This is ridiculous next level stuff! Jeeez

"Mechanical Rustle" is the latest track from @sharu & @aye5ha 's upcoming EP out on the 30th of July for @kindergartenrecords

Pre-Order: https://kindergartenrecords.bandcamp.com/album/ether
Read More: https://soulfeederweb.com/premieres/premiere-ma-sha-ru-mechanical-rustle/

[Premiere] Sha Ru — Mechanical Rustle

Easy Mongo

DJ JM - Squash - releases April 22, 2022 on Maloca Records
Pre-order : maloca.bandcamp.com/album/dj-jm-squash

Follow DJ JM : @deejay_jm

Following on from Le Motel’s knockout release in February, Brussel-based producer DJ JM lands on Maloca Records with a new EP ‘Squash’. The prolific producer is known for his impressive output of production-only mixes and releases on labels such as Nervous Horizon, Goon Club Allstars, and Even The Strong. 

The DJ JM project was first established in Vilnius, Lithuania in 2015, becoming quickly known for off-kilter club records. Heavily driven by percussion, DJ JM continues his powerful stride, this time providing six weird and wonky dancefloor anthems. With the Maloca Records ethos built upon global collaborations, on this record DJ JM teams up with Ugandan MC Swordman Kitala on ‘Funicular’. 

Launching Maloca Records in 2020, Le Motel aims to bring together an international network of makers which was highlighted on the label’s first compilation, Maloca Vol. 1. The release focused on a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit, featuring tracks from Nick León, OMAAR, DJ JM, Dengue Dengue Dengue, Coen, DJ N.K. and Tsongo. Maloca has also released solo EPs from Howie Lee, Farsight and Griffit Vigo.

MUSIC BY DJ JM 
MASTERED BY ELVIN VANZEEBROECK 
DISTRIBUTED BY CREVETTE DISTRIBUTION 
ARTWORK BY APPEAR OFFLINE

Squash

DJ JM - Owned

"Vari-poto"
New series initiated by Dites Safran.
Shorts release dedicated to diversity and variations.
From our hearts for your knees...

First release is a collaboration with the parisian talented duo Amor satyr, Siu Mata & Dites Safran !

Siu Mata & Amor Satyr | Ne Résistez Pas | VARIPOTO 1

Fraxinus - Powerplant Blue
Label: Powerplant
Catalog #: POW3R
Format: Digital Data (Vinyl TBA)
Release Date: 20/05/22

Another colour on the spectrum — Fraxinus delivers a further batch of industrial strength trax with his new EP Powerplant Blue. This is the latest in a series of colour-coded, no-frills white labels on his self-release imprint Powerplant.

Blue sees Fraxinus push the BPM range from previous releases, whilst retaining the same propulsive energy & lean aesthetics he’s known for. X-side up, ‘Interlock’ initiates the sequence with an uncompromising high-tempo workout. The raucous rhythm section rolls like thunder, a formidable breakdown supplying the only moment of respite. Second track ‘Frame Stall’ follows suit with its pounding kicks, upon which an insistent bleep unfolds restlessly.

Flipping to side Y, ‘Uplink’ makes for a dizzying listening experience — deep rolling bass frequencies & an elastic synth being pulled apart before the ears. Despite its bouncing beat, final track ‘Prow’ is a moodier affair. Skittering hihats & distant sirens echo through the mist, rounding out the collection in a heads-down fashion.

4 cuts of armour-plated techno, optimized for maximum warehouse utility — Powerplant Blue will be released 20/05/22 on digital download (vinyl TBA), distributed by Cargo Records.

--------------------

Recorded 2016 - 2018

Built by Fraxinus
Mastering – Saif Bari

Powerplant Blue

Interlock

@imitation_therapy

Buy: https://lithe.bandcamp.com/album/lithe-nora-drum-remixes

Mastered by Lithe 
Original artwork by Nadeem Tiafau Eshraghi featuring photography by Hamish Thomson, remixed by Nathan Hurdle

Remixes

Lithe - It's Rhythm (Imitation Therapy Remix)

IM096 - @aroent - Say
Label: Infinite Machine
Release Date: May 27th,2022
Format: Digital
Artwork by Vojd

Following on from a release-packed 2021, Infinite Machine are back with a new 4-track offering from the relative newcomer, Aroent. Across 3 new original cuts (plus a rework by UK dance royalty, Ploy) the Berlin-based producer delivers some serious rollers crammed full of gnarly drumwork and a pervasive air of unease. Like the strange, abstract creature of the record artwork, the music of Say EP is an amorphous beast, mixing the dense arrangements/layering of 90s IDM records with the off-kilter and swung beats of UK Techno and Funky.

The EP opens with its title track; a whirl of snaps, claps and phantom samples all firmly underpinned by an acid-inflected bassline. Aroent embracing of chance and luck in his compositions is evident on this track, throwing in idiosyncratic automations and randomizers to grow and evolve the tune over its 5 minute duration. The vox samples (stolen from Breaking Bad) seem to decay and fall inwards on each other on ‘Say’, as if the song is soundtrack to a decaying and corrupted society (not dissimilar to Heisenberg’s).

