compact multitude

Scrying the Landscape IV w/ Elina Tapio & Hannah Pezzack!
For Freudian analysts, dreaming of horses is a sign of a phallic fixation – a symbol of carnal, unbridled desire. In 1973, Peter Shaffer published Equus, a play about a young man whose pathological obsession with the creatures drives him into mania: from erotic fascination to violent possession. Yet for feminist writers like Elspeth Probyn, the act of riding embodies euphoric lines of flight. Stables are distinctly feminine spaces in which women and girls form close bonds with each other, and with their equestrian companions. The fourth episode of Scrying the Landscape is inspired by a trip Elina Tapio and Hannah Pezzack took together to Oostvaarders National Park in the Netherlands. There, the wild Konik horse – descendants of the extinct Tarpan - has been introduced to roam through this fenced territory. Indebted to this re-wilding experiment, the biopolitics of species scarcity and Celtic rituals, they present a soundscape of horse music; pagan folk, experimental noise and Welsh choral singing.

Scrying The Landscape w. Elina Tapio And Hannah Pezzack [29.09.2021]

Featuring on CO-PILOT's Green Machine concept album, the melodic, crashing "Lost You (In Translation)" drops this Friday, October 15th on New Interplanetary Melodies.

Watch the visualizer on YouTube here:
https://www.youtube.com/watch?v=dq8OqfO1xjU

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Bandcamp

Premiere: CO-PILOT - Lost You (In Translation) feat. Maddy [New Interplanetary Melodies]

Cactus

Simulacrum

A Tension of Opposites, Vol. 4

Returning

https://vertical-music.bandcamp.com/album/radura

Sonic research in two residual places linking poetry, soundscape and architecture. ‘Femminile Plurale’ takes us through a former greenhouse, an irrigation tank and a bunker in Liguria. ‘RADURA’ rewrites the space of an urban clearing in Berlin through a participative performance. 

Vittoria Assembri is an architectural and sound researcher. Her practice explores the territories considered marginal, from an architectural and sound point of view. She focuses her research on the regeneration of urban spaces as the recovery of building heritage that pursues sustainable sociability and social diversity. She deepens on the notion of Third Landscape, as an oblique and unconventional condition, of abandoned spaces invested by spontaneous forms of other species. 
www.vittoriaassembri.com 

Gaia Ginevra Giorgi is a poet, sound artist, performer and researcher. She published “Manovre segrete” (Interno Poesia, 2017) and “L’animale nella fossa” (Miraggi Edizioni, 2021). Her research is oriented towards the generative possibilities of intercode poetry: she experiments with vocal soundscapes, and studies the relationships between text, voice, new electronic devices and architectural space, creating site-specific projects. 
www.instagram.com/gaiaginevragiorgi/ 

They are co-curators of 'Walk So Silently That the Bottoms of Your Feet Become Ears' (on Fango Radio), a collection of sound materials by artists who work with a site-specific approach. Archives of sound landscapes reflect on the theme of liminal enviroment, of waste, of residue: field recordings, interviews, vocal soundscapes, poems, sound installations, then in close relationship with the architectural space and its crossings (human and non-human). 
www.fangoradio.com/shows/158

Vittoria Assembri & Gaia Ginevra Giorgi: RADURA (Excerpt)

“I’m not strange, weird, off, nor crazy, my reality is just different from yours.” – Lewis Carroll

Spitzer Spotify Playlist - open.spotify.com/playlist/1ew81d1apIyY6Pr8Z4vVSh

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Ratio 2 Shape Edit

R.Hz, Imprum - Ratio 1 [Spitzer Records]

If There Is Something… w/ Cindytalk - Radio Buena Vida 22.10.23

A1 Analogue Data Processing (Clip)

Getting familiar with the wonderful Cwejman SM-1.  All sounds are solely from the SM-1. 

The two VCOs are tuned in a fifth, first one is a SAW, 2nd a PWM Saw. The PWM is done by LFO2. LFO1 modulates the cutoff of the filter as well is the spacing of the filter.

I'm playing through several filter settings, first clean and at the end SAT1. 

I've played keyboard through a Yarns in ARP mode to provide the pitches.
Recorded in one take in Pro Tools, added bit of delay (Echoboy) and reverb (Adaptiverb)

Premiere: CO-PILOT - Lost You (In Translation) feat. Maddy [New Interplanetary Melodies]

We Are Machine

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