Efficace. Des beats discret mais pas en retrait. Très fort. Bravo.

eargasms vol. 3

Exclusive new track from our new album The Unified Field. 
Out on Denovali Records on October 25th on Vinyl / CD / Digital

Cross Hands

Little D (Original Mix)

John Lemke live at Radialsystem on 26 April, 2014 in the frame of Denovali Swingfest Berlin.

Special thanks to Carlo Grippa for the great sound and to John Lemke for editing this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.

If you like what you hear, support the artist!
http://denovali.com/johnlemke

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

John Lemke @ UM:LAUT - Traveller Swingfest Edit (Live)

Taken from the album 'Vertical Land' out now.

DL : https://itunes.apple.com/gb/album/vertical-land/id989259810

CD/LP :http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=vertical+land&rh=n%3A229816%2Ck%3Avertical+land


Vertical Land

David John Sheppard - Seconds, Minutes, Hours

AMVI is a new project by Saint-Petersburg-based composer Maxim Ananyev. With his former project Tree Bosier he passed across a dozen of genres, and never looked back willing to create a better version of something that was already made. As a result, Afisha magazine tried to find a specific niche for his music: “This is the case when “dreamy electronica” is not a cliché or just a mere name but kind of an attempt to define the actual genre”. 

Paysage is special for its acoustic instruments sound. It is so close in panorama as if someone plays it right here in front of you. All percussive aspects are clearly hearable, there are no reverberations, distortions or layers of effects. “This is electroacoustic music. I wanted to create as realistic and honest sound as possible”, explains artist. 

“I’m inspired by many things, but mostly visual ones”. It explains album’s name: just like a picture in a gallery – with many layers and details – Paysage invites to an attentive observation and diving into its sound landscape." 
Qué Music Blog

iTunes

Ego on the Waves

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

Site Specific

Point of Departure [Full Length]

Buy : https://bigoandtwigetti.bandcamp.com/track/crescent

We’re pleased to announce a new collaborative album in conjunction with Bigo & Twigetti. ‘The Exquisite Corpse’ is based on the surrealist game of the same name. Taking Leah Kardos 'Little Phase' as it's starting point, the piece will be reworked by a series of composers and producers to create an album of tracks which continually evolve as each new version is passed from one artist to another, adding to and transforming material from the original piece. We'll be releasing a new track from the album every 2-3 weeks with the first track due towards the end of October and the full album available in April 2017 so keep an eye on our social media for updates.

Jacob David & Thomas Haahr - Crescent

Side A of "L'Orée", DKK004
Released October 2012 on DIGIT∆L.KITO.K∆T
http://soundcloud.com/digital-kito-kat
http://digitalkitokat.bandcamp.com/

Mwte - La Forêt

Follow us: https://www.facebook.com/LoveEchoMusic

Love Echo - Daybreak (Un.Think Remix)

download here: http://olliemckendrickness.bandcamp.com/track/forgotten-like-us

Forgotten Like Us

download here: http://olliemckendrickness.bandcamp.com/track/renew

Renew

https://brambles.bandcamp.com/album/half-gramme-holiday

-

Brambles - Half-Gramme Holiday

www.soundcloud.com/sohnmusic
www.facebook.com/SOHN
www.twitter.com/sohnmusic

www.facebook.com/iamreid
www.twitter.com/iamreid

SOHN - The Wheel (REID Remix)

Contact :: wearemwte [at] gmail . com

Free downloads on our Bandcamp. Follow us on Facebook !

MWTE est un groupe de musique électronique originaire de Metz. Si les premiers morceaux à forte tendance electronica datent de 2012, c'est fin 2013 avec la sortie d'un premier EP et les premiers concerts, que le quartet sort de la petite chambre dans laquelle il enregistre ses morceaux jusqu'ici.

Ce premier EP, Attraction To Light, est produit par Victor Ferreira (Sun Glitters) et masterisé par Antony Ryan (isan). Il comporte deux morceaux, ainsi que des remixes par Chapelier Fou, Sun Glitters, Herr2003 et Armagnac. L'EP est rapidement remarqué par un certain nombre de blogs musicaux (Hillydilly, Bitcandy, Soniscope, Novorama...).

Les concerts, eux, mènent le groupe du Festival Musiques Volantes (Atom TM, Discodéine, Elektro Guzzi...) au Out Of The Crowd (avec Breton, Siriusmo...), en passant par l'Exit07 (avec Baths) et L'Autre Canal (en compagnie de Pégase et Rich Aucoin), jusqu'aux festival des Inrocks Lab à la Gaité Lyrique (en mai 2014). Lors de ces dates, MWTE s'éloigne de la caricature du live electro : avec basse, guitare, voix et effets le groupe joue au milieu du public, une proximité favorisant probablement l'immersion dans le voyage intérieur proposé.

Quant à la musique, puisque c'est avant tout de cela dont il qu'est question, elle n'est pas si simple à définir, comme l'indiquent les multiples étiquettes hâtivement collées au groupe : chillwave ? Dream pop ? Postrock électronique ? Peu importe, finalement, tant que les rythmes, les mélodies et la délicatesse qui se dégagent de leurs compositions nous emportent au-delà, pour une odyssée où l’on se surprend à danser... dedans.


:::::::::::::::::::::::


MWTE is an electronic band from Metz. While the first electronica tracks were made in 2012, the quartet came out of their small recording room late 2013 for their first shows along with their debut EP.

This EP, Attraction To Light, was produced by Victor Ferreira (Sun Glitters) and mastered by Antony Ryan (Isan). It contains two original tracks and remixes by Chapelier Fou, Sun Glitters, Herr2003 and Armagnac. The EP was quickly noticed by a number of music blogs (Hillydilly, Bitcandy, Soniscope, Novorama...).

The shows brought the band to the festival Musiques Volantes (Atom TM, Discodéine, Elektro Guzzi...) the Out Of The Crowd fest (with Breton, Siriusmo...), Exit07 (with Baths), L'Autre Canal (with Pégase and Rich Aucoin), and to the festival Les Inrocks Lab at the Gaîté Lyrique (May 2014). Live, MWTE tends to keep away from the electro show caricature : with bass, guitars, vocals and various effects the band plays at the center of the audience, a proximity that favours the immersion into an inner voyage.

The music itself is not simple to describe, as some have hastily labelled it : Chillwave ? Dream Pop ? Electronic Postrock ? It matters little as long as the the rhythm, the melodies and the finesse that emerges from their compositions carry us beyond, to an odyssey in which we find ourselves dancing... Inside.

Mwte - La Forêt

mwte

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