BANDCAMP

Singles/Remixes

Losing your mind in the brainforest at night. Scratching out ancient signs in the undergrowth. Hitting panic mode in an old railway tunnel. Running topless through the trees with camo-dirt smeared on your face. This is what it sounds like.

Beams

NKC - Bootlicker

@atricemiras

Coming in as the eighteenth release is a selection of 5 textural wonderments from Swiss duo Atrice. Characterised by acute attention to detail, crystalline sound design and the mastery of spatial utilisation, their sound leaves a remarkable impact that will no doubt warrant multiple listens to really capture a sense of how meticulous their works are.

‘Accumulation Zone’ is a holistic release, formed through the recycling and transferal of sounds that cross from one track into the next, lending their features and motifs to one and other like an inorganic symbiotic creature metamorphosizing in hermetic space. The entirety of the release was produced during a stay in the Swiss Alps, casting an icy sheen over the whole collection of tracks. like a shimmering glisten as the warmth of the sun shines on the glacial surface of each piece. A complex unity of moods that complement the never-ceasing evolutionary sequencing and structure of each track.
credits

Artwork by Joana Huguenin
Mastering by Hamza Robati

Accumulation Zone - EP

Buy EP

Atrice - GRM Bugs

Taken from SBKT048: 33EMYBW & Gooooose - Trans-Aeon Express

Artwork: Weirdcore
Design: Luke Griffiths
Mastering: Raphael Valensi
Release Date: 25th March 2022

In late 2020, in the midst of lock downs and worldwide uncertainty, London based visual artist Weirdcore presented his first solo exhibition, ‘Orient Flux’, at SKP-S in Beijing, supported by Kennedy London. Developed and produced remotely due to travel restrictions, the exhibition spanned 7 interconnecting audio-visual installations forming a ‘train station from the future’, with music and sound design by 33EMYBW and Gooooose. Initially arriving at the ‘Stellar Lounge’, passengers traversed through the ‘Oblique’ security checks, decompress and adjust their bodies for travel in the ‘Microcosmic’ zone, and pass through the ‘Infinity Gates’ and ‘Dimensional Horizon’ to finally board the ‘Trans-Aeon Express’, an illusory bullet train, to embark on a spatio-temporal journey through time.

‘Trans-Aeon Express’ by 33EMYBW and Gooooose is a continuation of this project, with music and sound design from the exhibition, as well as new tracks inspired by and sampling elements/ambience from the various installations. Released on a limited-edition LP, as well as digitally, the album features new artwork by Weirdcore, updating and evolving the original Orient Flux emblem, with graphic design and layout by Luke Griffiths.

Special thanks to Kennedy London and SKP-S Beijing.

Trans-Aeon Express

33EMYBW - Macrocosmic

MODERN COLLAPSE - USUAL CASE SCENARIO
(DAWN014)
100 limited copies
CD
@modern-collapse
Produced by Gabriel De Sercey & Hugo Fabry
Mastered by @lastrackqlf
Photos by Melchior Tersen
Design by Hajj
Dawn 2022

Modern Collapse - Gateway To Nihilism

Ismael X Stormzy - Helix X Wiley Flow (ABADIR Edit)

For his next EP, Belgian producer dybbuk takes us on a 25 minutes trip between experimental ambient sounds, horror movie synth pads, drums, and of course bass.

Read more on CxC 🔗 https://couvrexchefs.com/en/dybbuk-interloper-herbal-bride-montage

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PREMIERE: dybbuk - Herbal Bride (MONTAGE)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Dis Fig - Doll Parts [digital only]

Tzusing X The Chemical Brothers X Phelimuncasi X Afrika Bambaataa - ABADIR Hey Balkanize Mashup

Pho Beat Bazar embodies the classical atmosphere you breathe in a jumbled stand where who is patient enough to root around can find the oddiest gears.
 It's a shared virtual place where we want to get close our favourite artists, welcome to Pho Beat Bazar vol. 3!

