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D-Unity - Sensation

Pig & Dan vs Mark Reeve - Profound (Original mix)

Native Default - Eris (Meet Recordings)  In the endless pulse of the underground, Native Default returns deep, deliberate, and unstoppable. His new EP, Eris, channels raw emotion through layers of hypnotic dub techno, a journey between serenity and chaos.  Eris the title track moves like a celestial storm: weightless rhythms orbiting heavy basslines, tension building and dissolving in waves. Mortality drifts through shadow and reflection its remix by Mirko Antico reshapes the void into a fierce, pulsating groove that burns across the floor. And with Mystery of Life, Native Default reminds us that even in repetition, there’s revelation.  

Every release from Native Default is a force Eris is no exception. Dub and atmosphere entwined, it’s techno as emotion, sound as philosophy a soundtrack to our restless nights and infinite cycles.  Meet Recordings continues to define the pulse of the underground.

Native Default - Eris EP MEET053

October 31 Bandcamp Exclusive
November 22 Main Release Spotify, Beatport and more

Website: www.meet-recordings.com
Instagram: www.instagram.com/meet_recordings/

Mystery of Life (Original Mix)

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

Amelie Lens - Drift

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Konrad - Old Story

Manchester’s Rudosa has been crafting his sound for the last decade. In that time, he has been a Sankeys Manchester resident DJ and has had a number of releases on the Stereo Productions, Deeperfect and Wow! Recordings labels. 2018 has been solid for the man, with the release of his 'Invasion' EP on Carl Cox’s Intec and another 4 track EP on Suara which drew support from techno luminaries Richie Hawtin, Adam Beyer, Amelie Lens and Charlotte De Witte.

December brings a new record on Alan Fitzpatrick’s We Are The Brave. ‘Activated’ is a three-track smasher with the high energy you expect from Rudosa. The title track immediately draws you in with its captivating vocal stabs. ‘Hypoxia’ has a similar vibe with more resonating vocals and rippling melodies. Whilst ‘It’s Time’ is a more celestial groove and can be pre ordered now on Beatport.

Premiere :: Rudosa 'Activated' (We Are The Brave)

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Buy all

Adam Beyer, Layton Giordani & Green Velvet — Space Date (Pleasurekraft Remix) — Drumcode — DC207

Ripped from Charlotte De Witte @ Awakenings Hard Opening Night, Gashouder, Amsterdam Dance Event, Netherlands 2018-10-17:

https://soundcloud.com/awakenings/awakenings-ade-2018-charlotte-de-witte

https://youtu.be/a8N9Xu9p2so?t=1616

https://www.beatport.com/release/selected-ep/2743470
https://soundcloud.com/charlottedewittemusic
https://www.beatport.com/artist/charlotte-de-witte/519996
https://twitter.com/CharlottedWitte
https://www.facebook.com/charlottedewittemusic/
https://www.youtube.com/channel/UC-yOW3e6zBSo1JwLXq46Suw
https://open.spotify.com/artist/1lJhME1ZpzsEa5M0wW6Mso
http://www.kntxtmusic.com/
https://soundcloud.com/kntxtmusic
https://www.facebook.com/KNTXTmusic/

Charlotte de Witte - Form

Pre-order: https://www.beatport.com/track/temptation-original-mix/12595999

Glasgow’s hottest export, Frazi.er joins the ODD stable with four lean, mean - forward thinking cuts.

Pre-order

Premiere: Frazi.er - Temptation

If you want a snapshot of where techno stands in any given year, and a preview of where it’s headed, look no further than Drumcode’s A-Sides compilation. Since 2012 it has marked the label debuts of countless vital Drumcode artists and affiliates, from Layton Giordani, Wehbba and Boxia, to Amelie Lens and ANNA, no less. Every year, new names are unearthed, tried and true techno contributors serve up their best, and icons of the industry land their debut on Adam Beyer’s storied label.

The 2020 edition hits with 13 tracks, eight coming from label debutants. There’s Eats Everything searing rave bomb ‘Organico’ and Dubfire’s ice-cool electro offering ‘Deadbug’, both artists landing their maiden contributions to DC after long affiliations with Beyer. With three EPs in less than two years on Truesoul, Oscar L steps up to DC, showing the breadth of his sound palette with a soaring, synth-laden gem ‘Dark Fate’. Belgians Joyhauser featured at last year’s Drumcode Festival paving the way for ‘Fierceness’, a beautiful melody-drenched cut befitting their DC cap. Anfisa Letyago is another first timer and shows why she’s one of the scene’s most highly touted new artists with the brooding beast ‘Are You In’. A growing label favourite, Juliet Fox follows up ‘Was Beautiful’, her superb track on last year’s A-Sides, with ‘Our Fantasy’, reinforcing her skill for crafting anthemic techno compositions. Thomas Schumacher & Victor Ruiz link and the result is ‘Intuit’, a sleek futuristic roller that hits you square between the eyes. Other highlights come from longtime Drumcode cohorts Reset Robot and Harvey McKay, who both dish up premium works, reinforcing their classy productions nous.

