KAVARI is an English artist, DJ, and producer of experimental electronic music, born in Liverpool, England and currently based in Aberdeen, Scotland. KAVARI’s music, art, and performances interrupt the senses with high energy syncopated rhythms, brutalist percussion, and intensity. All while her intoxicating melodies lull you back into serenity.

KAVARI’s debut EP ’if the benign was to ever be so pure’ is an amalgamation of her sonic palate. Based around the concept of idealistic desires being tarnished by their real-life manifestations. This project is a catharsis rendered through warped club beats and delicate ambience.


@kavarimusic
@meld-scotland

Buy:
https://meld-scotland.bandcamp.com/album/if-the-benign-was-to-ever-be-so-pure

PREMIERE: KAVARI - Essence Remains [Meld]

https://soundcloud.com/networkerror remix of 𝑟𝐢𝞀𝞀Į3 sĶ3𝜔 
from axine.bandcamp.com/album/-

get it here::: https://axine.bandcamp.com/album/haunt3d-body-r3mix3s

to benefit For The Gworls :::
www.forthegworls.party/donate

mastered by @deflect0r

ⓟⓤⓡⓒⓗⓐⓢⓔ

𝑟𝐢𝞀𝞀Į3 sĶ3𝜔 ( Isabella r3mix )

Arranged & Composed by Second. 
Mastered at Paul's Boutique 
Designed by Warzou, Distribution by Rubadub

[BGSC2104] B Side - Second. - The Mall

"Volcanic December" by @sharu is the latest track from @infinite-machine 's upcoming 10 Years Compilation out on the 3rd of December

Read More: https://soulfeederweb.com/premieres/premiere-ma-sha-ru-volcanic-december/

10 Years Compilation

[Premiere] Sha Ru – Volcanic December

EP DL

ERIT

V.A. - Dys Functional Electronic Music X 
Format: 2 x 12"/DGTL
Cat#: REPITCH02LP
Release Date: 10 November 2022
Pre-order: https://repitch.bandcamp.com/album/dys-functional-electronic-music-x

Back in 2011, the REPITCH label debuted with "REPITCH 000", a brief compilation that featured tracks from the three originators: Pasquale Ascione (Ascion), Davide Carbone (D. Carbone), Nino Pedone (Shapednoise). Since then, the imprint has been a key player on techno's experimental fringes, pushing music that joins the dots between industrial, noise, bass, and hard dance. In ten years, they've released music from artists like Sote, Zenker Brothers, AnD, Sleeparchive, Regis, and VTSS, and to celebrate their anniversary, REPITCH has fittingly assembled another forward-thinking selection of tracks following on from 2017's acclaimed "Dys Functional Electronic Music."

"Dys Functional Electronic Music X" is a state of the union from Ascione, Carbone, and Pedone that highlights not only their label's scope but its intentions for the future. Ten years in, the trio are just as motivated by broadening club music's horizons as they are filling dancefloors, and that's never more obvious than on opening track 'Mastice Riddim (VIP Mix)' from Shapednoise and Gabber Eleganza. The two producers meet at the exact intersection of their styles, with Pedone splitting Alberto Guerrini's fictile trance arpeggios using his patented hi- definition sound design and trunk-rattling drill rhythms.

TSVI and Randomer excavate a similar mid-point on 'Overbite,' following on from 2021's "Reflex" EP with a booming, mindboggling fusion of warehouse techno and cybernetic dancehall. Pasquale Ascione's contribution 'Plugged (Heavy- Rotation Mix)' is a disarming future-retro cut, distorting vintage breaks with psychedelic bleep techno synths, while Carbone's 'Hypnotic Experimental Dance' does precisely what it promises, blotting grinding hardstyle kicks into dissonant waves of psychedelic electronics. Los Angeles ravers Baseck and Aura T-09 throw shades over the Cali sunshine on 'Angelz', losing gabber rhythms in tweaked DSP fizz but never dropping the crucial momentum.

On the flip side, Italian mainstay DJ Plant Texture turns in a breakbeat slow- burner that sounds like Sheffield via Rotterdam but never dips into empty nostalgia. Russia's versatile Buttechno, meanwhile, brings a weightless sensibility to progressive minimal, layering cauterized harmonics over driving warehouse kicks and dreaming gently of the big room. The compilation switches gears at this point, centering a pair of rave-ready hard dance constructions from fwd-thinking Greek producers DJ Loser and MarcelDune, before grinding to a halt on sci-fi-tinged closer 'Digital Hoarder' from Low Income $quad's Strahinja Arbutina.

Gabber Eleganza & Shapednoise - Mastice Riddim (VIP Mix)

@Beatrice-triste
It is time to let go of your fear and doubts. You must learn to embrace the darkness of your soul, for it is a light beacon of hope for humanity. Your soul wants to show itself in its truest form, strength, perseverance, courage and determination of spirit. In this lifetime your soul needs to cleanse and open its feelings for katharsis.

With the double compilation “Infinite Summer: Ekstase & Fantasi”, katharsis celebrates the return of raves and concerts to society after a long period of pandemic shutdown. A magical summer has passed filled with an incredible pallet of emotional material, ready to be expressed. Therefore, we encouraged a collection of artists we adore to channel their imagination of the greatest way to conclude an endless summer night into a piece of music.

This resulted in a grand assemblage of harmonious manifestations, naturally splitting into two divisions with opposing focuses. On the first part of the duology “Ekstase” coming out on September 20th, we are presented with fourteen tracks for the dancefloor in an array of different styles, ranging everywhere from energetic morning vibes on the junglish opener “Origin, Gate's Dawn” by Yem Gel to hardcore sensations on Mang’s trap-infused roller “Based Halo”.

Infinite Summer: Ekstase

Attempt

Beatrice - Attempt

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi


In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.


Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.


Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

--

Six Paths

Gorgonn - Greed

'Now I am become death..'
Video: https://youtu.be/PHk32vdJr5s?si=OnAm9cMxNnx52N2b

Thi$ track contain$ element$ of 'Elegy No.1 in D minor' by Giovanni Botte$ini (1821-1889).. Go green - recycle old mu$ic....

Urchin Initiator

From album "SF02 States of Fugue" by @zoemcpherson
Preorders >> https://sfx-space.bandcamp.com/album/states-of-fugue-sf02
Performed, produced & engineered by Zoë Mc Pherson
Final mixdowns by Matt Karmil
Mastering and lacquer cut by Mike Grinser @ Dubplates & Mastering, Berlin
Artwork by Szilvia Bolla & Jonathan Castro

[Sf02] States Of Fugue

Tenace (dogs road)

Zoë Mc Pherson - TENACE (dogs road)

@ex_sses album 'RELIC' is dominated by deep bass but leaves enough headspace for intricate percussion. Forthcoming on Cherche Encore.

More: https://ins-rt.net/audio/ex-sses-m-a-d

RELIC

Premiere: ex.sses - M.A.D.

A/V Platform — Rec. Label — Live Visuals — Rave⁣⁣

Premiere: ex.sses - M.A.D.

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