deep step in

Taken from SBKT046: Rilla - Yugeki / 遊撃 EP

Cover Design: Tianyi
Mastering: Raphael Valensi
Release Date: 21st January 2022

For our first release of 2022 we are excited to welcome Fukuoka born, Kyoto based producer RILLA to the SVBKVLT roster with ‘Yugeki / 遊撃’, the first in a series of EPs for the label.

Featuring 5 thunderous original tracks, and packaged with equally fierce remixes from Howie Lee, Osheyack and Hyph11E, the title ‘Yugeki’ translates to ‘attacking the enemy or assisting allies as the opportunity arises’, a ‘search-and-destroy mission’ or a military action without a predetermined target. Tianyi’s artwork encompasses this concept perfectly with a cloaked combatant, bow drawn, prepared for action.

Rilla

Rilla has been active in the Japanese music scene for almost 25 years, starting as a DJ in Tokyo in 1997 and a buyer for Cisco Records since 2002. His event ‘Almadella’ with Keihin and Yusaku Shigeyasu presented and toured artists such as Shackleton, Peverelist, Scuba, Goth-Trad and Karafuto aka Fumiya Tanaka, with Rilla himself playing over 50 events a year. Since 2012 he has been based in Kyoto, and in 2020 released his first EP ‘SFTM002’ on Torei’s ‘Set Fire To Me’ label. His SVBKVLT debut ‘Yugeki / 遊撃’ sees Rilla expand outside of Japan for the first time, with a second EP set for release later in 2022

Yugeki / 遊撃 EP

Rilla - Isn's (Osheyack Remix)

Ruinas Futuras

(DAWN017) UN1TED NOWHERE V/A
100 limited copies
CD
Mastered by Truehd
Design by Hajj
Dawn 2023

@comechelet
@kingdoudou
@ptwiggs
@elvin-brandhi-1
@jjjacob
@whiterose39
@tumy06
@jonnnah
@talpah
@itsronce
@otoninski
@gyurbhi
@hadji-hajj

Hajj - ♡ Of Darkness

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Harry Wright).

The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism. 
credits
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Spider

@assyouti - Kraken Sight [PNMTU010]
Artwork by yyed [https://instagram.com/_yyed/]
BANDCAMP [https://paynomindtous.bandcamp.com/album/kraken-sight]
YOUTUBE [https://bit.ly/kraken-sight-yt]
***
Assyouti (he/him) is an Egyptian DJ and producer born and raised in Cairo, a bustling city whose perpetual chaos and overwhelming noise pollution have been channeled into the artist’s unique music productions, developed around endless warping and manipulation of rhythmic and vocal samples. Now based in Berlin, Assyouti has been bringing his remarkable mutant bass music around local clubs as well as the most renowned festivals for the scene such as Uganda’s Nyege Nyege and Berlin’s CTM. After his debut EP "Shakhrama" (High Digital, 2022), and the follow-up “The Disintegration of Eric Omelette” (Shepard Tone, 2023), we’re beyond excited to present his next endeavor called “Kraken Sight”, releasing July 5th on our platform and marking our tenth outing so far.

Keeping up with Assyouti’s trademark feature of arranging broken rhythms, deranged percussions, and heavily distorted bass into articulated sound aggressions, the release is composed of five tracks sketched with a harsh industrial-infused sound palette, and refined through the surgical juxtaposition of tension, sudden release, and further sonic assault. Kraken Sight describes the descent into a dangerously dark ocean, inhabited by lurking creatures ready to swallow the listeners in the bottomless, obscure depth. Masterfully managing to convey an ever-present tension, Assyouti’s latest effort summons oppressive and abrasive soundscapes to lead to inescapable feelings of unease and discomfort, where light struggles to infiltrate and brighten the black, desolated abyss. 

All tracks are mixed by Assyouti and mastered by Wim Dehaen [https://soundcloud.com/wimdehaen].

