Techno & others

Paula Vélez - Mars Breeze | V/A 004 ALDUNA by Nótt records

Alone (feat. FEMME)

Oliver Huntemann - Rotlicht

The third chapter in discjockeymatt’s saga, vol.3 is a seismic leap forward—both in ambition and execution. Building on the raw energy of the previous volumes, this release dives deeper into elemental techno, where sound becomes substance and rhythm becomes ritual.

Compared to its predecessors, vol.3 is a masterclass in techno evolution. The mix is tighter, the transitions sharper, and the sound design more immersive. It’s not just another installment—it’s a statement. Discjockeymatt has leveled up, and the results are undeniable.

Whether you're deep in the underground or just discovering the pulse of techno, vol.3 is a journey worth taking—raw, refined, and relentlessly forward-moving.

Instagram - discjockeymatt

YOU SHOULDN’T BE HERE

Ein düster-treibender Techno-Track mit kraftvoller Kickdrum, hypnotischen Basslines und minimalistischen Synth-Elementen. Inspiriert vom energiegeladenen Warehouse-Sound à la Chris Liebing – roh, direkt und perfekt für Peak-Time-Sets.

Tauche ein in dunkle Atmosphären, rollende Grooves und endlose Energie auf dem Dancefloor.

#Techno #DarkTechno #DrivingTechno #HypnoticTechno #IndustrialTechno #MinimalTechno #WarehouseTechno #UndergroundTechno #Electronic #Rave

Dark Frequency

Acid line tracks thats the name of the game. Hope you like 

Fitzgrade - Slippin

2017’s first Drumcode release comes in the form of chart topping regular Julian Jeweil, who’ll be putting out his first solo effort on the label. Jeweil’s ‘Rolling EP’ showcases his skill as a producer and kicks off with the emphatic title track ‘Rolling’. The perfect soundtrack for the early hours in the club, this sweaty affair proves just why he’s at the top of the game right now. ‘Venice’ and ‘Blue’ illustrate his signature sound to a tee, with the EP’s final track ‘Traffic’ an acid-tinged behemoth, guaranteed to light up any set.

Julian Jeweil – Traffic – Drumcode – DC167

Sam Paganini - Hypnotize (Sample)

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Ocean Drive - Drumcode - DC184

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as DC-10 and Fabric. 
This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father’s night club – and it now leads to her first outing with Kompakt: SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt’s records have always been a staple in her sets: “I have so many records from Kompakt, I’ve had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.” Her very own release on the label, however, seemed “like a distant dream”, she says. Turns out it wasn’t that distant after all – thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.
Available here: https://KompaktRecords.lnk.to/Speicher101SD

Buy/Stream

ANNA - The Dansant

Beatport: bit.ly/FunkeBeatport
Vinyl: bit.ly/FunkeVinyl

Pan-Pot - Funke EP [SNDST045]

1: Spitzer
2: Funke
3: Spitzer (Petter B Padwash Remix)

It’s safe to say it’s been too long since we last saw label bosses and heavy hitters Pan-Pot grace Second State with their ‘Solace’ EP back in November of 2016. So to have them back with two big bombs and a remix from the one and only Petter B on their ‘Funke’ EP curbs all anticipation from all of us who have been dying for new material.
Kicking things off is ‘Spitzer’ with hi-octane percussion and reverb heavy acoustics spanned out over ten minutes where simplicity rules and the age old saying that “less is more” has never been more accurate. Flipping sides we see the duo take a similar approach on “Funke” but deliver a rugged and brutally mesmerizing lead that coaxes the inner devil inside all of us. Rounding out the EP is a carefully curated remix from Gothenburg’s own and former Hertz collaborator Petter B who hands over a beautiful rendition of ‘Spitzer’ where dense, lavish atmospherics carry a heavy looping groove to a gorgeous climax. It’s good to have the boys back and we think you will agree when you hear their stunning new ‘Funke’ EP.

