breakbeat

First Collaboration of Europa and Amoxi. All Tracks written and produced by Europa and Amoxi. 

read more:
https://www.pw-magazine.com/2021/premiere-europa-amoxi-morgana/

amoxi:
https://soundcloud.com/gloryrabbit1996

cover by eccoturist
https://www.instagram.com/eccoturist/

(9) Benassi Through The Chimney

v3. - Metaforic Panspermia
from the upcoming @hibrid-x debut release, AURAL COOPERATIV Compilation 
ig: https://www.instagram.com/hibridanita
v3. -> https://soundcloud.com/vvv3l_x  // @_v.3lo (ig)
track mastered by @galentipton

"Entender los métodos post digitales de vida a los cuales estamos conectados como una multiplicidad sobre codificada-estimulada de herramientas y existencias en crisis propias de un carácter fluido repetitivo que construye un sentimiento inestable y frágil. Contaminación y mal funcionamiento y , posibles armas que sirven para regenerar nuestro tejido techno-orgánico dañano son abiertas y dispuestas para nuestro mas reconstructivo uso. Sintetizando en que los dispositivos disminuyen los limites entre las tecnologías-postdigital y lo que podría denominarse como eco-regeneración en un ciberespacio determinado.
estrategias de supervivencia cyber terrorista en un entorno electrónico simulado y  espiritual y religiosamente contaminado
Protesis bioelectro-mecanica como esquema social útil y funcional con propósito de optimizar las capacidades cerebrales y cosmológicas
Una quimera caótica cybernetica, hIbrIdo extendido hacia un mundo eléctrico fantasma."

Premiere: v3. - Metaforic Panspermia [from HIBRIDANITA compilation]

This is the last project I will publish with this artist name. 
Extreme density and control. 
No silence. 
I want to learn how to breath and listen quietly. 
I want to encounter again the fragility of the gesture. 
I want to tear apart from tendre ael. 
She helped me to hide thought.  

Hope some people will enjoy it !!! 


C'est le dernier projet que je publierai avec ce nom d'artiste.
Densité et contrôle extrême.
Aucun silence.
Je veux apprendre à respirer et à écouter tranquillement.
Je veux retrouver la fragilité du geste.
Je veux déchirer tendre ael.
Elle m'a aidé à me cacher. 

J'espère que certains apprécieront !!!

Taken from LOYALTY by Nocturnerror, out on June 23th.

LOYALTY

WHY YOU?

CLAM017 | TONYPEDIA

Free Forbidden Knowledge From The Dumb to The Dumb.
Pray Your Prayers.
Punch Your Punches.
Face Your Faces

clam-pressure.bandcamp.com/album/tonypedia

@t0nyp3re

TONY PEREZ  - BORN AGAIN

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Pollute Bold

Infinite angel

https://soundcloud.com/digitonica & https://soundcloud.com/tuf_i for https://soundcloud.com/overmybodytw

https://www.retreatradio.net/koma0000

Listen 24/7 at www.retreatradio.net

Koma0000 #3 w/ Digitonica & Tufi (31/10/24)

Diamond Lights - On The Weekend (Chris Royal Remix)

OUT NOW

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facebook.com/chrisroyalofficial
instagram.com/chrisroyal_

On The Weekend (Chris Royal Remix)

Download Here

Diamond Lights - On The Weekend (Chris Royal Remix)

TAR075

@martinking

“I wanted this release to be contrasting, tough and delicate at the same time. The toughness I put into break beats and the bassline, as well as the message of rejection. KTIDNYN is rejection of bad love, unhealthy habitual relationships , energy vampires. Time is way too short for that stuff, particularly if you are your own energy vampire, that’s no good, tell yourself to stfu.

Progress though, is about getting back together again, strengthening connections to the point of unity. It's about finding connection and
balance through yearning. like when you go to DM someone and the little bubbles show you that they’ve started writing to you in the very same moment. Two minds connected in absence."


More from TAR at:
www.wearetar.com
twitter.com/wearetar
facebook.com/wearetar
http://wearetar.bandcamp.com/

KTIDNYN / Progress

Martin King - "KTIDNYN"

Martin King - "Progress"

Stevie Nicks - Edge Of Seventeen (Chris Royal Remix)

OUT NOW

Follow Me
facebook.com/chrisroyalofficial
soundcloud.com/chrisroyalofficial
instagram.com/chrisroyal_

soundcloud.com/chrisroyalofficial

Free Download

Stevie Nicks - Edge Of Seventeen (Chris Royal Remix)

Fergalicious (BRLLNT Rebreak)

Exploited Body - Touching Without Feeling 

A cry for intimacy in a time where physical connection is lost. 

Embrace is the first taste of Helsinki-based artist Exploited Body's third EP "Touching Without Feeling”, which reveals a more somber and brooding aesthetic for the artist. The ominous presence of Exploited Body’s signature blistered distortion manifests as a physical entity, while his murmured vocals call to be touched like an apparition that can be felt prominently throughout the record. 

Released September 27th.

Buy 'Touching Without Feeling':
https://changeless.bandcamp.com/album/touching-without-feeling

@exploitedbody

Touching Without Feeling

Exploited Body - Embrace

A collective label of artists worldwide. Based in Los Angeles & run by @pbdy. 

"When you get there... you will know eternity."

Martin King - "Progress"

TAR

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