Kraken Sight

Bandcamp

Assyouti - Sunken Sleeper

GARGANTUAN COLLAPSE - MODERN GRIEF 
(DAWN021)
50 limited copies
CD
@gargantuan-collapse
Produced by @modern-collapse & @gargantuang
Mastered by @lastrackqlf
Photos by Melchior Tersen
Dawn 2024

Modern Grief

Trqck 4

Born out of three years of displacement after the outbreak of war, Index_0 emerges as a sonic artifact — a fractured reflection of modern existence. It is a diary of dissolution, an intimate yet raw exploration of identity in a world where horror and beauty intertwine.

Carving through deconstructed club, noise, and spectral electronics, the album captures a personal eidos — a state of being filled with tension, love, regret, psychosis, warmth, and fleeting moments of joy. The sound textures, layered and evolving, serve as a means of reflecting on the present, shaping a deeper understanding of oneself and the surrounding world.

Forged on X-ray records, Index_0 is more than just an album; it is a relic of the future. Each copy is an unrepeatable anomaly, a ghostly imprint of lost vinyl cutting techniques, where frozen human shadows are reanimated into pulsing waves of energy. It is a bridge between the material and digital, past and unknown, a physical ritual inscribed onto fractured bones.

This is album as a time capsule, an echo from a collapsing reality, awaiting activation.

Produced, composed and mastered by WULFFLUW XCIV.
All art-works and visuals by Sophie Nakonechnaia.

x-ray vinyl LP 

Drained Souls

Variegated Fairing

SIGNALS

chakra misaligner (220~)

This is an edit of 3 tracks from OLY, Osheyack and the legendary Paula Temple made almost a year ago :)

High Speed Train Line

GUAN - Clamp

04 GUAN - Incantation Punishment

Tadleeh 1year Remix Release [YGK010]

1. Ego Will Collapse (CRYSTALLMESS Remix)
2. White Flames On Black Embers (Slikback Remix)

Format: Digital/EP
Release Date: 1 Jul, 2020
Cover by Pietro Agostoni
Mastered by Alexis Chan

White Flames On Black Embers (Slikback Remix) [YGK010]

About Let's Collapse

Let’s Collapse is a collaboration EP between Pixelord and Max Dahlhaus in Moscow and Berlin, respectively. The illusion of the global village, which it seems like yesterday’s, collapsed due to the outbreak of covid-19, but none of this can prevent people from contacting each other. This EP shows how the artists feel in it.

Both artists are good at creating cold music, and the collision of ideas has produced many wonderful changes in the results. The whole EP is like a roaring turbo engine, and the huge sound continuously presses our hearts. There is always some strange but beautiful sound between the heavy drums and the rough background noise, when they appear, it will make the listener's scalp tremble like two sharp pieces of metal rubbed in a flash. All these sounds constitute a sci-fi world, and the rich details bring people into endless spaces of imagination. The world is constantly destroyed and rebuilt in the journey of the seven tracks, and the epic ending leaves all this to the unknown.

《Let’s Collapse》由分别位于莫斯科和柏林的Pixelord 和Max Dahlhaus 共同合作完成。恍如昨日的地球村幻景由于疫情的爆发一瞬间崩塌了，但这一切都无法阻止人们相互联系。这张EP展现的就是音乐人在其中的感受。

两位音乐人都善于制作黑暗冷酷的音乐，这次创意之间的碰撞使结果产生了许多奇妙的变化。整张EP就像一台轰鸣的涡轮引擎，声浪持续地压迫着我们的心脏。在厚重的的鼓点与粗糙的背景噪音之间总有一些奇特但又美妙的声音，他们出现时就像两片锐利的金属片擦过一般使听者的头皮一刺。所有这些声音共同构成了一个未来的科幻世界，丰富的细节使人们进入无尽的想象空间。在这七首歌的旅程中，这个世界被不断地毁灭，又被不断地重建，充满史诗感的结尾把这一切留给了未知。 

Mix:Max Dahlhaus & Pixelord
Master: Max Dahlhaus
Artwork:Gabriel Massan

Let's Collapse

Max Dahlhaus - Crrrush

Debut track by @badxspin. Taken From @sadan_rec's first compilation 'Unform'.

More: https://ins-rt.net/audio/bad-spin-core-ban

Article

Premiere: Bad Spin - CORE - BAN

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Premiere: Bad Spin - CORE - BAN

Insert

Recent comments

xe_5aj1700155_024

Vlahek

Move&Prove International

B E N N

Related tracks