@pan-pot
@secondstateaudio

Funke EP

Funke

Beatport

Pan-Pot - Funke

Dino Maggiorana - Reaction EP (Static UK) Preview

BUY: fanlink.to/mk-hoisin

Digital: 17th January 2020
Vinyl: 31st January 2020

1: Michael Klein - Hoisin
2: Michael Klein - Bite
3: Michael Klein - The Signal
4: Michael Klein - Hollow Night

Techno DJ and producer Michael Klein has been consistently putting out solid work for years, a habit that has made other DJs – among them Richie Hawtin, Chris Liebing and Laurent Garnier – look to Klein’s releases as reliable fodder fit for a variety of moods at any given party. 

Born in Frankfurt and trained in classical piano as a child, Klein cut his clubbing teeth at the likes of Robert Johnson and Cocoon. He then moved to Berlin where he cultivated his dark and groovy sound, assisted by his studies in sound engineering, and earned a residency at the beloved, now-closed Stattbad. Klein is prolific but versatile, and these qualities come to the fore on his latest release, the Hoisin EP for Second State.

The title track, ‘Hoisin’, is a shapeshifter, switching gears from mesmeric, winding bass and rhythmic bleeps to minor, eerie builds, cheeky drum rolls, and more energizing chords. ‘Bite’ is more urgent, kicked along by impatient percussion and an acidic bass burble. ‘The Signal’ is the EP’s biggest moment, destined to be a highlight of not just Klein’s sets, but others’, too. It has the atmosphere of a ‘90s Bristolian rave, with a whomping stomp, beguiling bass and the odd vocal yelp adding era-specific authenticity. ‘Hollow Night’ demonstrates how deftly he can change moods. Here Klein retreats into something darker and more insular. A kick joined by circular chords creates a claustrophobic but compelling inner world. 

Klein is a highly valued member of the Second State family and recently contributed an excellent exclusive track for Amelie Lens’ fabric presents mix. He’s been something of a secret weapon in the techno community for years, but while his music prefers to live in the dark, Klein’s profile is, deservedly, coming into the light.

@michaelkleinberlin
@secondstateaudio

The New Yellow EP

BUY HERE

Michael Klein - Hoisin

Ripped from Charlotte De Witte @ City Steps, CRSSD Fest, United States (Beatport Live) 2020-03-08:
https://youtu.be/ymS_zguMy90?t=1323

https://www.beatport.com/track/sgadi-li-mi-original-mix/13636228
https://www.beatport.com/release/return-to-nowhere-ep/2972924

https://soundcloud.com/charlottedewittemusic
www.beatport.com/artist/charlotte-de-witte/519996
twitter.com/CharlottedWitte
www.facebook.com/charlottedewittemusic/
www.youtube.com/channel/UC-yOW3e6zBSo1JwLXq46Suw
open.spotify.com/artist/1lJhME1ZpzsEa5M0wW6Mso
www.kntxtmusic.com/
https://soundcloud.com/kntxtmusic

https://soundcloud.com/beatport
https://www.youtube.com/channel/UCyEMqKQPGdj8wKVKt2-agbQ

Charlotte de Witte - Sgadi Li Mi

If You don't like this future....
Make your own.......
The Future is Ours!

ARTIST: ROBPM
TITLE: FUTURE
VERSION: ORIGINAL MIX
PRE-ORDER on Beatport: 06/07/2020
RELEASE DATE: 13/07/2020

For infos & Licensing contact:
info@autektone.com

Follow The Label:

http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
https://www.facebook.com/Autektone
https://www.instagram.com/autektone/
https://twitter.com/autektone
https://soundcloud.com/autektone

Follow ROBPM:

https://www.facebook.com/ROBPMDJ/
https://soundcloud.com/carisda
https://www.instagram.com/robpm_official/

Future

Future (Original Mix)

ATK065 - ROBPM  "Future" (Preview)(Autektone Records)(Out Now)

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Victor Ruiz — Love Story — Drumcode — DC235

/\ Join - Art - Music /\

DEMO SUBMISSIONS:
Will be accepted ONLY Soundcloud or direct stream links to demo@wearejam.net

FOR YOUR INFO:
We can't reply with a message to every email we receive, but we do our best to listen to every promo we receive.
If you don't get a feedback back, even if we listened to your music doesn't mean we don't like your project, but just because probably it is not the sound we are looking for the next JAM's releases.

Sam Paganini - Hypnotize (Sample)

JAM Join Art Music

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