On ‘Rolling Oddities’, Aroent’s love for the Bristol bass & techno scene really shines through clearly. A track that seems almost built for a spinny night that rolls on until the morning, the song really does what it says on the tin with its combination of driving, rhythmic elements and it’s smattering of pretty out-there decisions in terms of arrangement and sound processing. This is a definite must-listen tune for fans of Batu, Lurka or Hodge.

Next up, ‘Bobcat’ takes things in a slightly more buoyant and ecstatic direction with its ever-rising filters and muted percussion that seems like it’s dancing along on tip-toes. On this song especially, Aroent’s genre-agnostic approach to production is abundantly obvious with elements of techno and bass sitting alongside kick drums that wouldn’t feel out of place on some Jersey Club tracks.

Ploy brings up the rear on Say EP with a ferocious ‘Skeletal Tool remix’ of the releases’ title track. Taking a reductionist approach to his rework, the Timedance signee strips out some of the originals’ more hyperbolic or dramatic elements and reduces it to a polyrhythmic, semi-genreless heater. Seriously - you try and pin this edit down to a single ‘genre label’, I dare you!

Despite the small number of releases to his name, Say EP is a highly confident and well-realized offering from the Greek-born, Berlin-based producer. In a way, Aroent is already creating his own sonic signature that lifts and interpolates aspects across the UK Bass spectrum and turns it into something totally unique. This is music that lurks in the shadows of warehouse clubs.

Tracklist:

1. Say
2. Rolling Oddities
3. Bobcat
4. Say (Ploy's Skeletal Tool Remix)

Aroent - Say (IM096)

Prepare to dive deep into the soul-stirring beats of the «Not Call Me» EP by DDSS, a production that resonates with raw energy and pure passion. Released under our dynamic record label Welofi, this EP is not just music – it’s a revolution! Each track embodies a unique blend of emotion and innovation, inviting the listener into a world where every note vibrates with life. Don’t just listen, feel the electrifying pulse of DDSS’s latest masterpiece. Experience the transformative power of music at its most passionate!
—
1. Not Call Me
2. Konnichiwa
—
https://soundcloud.com/ddss15
https://welofi.com/not-call-me-ddss

DDSS – Not Call Me [Welofi]

On his first official EP (2020, [re]sources), Bristol producer Jurango highlights the links between dancehall and UK club music, read more on CxC: https://couvrexchefs.com/en/jurango-re-sources-thahkek

Rift EP

Article

[PREMIERE] Jurango - Thahkek [[re]sources]

https://soundcloud.com/avernianofc
https://soundcloud.com/cressida

Joining the NHS team is Manchester’s own Avernian, whose presence amongst many other contemporary electronic music producers has shone brightly through a slew of releases on Daniel Haaksman’s Man Recordings, Scuffed Records, Row & Circular Jaw; a refined synergy of worldly instrumentation and modern mechanical sounds characterized by oblique rhythm structures defines his works. His foray into the NHS realm comes in the form of ‘Ripper’ – a battle-ready EP that encompasses the stages of conflict through rolling drum work and thunderous atmospheres.

We are called into battle with the title track ‘Ripper’ whose namesake suggests a sense of tearing and viciousness. Commencing with the ominous gong that swims through the emptiness at the beginning of the piece, we are immediately crushed by the monstrous kick drum sequence that dominates the mix of delicate distortion on the hats and mid frequency African percussion guiding it forward.

Following on is ‘Tornado’ taking a much more-fuller, bolder approach to the quality of the soundscape. Still carrying the same focus on rhythm primarily, Tornado chugs along as the 4x4 kick pattern carries the polyrhythmic force into the eye of the storm. Double time tabla keep the furious pace spinning around the outside of the intricate structure of this anarchic clash personified.

Taking the relentlessness of Tornado, Glacial Industries affiliate ELLLL expels the track into the nothingness of space with an exercise in low-end mastery. A distinct lack of high-end sounds, complex, rumbling sub bass hooks and its hammering rhythm help create the haunting mood on her reinterpretation of Tornado, an ideal soundtrack to the aftermath of the devastating storm.

Our last stand is not one that we take on alone; Avernian is joined by Cressida on ‘Canary’. Breathy risers maximise the forcefulness of the rhythmic madness on Canary. Rough, distorted smashes and crashes, much like that of the metal of swords and shields engaged in conflict, maintain the constant energy of the ensuing struggle. A powerful conclusion to the EP, though the war carries on.

Artwork by Benfika
Mastering by Doug Shearer

Ripper - EP

Buy EP

Avernian & Cressida - Canary

Contemporary club sound of @atricemiras's 'FKX82000'. Forthcoming on @resourcesmusic.

More: https://ins-rt.net/audio/atrice-fkx82000/

FKX82000 EP

Premiere: ATRICE - FKX82000

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Premiere: ATRICE - FKX82000

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