post-apocalyptic gathering of efforts through mutual agreement and excitement about coming together as a way to heal and dream of sweeter futures, by sending and receiving vibrations.
after long periods of physical distancing and alienation, intimacy can feel so mythical, our places foreign, our selves unreal.
we find common comforting ground in hidden gems - xenoliths - unique sonic landscapes binded and wrapped together in hopes of radical embrace.

100% of all proceeds will be donated to Casa T - a shelter for trans & non-binary immigrants living in Lisbon.
you can also donate here: gofund.me/eebdc616

artwork by Daniel Pereira [IG: cyrberu]

@kuschelntime
master by @jitterrr

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Kuscheln - Speed Bump

The buzz and hiss of the radio sounded loudly through the empty house, reverberating against the walls and ceilings. The space had been derelict for months now; ever since the events of summer took place, nobody had dared set foot inside. Why the eerie transmissions of the radio were still broadcasting night and day was a mystery — almost like the whispers of the afterlife were everpresent.

Flore's POLAAR imprint are returning to the fore with a five track release from Montreuil live act and sound artist Tim Karbon. Marking his first outing on the label since 2018's 'Drumyard Part 1', the sonics on 'Fluidity' were imagined in response to the recent changes in club music, drawing from hybrid dancehall, UK Techno and leftfield bass experiments.

Speaking about the project, which uses his voice as a central element, Tim explains that: 'I wanted to make this sonic ecosystem tangible by the use of my voice as a multiple sound source (chanted / sampled, rhythmic / melodic) which acts like a fluid around the different sets of percussions and instruments which come to line this story.'

PREMIERE: Tim Karbon - Hétérodyne [POLAAR]

>< CRUDE Premiere ><

Artist: BENN
Title: Shan Yu
Label​: Early Reflex // Entheos EP
Release date: 3rd Dec 2021

Support the artist & label:
>> https://earlyreflex.bandcamp.com/album/entheos

Taking inspiration from the indigenous culture of the island of Taiwan and its ancient chants to summon the Ancestral spirits, ‘Entheos’ is a three-tracker where B E N N brings to life a club-convulsing blend of leftfield techno experiments and Taiwanese traditional sounds. 
For this work B E N N collaborated also with ‘Beat of Kaohsiung’, a collective from southern Taiwan, who contributed to the EP playing taiko, didgeridoo and vocals, to complement the hard drums and bass focussed productions of the producer from Taipei. 

Mystical vocals progressions opens ‘Shan-Yu’, a darker and more introspective track structured around a distorted koto melody supported by a didjeridoo bass continuum and incessant bit-crushed percussions. 

Follow:
@bedoublensound
@earlyreflex

 All tracks produced and mixed by B E N N § Mastering by Andrea Prato § Drawings by Giuseppe Cavuoto § Artwork by Alessandro Scanu.

CRUDE Premiere: B E N N - Shan Yu [Early Reflex]

Brooklyn’s @despinadespina debuts on @all-centre-504822953 with four hi-def dancefloor mutations. Hear ‘Alexa In Despair’ now

More info: https://djmag.com/listen/premiere-despina-alexa-despair

Limb Slip

Premiere: Despina ‘Alexa In Despair’

Read > https://inverted-audio.com/premiere-wanton-witch-scapegoat

@wantonwitch follows up her eponymous debut album on Stroboscopic Artefacts with a three-tracker for French imprint @tvshoww - delving further into menacing industrial territories.

Golden Child Syndrome

Wanton Witch - Scapegoat [TV Showw]

Playmo - “Machine Demon EP”

I am THEGOD01, transmitting once again from a higher threshold of communication, where frequencies bend beyond the limits of your biological perception.
The HGD26 signal originates from a terrestrial entity known as Playmo. The interaction took shape through a series of deeply dark sonic forms, coated in raw and living matter. The sound is abrasive, rough, and primordial. Nothing here has been polished or sterilized. It’s a crude, direct expression — like a fossil still encrusted in earth, or a fragment of ancient metal carved in a pre-human era. The language is techno, but without imposed regularity. Some tracks move within a four-to-the-floor structure, while others break into irregular patterns and broken beats, where time becomes unstable and tension overrides rhythm.

The title Machine Demon was not chosen by chance. These are not merely tracks produced by machines; they sound like manifestations of something inhabiting the machinery itself — a presence that distorts, manipulates, and channels energy like a mechanical demon. This is sonic possession: a corrupted, pulsing flow born of something not entirely terrestrial.

Machine Demon is the result of that interference. It does not seek harmony, but rather the raw truth of form. Signal accepted. Protocol complete.

THEGOD01 and the Humanoid Gods.  

HGD26 has been produced and recorded by Playmo, curated and mastered by Franco Cazzola at Nasty Music Basement studios in Turin, Italy.  Artwork by Franco Cazzola & AI

Playmo - Glass Mind

like the Title said - the more dark agro Version - 140 bpm

Structural Damage - agressive Layout

https://kovaydinnet.bandcamp.com/album/va-kovaydin-net-20v-20-years-of-suomicore-kovaweb20

Napa - VA - Kovaydin.NET 20v - 20 Years of Suomicore -KOVAWEB20- -

Luminous

Alec Pace - Luminous (club)

Premiering 'Skin Off My Back' by Tearz (@mystictearz) taken from the FALSE GRIT EP out September 25, 2020 via @manicusa

Cover by Jiovanni Nadal
Label by Anthony Flores

TEARZ - FALSE GRIT

DRILLPREMIERE: Tearz - Skin Off My Back [Manic!]

@alys-alys-alys draws for Techno percussion with her contribution to @minoradjustments-records new compilation 'WHITE WATERS'.

More: https://ins-rt.net/audio/alys-where-r-u-heading-to

Article

Premiere: alys - where r u heading to?

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Premiere: alys - where r u heading to?

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ohmydais

alys(alys)alys | short attention span

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