KHA018 comes from north-eastern techno heavyweight Kill Your Idols with a remix from Mython. This release is available on digital and vinyl formats (see details below)

Dan Breeze AKA KILL YOUR IDOLS is a DJ and music producer from the northeast of England. Dan has released music on a range of labels from around the world and has remixed techno heavyweight Rebekah. The KYI style focuses on hard techno infused with elements of a variety of genres such as trance, metal, grime, hardcore, hypnotic and groove which creates a unique sound.

This EP encapsulates a return back to the true sense of the Khazad sound, with two blistering original tracks full of aggressive percussion, rolling hypnotic synth lines, and infectious industrial-infused grooves.

Alongside the originals is a remix from one of Berlin's fastest-rising stars, Mython. He has assembled a powerful interpretation of "Buried Before My Time" including his signature rolling kick-basses and synth stabs moulded together with precision-engineered drums and percussion.

To order a copy of the EP on vinyl please visit our Diggers Factory Store: www.diggersfactory.com/vinyl/285812/kill-your-idols-twenty-eight-ep-kha018

*Please be advised that this is a pre-sale release and the vinyl will only be pressed if there are enough orders. Any records purchased will be fully refunded if the pressing does not go ahead. There may be up to a 4-8 week wait on orders due to production delays.

INDUSTRIAL GROOVE IN YOUR NOSTRILS

Mastering: Micky Nox

Buy Here

PREMIERE I Kill Your Idols - Twenty - Eight [Khazed Records]

Nina Kraviz launches her трип (pronounced ‘trip’) label with a double-EP compilation entitled ’The Deviant Octopus’, featuring a pair of brand new productions from Kraviz alongside material from Terrence Dixon, emerging talent Parrish Smith & Bjarki, and veteran producers Exos & Steve Stoll.

The idea for трип has been gestating for some time with Nina Kraviz, an avid crate-digger and frequenter of numerous second-hand record stores, who has long wanted to begin a label of her own which would build on some of the principles of her beloved 90s techno labels in terms of attitude and aesthetics, whilst looking for forward-thinking modern productions that reflect her core tastes for idiosyncratic electronic music.

The art and title of 'The Deviant Octopus' comes from a single-sentence scenario dreamt up by Kraviz: “Without a moment's notice an Octopus appeared and devoured everyone in sight”. Supplied with this scenario, artist Tombo rendered his own unique visualization for the artwork that adorns the release sleeve. It's Kraviz's own nod to the labels that inspire her and grab her attention while digging through second hand records, the best of which were imbued with the unique personality of the people behind them. This extends to the sound Kraviz intends for трип: dusky, divergent and trippy music to stimulate brains, dreams and fantasies.

In this respect ‘The Deviant Octopus’ is a perfect introduction: Kraviz herself is represented on the tracklist by two new tracks that take up the mantle of last year’s Mr Jones EP by returning to the vocal-flecked hypnotic techno that marked out that release. Complimenting those are two new cuts from a true master of hallucinatory off-kilter techno, Terrence Dixon in his Population One guise.

Joining them will be a pair of names from the techno pantheon who have been huge influences on Kraviz: with a career that’s taken in releases on Synewave, Trax, Novamute and Richie Hawtin’s early-90s Probe Records, Steve Stoll has been mining his own variant on techno and acid minimalism for over twenty years, heading up the Proper NYC label and releasing under various pseudonyms, such as Cobalt, of which Kraviz has been a long-term fan. His counterintuitively titled ‘Pop Song’ sits alongside a 13-minute 90s techno excursion from Reykjavik’s Exos - the only previously-released cut (originally appearing on Thule Records sub-label Plast Trax in 1998) - together illustrating that трип will also live up to its name in the geographical sense: showcasing great music from historically vibrant electronic music scenes outside of the usual Detroit-Berlin axis.