Pho Beat Bazar Vol. 3

Galtier - Otswowe

>>>i wanna be a superstar vol. 2<<< 
19 artists 
24 tracks 
—> ON TAPE 

for a second time, crttrs and friends have gathered to share their various noisy visions in a cute compilation. 
certain crttrs have spun a web of twisted bass lines to keep their snares and kicks in place, while others have dug through the ground to recycle old, forgotten fragments. 
still others have formulated spoken words, while the nostalgic ones chirped their sweet melodies. 
many things happened. 
synthesized and divided. 
each for itself, all together. 
a moist, humid compost has emerged. 
a nutrient soil and fuel to your imagination and dreams. 

we wanna be superstars! 
we might never be the ones that shine brightly in the sky… 
but who cares? 
the future lies in your local, rotting compost heap, anyway <33

>> Mastering by Tobias Lanz & Yves Spiri 
>> Artwork by Jost Zeindler (jostzeindler.ch) 

<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3

Galtier - Orbiting (Frostbite)

Originally meant to be a remix, this track was never released and the project file is lost like so many others, so it joins the forgotten archive. Suitable for the colder months of North Earth this time of year.

Chunky, aggressive, oddly forward thinking for where I was at musically at the time. Listening to this track makes me realise how this style was kind of a turning point for me and the sound I was trying to make.

Artwork by Jiah Wells

Torn & Strewn

https://fanlink.to/btip004_neida

Embark on an exhilarating musical odyssey with Neida's latest "Can't Get Enough EP", a mesmerizing follow-up to his standout contribution on June 2023's "Good Vibes Vol. 1". 
Unveiling a sincere exploration of sound and emotion through three original tracks and four remixes, blending rhythm and intensity in a way that keeps hearts racing and dance floors alive.

The EP's title track, "Can't Get Enough," thrusts us into a realm of frenetic beats and palpable energy, creating an immersive experience that feels both sweaty and liberating, while "Hydro" delves into aquatic dreamscape intertwining distortion and trap influences. 
"Trainwreck" propels the listener forward at breakneck speed, capturing the essence of a high-speed locomotive leading us to four visionary remixes adding a kaleidoscope of perspectives to the EP. 

Miss Jay's daring reinvention of "Dirty" sets the tone, with an intense video game-inspired groove evolving into drum and bass, infused with neurofunk influences. Portway's remix of "Can't Get Enough" takes the original into uncharted territories, fusing elements of dnb and electro, creating a futuristic yet vintage sonic landscape.
Galtier's reimagining of "Hydro" paints a sonic picture of fluidity, with a pacey, liquid-esque roller vibe that elevates the track into a conscious, heightened state of mind. Subsism then takes the reins, delving into dub, grime, and trance influences in the remix of "Trainwreck."

The result is a genre-blending piece that adds an extra layer of depth to Bad Tips' exploratory commitment.

𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐬 𝐌𝐚𝐫𝐜𝐡 𝟕, 𝟐𝟎𝟐𝟒 𝐢𝐧 𝐃𝐢𝐠𝐢𝐭𝐚𝐥

curated by gboi
designed by Johanna Burai
mastered by Perception Mastering

bandcamp

Neida - Hydro (Galtier Remix)

The French deep-rave & tech-naturalist imprint Virtual Forest Records gives us a masterclass of synth-tailored mental bass & IDM from the Swiss producer Fels. Hear the EP’s title track getting a peak-time remix treatment by Nostro Hood’s boss Galtier.

Read more on CxC 🔗 couvrexchefs.com/en/fels-sirens-virtual-forest-records-galtier-remix

PREMIERE: Fels - Sirens (Galtier Remix) (Virtual Forest Records)

Following support from artists including Aya, CCL and Bruce, London-based duo borderland state_the best kisser in l.a.join the TT roster with 2-track EP silicon overseer.

@borderlandstate
@thebestkisserinla
Artwork - Josh Crumpler
Mastering - Benjamin Saint

silicon overseer

Premiere: Druid - Cyber Time Crisis (Galtier Remix)

Following guest shows on NTS and Radio Bonita, Philadelphia based artist and producer Kat Nzingha joins TT to present their debut EP, Angeltribe.

Mixing and mastering - Kat Nzingha
Artwork - Josh Crumpler
www.katnzingha.com
soundcloud.com/katnzingha

Angeltribe

Kat Nzingha - Antinomianism

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Founder/General Manager @nostro-hood-system

Releases on @infinite-machine

ggaltiermusic@gmail.com

Premiere: Druid - Cyber Time Crisis (Galtier Remix)

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