Excerpt from the title-track of the album "I'd rather be a sparrow" (see http://scintilla.bandcamp.com/)

I'd rather be a sparrow (excerpt)

Excerpt from a track off the album "I'd rather be a sparrow" (see http://scintilla.bandcamp.com/)

Bonny bony doublebed cony (excerpt)

Salady salmafundi-1 (excerpt)

First part of 45-minute continuous piece freely improvised by Jack Wright (saxophone) and Bob Falesch (electronics).

Our colleague at the Red Room, Jeff Carey, dealt mightily with the near-impossibility of capturing with room-mics the essence of combined electronic and non-electronic instruments in a live situation. Thank you Jeff!

Sonic treatment, post-, by Raf.

PART-1 (of 4) Wright-Falesch RedRoom 2013-01-05

Second part of 45-minute continuous piece freely improvised by Jack Wright (saxophone) and Bob Falesch (electronics). 

Our colleague at the Red Room, Jeff Carey, dealt mightily with the near-impossibility of capturing with room-mics the essence of combined electronic and non-electronic instruments in a live situation. Thank you Jeff!

Sonic treatment, post-, by Raf.

PART-2 (of 4) Wright-Falesch RedRoom 2013-01-05

Third part of 45-minute continuous piece freely improvised by Jack Wright (saxophone) and Bob Falesch (electronics). 

Our colleague at the Red Room, Jeff Carey, dealt mightily with the near-impossibility of capturing with room-mics the essence of combined electronic and non-electronic instruments in a live situation. Thank you Jeff!

Sonic treatment, post-, by Raf.

PART-3 (of 4) Wright-Falesch RedRoom 2013-01-05

Fourth part of 45-minute continuous piece freely improvised by Jack Wright (saxophone) and Bob Falesch (electronics). 

Our colleague at the Red Room, Jeff Carey, dealt mightily with the near-impossibility of capturing with room-mics the essence of combined electronic and non-electronic instruments in a live situation. Thank you Jeff!

Sonic treatment, post-, by Raf.

PART-4 (of 4) Wright-Falesch RedRoom 2013-01-05

Some primal howls and plate tectonics from the duo of Jack Wright and Bob Falesch, as we work to de-anthropomorphize the sound of free-improvisation.  Freely improvised on 2013-May-07 (track is as-played).

Cobalt Blue

Primal howls, plate tectonic shifts, and a guarded sense of structure from the duo of Jack Wright and Bob Falesch, as we work to de-anthropomorphize the sound of free-improvisation. Freely improvised on 2013-V-07 (track is as-played).

Raw Umber

Primal howls, plate tectonic shifts, and a guarded sense of structure from the duo of Jack Wright and Bob Falesch, as we work to de-anthropomorphize the sound of free-improvisation. Freely improvised on 2013-V-06.

Emerald Green

<b>I'd rather be a sparrow</b>

<i>COME COME and cull me bonny bony doublebed cony swiftly my springal and my thin Kerry twingle-twangler comfort my days of roses days of beauty week of redness with mad shame to my lips of shame to my shamehill for the newest news the shemost of shenews is I'm lust-beleperd and unwell</i> --Samuel Beckett

All music freely improvised. Jack Wright, soprano and alto saxophones; Bob Falesch, laptop (maxmsp). 

For information about the release, please visit <a href="http://scintilla.bandcamp.com/">this page</a>.

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