With Kraviz looking to build a small repertory of talent around трип, this first release also makes room for two newer names: Bjarki is an Icelandic talent to keep a firm eye on, who drew Kraviz’s attention in a chance meeting after a gig at Copenhagen’s Culturebox club, after which he passed her a collection of mind-bendingly odd demos; while Parrish Smith is a talented Netherlands-based producer whose short yet impactful sketch ‘1.0 / 8.0 Afrika Genocide’ brings the second 12” to a bewitching close.

All tracks on ‘The Deviant Octopus’ will feature on Nina Kraviz’s DJ Kicks compilation, out in January 2015 on !K7 Records.

Tracklist: 
A1 Nina Kraviz - Prozimokampleme 
A2 Steve Stoll - Pop Song 
B1 Nina Kraviz - IMPRV 
B2 Bjarki - Polygon Pink Toast 
C1 Population One - Out of Control (Vocal mix) 
C2 Population One - Bonus Beats 
D1 Exos - Nuclear Red Guard 
D2 Parrish Smith - 1.0 : 8.0 Afrika Genocide

D1. Exos - Nuclear Red Guard

Say What? returns with Dutch duo NRNT (No Rides No Techno) who delivered 4 dancefloor heavy tunes for their debut on the label.

Starting off with 'Alliance' a high energy track with funk based percussions that keeps building up and becomes a full-on jacking monster after the climax giving us that instant festival feeling that we all love!

Second up is 'Tubular', this heavy-duty track has a lot of old-school flavours in it along with the rolling bassline and its modular background synth build-up making it a stand out tune inspired by Speedy J ‘s live sets.

Third on the release is 'Red From The Sun' which has a drive that feels like a locomotive running through the club. They build the track with the use of little subliminal edits and kept the overall vibe loopy to give that extra energetic flow to push a perfect club vibe.

The last track of the release is 'Distinct' another roller with lots of percussive elements and a stab based melody that will fit perfect for those uplifting techno sets showing that NRNT mean business!

Enjoy

Buy on Beatport

PREMIERE: NRNT - Alliance [Say What?]

THE TRIBAL HOUSE IS DEAD?

THE TRIBAL HOUSE IS DEAD? (Las Bibas From Vizcaya Tribal Remix)

Suspense Shot

Bandcamp

TIME TO TAKE OFF (Original Mix)

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Natural Blues (Marco Faraone's Whitelandvox remix) - Drumcode - DC164

Fire

Steel

MARCAL
Shutdown Ep

A1 - Shutdown
A2 - Ethereal
B1 - Biohazard
B2 - Heartbeat
-------------------------------

Release date: November 18 2019

All tracks written by Laerte Marçal
Cat. No. JAM016
Format. Vinyl + Digital
℗ Evox3 music srls 
© 2019 JAM

all rights reserved

Shutdown EP

MARCAL - Shutdown (Preview)

Indepth has a deep passion for emotional & driving Techno, combining raw beats with captivating melodies.

He remixed some successfully tracks for our label and now, we are proud to have a full Bomb ep from this guy!

#onlybombs

ARTIST: INDEPTH
TITLE: RENEGADE
VERSION: ORIGINAL MIX
RELEASE DATE: 27/04/2020

For infos & Licensing contact:
info@autektone.com

Follow The Label:

http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
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Follow Indepth:

https://www.facebook.com/indepth.music 
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Nationwide Ep

Renegade (Original Mix)

ATK060 - Indepth  "Renegade" (Original Mix)(Preview)(Autektone Records)(Out Now)

Kubrix

/\ Join - Art - Music /\

DEMO SUBMISSIONS:
Will be accepted ONLY Soundcloud or direct stream links to demo@wearejam.net

FOR YOUR INFO:
We can't reply with a message to every email we receive, but we do our best to listen to every promo we receive.
If you don't get a feedback back, even if we listened to your music doesn't mean we don't like your project, but just because probably it is not the sound we are looking for the next JAM's releases.

MARCAL - Shutdown (Preview)

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