(DAWNV/A2)
@hadji-hajj
100 limited copies 
CD
Photos by Melchior Tersen
https://www.instagram.com/melchiortersen/
Mastering by @lastrackqlf

"The influence and presence of trap and rap in dance/experimental is obviously massive, and the lines between genres are more blurred than ever. HAJJ, however, says this is a recent thing; “I find that the electronic scene in France is just starting to encourage the integration of this culture. Not so long ago people insulted me when I played rap/trap in my sets.”

The underpinning idea for this compilation brought electronic producers not explicitly of that world to unpick whatever boundaries remain and contribute tracks for a mixtape – while a few of the artists are more obviously ready to “play the game” and already make music which exists pretty close to this horizon, this has been a challenge to think creatively for a few of the other artists invited."
Elliot Stevens for Ifonly

Dawn2021

Jonquera & Hajj - Défonce Civile

https://colorplus.bandcamp.com/album/sineout-glint

Sineout

https://soundcloud.com/mikaoki1
https://soundcloud.com/maoupa-mazzocchetti

Premiere: Maoupa Mazzocchetti - Don't Succeed (w Mika Oki)

BURIAL - STREETLANDS (SLIKBACK REMIX)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Dis Fig - Doll Parts [digital only]

T5 04 Dub

From PET-004: Various Artists - Embrace. Out now on Petrola 80
@lyravalenza

Embrace

Lyra Valenza - Bomber

World Diva

Dawn Safari draws from his heritage with Caribbean-inflected club track, 'Nickel & Dimes'. Available via Knightwerk this week.
Article: https://weareinsert.com/audio/premeire-dawn-safari-nickel-and-dimes-knightwerk/

AreÍto EP

Article

Premeire: Dawn Safari - Nickel & Dimes [Knightwerk]

'That Hyde Trakk' by LOFT
Taken from the upcoming EP 'and departt from mono games', out May 3rd on Tri Angle Records.

andd departt from mono games

LOFT - That Hyde Trakk

Slikback / Soda Plains — Split
Format: 12"
Cat.No: PAN 115
Release Date: 21 April 2020
Purchase: https://bit.ly/2RV8XfW

Hong Kong born, UK-based producer Soda Plains (production for Chynna, Scintii, Ian Isiah) and the Kenyan, Nyege Nyege-affiliated artist Slikback bring their distinct sounds to the third instalment of PAN’s club-focused "Split" series.

Limited to 300 copies, hand stamped, no repress.

The EP is mastered by Jeremy Cox

@freddymn @sodaplains

http://p-a-n.org

A2. Slikback - UZAA (PAN 115)

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Premeire: Dawn Safari - Nickel & Dimes [Knightwerk]

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