook.com/goatsweden
https://www.subpop.com/artists/goat

twitter.com/subpop
www.facebook.com/subpoprecords
instagram.com/subpop#
subpop.tumblr.com

Commune

Hide From the Sun

GOAT - Hide From The Sun

Anywhere But Here

Club Noir

Black Mountain - "Druganaut" from 'Black Mountain', out 6/23/15 via Jagjaguwar
Direct:  http://smarturl.it/blackmountain2015
iTunes:  http://smarturl.it/blackmountainitunes
Amazon:  http://smarturl.it/blackmountainamazon
Indies:  http://smarturl.it/blackmountainindies

MORE INFO: http://bit.ly/BlackMountain_10thAnn

It's only a cliché because it's true, but the greatest records are timeless. Black Mountain's self-titled debut album is just such a record, its roots leading twisting paths back into the past, while always sounding like 'now', like a future still to come. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain's debut album was, of course, a beginning, but it also marked an ending for Jerk With A Bomb, the group that preceded Black Mountain.

Begun as the fourth Jerk With A Bomb album, Black Mountain's debut grew from skeletal sessions cut by McBean and Wells. "We laid down the bed tracks, the guitars and drums," remembers McBean. "Matt [Camirand, bass] joined, and we changed the band name after a dream of how life could be different in the B section between Black Flag and Black Sabbath. Josh's roommate Jeremy [Schmidt, keys] was lurking about. We asked him if he wanted to add some synth bleeps or whatever. He came back with all these orchestrated keyboard parts, and we said, 'Oh, you should probably join the band now.'"

They cut the album at the Hive in Vancouver, recording in "a big cement room with a tall ceiling, nice boomy acoustics, lots of natural reverb," remembers McBean, "on an 8-track reel-to-reel tape recorder." During the sessions, these elemental first Black Mountain tracks found their true shape: the wry, giddy shuffle of "Modern Music," with its Roxy Music sax and Velvets-y chug; the epic, sky-staring riffage of "Don't Run Our Hearts Around;" the hypnotic, gracefully heavy groove of "Druganaut;" the joyful rush of "No Satisfaction;" the dark, powerful blues of "Set Us Free;" the mysterious murk of "No Hits." Here was a new classic rock, its reference points arcane and clear, its sound fresh, unfamiliar and irresistible.

The album's initial success saw the band take to the road, leaving their Vancouver enclave for stages across Canada, America and Europe. "It felt like there was a real explosion of excitement at shows," remembers McBean. "The first couple of tours, we kinda were pretty shambolic. We wouldn't write setlists, we'd just feel the energy in the room and call things out, jamming on songs like 'No Hits' and 'Druganaut.' It was a good time for live rock'n'roll: DJ booths were being transformed back to drum risers, people were digging 20 minute jams and there were bands like Comets On Fire and Oneida out there who we felt kinship with. I was into Faust and Amon Duul but had no idea of the scene of modern bands doing that stuff. And then we met those bands, and it was cool. And then we went on tour with Coldplay...and the adventures continued."
Their jaunt across the world as guests of perhaps the biggest band in the world right then is a tale for another time, perhaps: the start of Black Mountain's next chapter, and all that followed. For now, savour the compact, spacey brilliance of that cosmic, heavy and subtle debut album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.

Black Mountain - "Druganaut" from 'Black Mountain', out 6/23/15 via Jagjaguwar
Direct:  http://smarturl.it/blackmountain2015
iTunes:  http://smarturl.it/blackmountainitunes
Amazon:  http://smarturl.it/blackmountainamazon
Indies:  http://smarturl.it/blackmountainindies

Black Mountain

Druganaut

Pre-Order

Black Mountain - "Druganaut"

Stream the new EP from Alden Penner 'Canada in Space', out 29 June 2015, and available on tour starting 21 June
Preorder it on Amazon: http://smarturl.it/AldenPennerAmazon
via iTunes: http://smarturl.it/AldenPenneriTunes

Alden Penner - Meditate

We Are Wood - Temple Of Jim

Grinderman - Bellringer Blues (Nick Zinner Remix)

Taken from the album Grinderman 2 RMX – a collection of remixes, reinterpretations & collaborations released on March 12th (U.S March 13th)

Tracks include “Super Heathen Child” - which teams the band up with legendary guitarist Robert Fripp (King Crimson, David Bowie, Eno); a remix of “Mickey Mouse & the Goodbye Man” by producer/-musician Josh Homme (Queens of the Stone Age); “When My Baby Comes” by Cat’s Eyes (a duo consisting of Horrors’ front-man Faris Badwan and soprano Rachel Zeffira) and  “Evil” reinterpreted by Silver Alert (Grinderman’s Jim Sclavunos) and The National’s front man Matt Berninger.



www.grinderman.com



Grinderman - Bellringer Blues (Nick Zinner Remix)

Taken from the debut album from Django Django, Out Now.
iTunes: http://www.smarturl.it/djangodjango.album
Django Django Webshop: http://www.djangodjango.co.uk/shop/

Django Django - Storm

The Brian Jonestown Massacre - Panic In Babylon

“We Are Wood is the music collective that takes you on a foggy journey to the beautiful end of the 60's. With convincing melodies and harmonies, We Are Wood shows with earlier EP and upcoming album that they make a big effort to revive this genre "- HYMN, Swedish online magazine for music and culture

We Are Wood was formed in Gothenburg, however, members are not sure when it occurred. But with an ever-changing line-up, and unconditional love for music, the collective creates its own version, blends old with new, but also at the same time gazes into the future. People from some of Gothenburg's finest acts, including: Den Stora Vilan, IKONS, Hills, Lamagaia, SonSon, Cult Of Boyda, and many more have been, and are still part of the collective. With its appreciated live performances, this band will send you on a jangly, droning, sunny, but also a bit melancholy journey through music history, and take some pit stops along its path at its brightest moments.

We Are Wood - Temple Of Jim

We Are Wood

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