Christian Smith — Just Close Your Eyes — Drumcode — DC223

Layton Giordani crafts his most accomplished work to date with ‘New Generation’, his second album on Drumcode. 
 
Since 2017’s critically acclaimed debut album ‘Where It Begins’, the New Yorker has entrenched himself as one of the label’s most vital artists and leader of techno’s new school brigade. At just 27, he’s collaborated with Adam Beyer and Green Velvet on multiple occasions, linked with the legendary Danny Tenaglia for the now-classic ‘Live Again’ and played everywhere from Awakenings, Melt! Festival and Warehouse Project. He’s also lived the Transatlantic life more than most, splitting his time between the Big Apple and Amsterdam, absorbing influences from across the electronic spectrum.  
 
It’s these experiences that inform ‘New Generation’, a masterclass of techno futurism and glistening example of Giordani’s ever-developing talents as a producer. Opening with the shimmering soundscapes of ‘Shinjuku’, a beatless two-and-a-half-minute mood setter, the album swings between timeless multi-faceted dancefloor weapons, and more lilting, ambient techno cuts rips for the golden hour. 
 
Already a favourite of the Drumcode faithful, the album’s title track hits with a swarm of synapsesearing synths that saw it go down a treat at Awakenings Festival, Tomorrowland and Gashouder in the second half of 2019. ‘System Majority’ balances atmosphere and propulsive rhythms on a knife’s edge and featured in Beyer’s DCR 515 radio show. Giordani reunites with the legendary Green Velvet for ‘Life Lesson’, a pulsating roller, which notably features the young New Yorker’s hypnotic vocals on loop. Teaming with friend and fellow East Coaster Avision, ‘Power’ is punchy techno at its finest, driven by energetic stabs and a stirring vocal from Chicago journeyman Cevin Fisher. After playing b2b a string of times, Layton links with good friend Bart Skils for a maiden collaborative track. Driven by a strong melodic lead, ‘Midnight Magic’ typified the moment when the duo played it at Drumcode’s Awakenings event during ADE last year. ‘Feel A Vibe’ is an album highlight centered around plump bass, reverb-heavy sonics, distorted bleeps and a spoken word vocal, which begs for a peak-time rinse. 
 
Elsewhere Giordani demonstrates his breadth with cuts such as ‘Nirvana X’, a lush breakbeat-laden cut; the laser-kissed ‘Translation Lost’, where his musicality is in full view and the progressive-tinged 
‘Memory Fragment’, which reinforces the expansive Drumcode sound palette. The beautiful ‘Human Error’ closes out the work, as muffled horns, delicate keys and sparse bed of percussion unify for a momentous finale. 
 
“This album is a summary of my life experiences up until this moment. Traveling around the world, living abroad, looking into the future and bringing atmosphere and textures from different places into my music. The evolution of music is a systematic cycle that never ends. It’s a composition of all matters experienced and visualized up until this very moment. From futuristic realms and ambiences, to city soundscapes within our reach; ‘New Generation’ is the future distilled into album form.” - Layton Giordani

Layton Giordani — New Generation — Drumcode — DC231

Out now on Rekids: lnk.to/REKIDS166

Radio Slave returns to his Rekids label with ‘Live My Life’, including a remix from Saved Records’ boss Nic Fanciulli.

Responsible for some of the most recognisable vocal tracks in techno for the past 15 years, Radio Slave’s latest sees him turn in yet another tough, infectious cut that uses soulful vocal refrains as hooks. Airtight, rolling grooves have been a prominent feature in much of Radio Slave’s work, and ‘Live My Life’ is no different, paired with occasionally overlapping vocals it’s a masterclass in tension and release.

On the flip, Grammy-nominated and globally renowned DJ and producer Nic Fanciulli cleverly reinterprets Edwards’ original, in a version that sees a pulsing, offbeat bassline and ever-evolving drums drive the track towards vocal crescendos throughout. Stirring, memorable, and yet another outstanding release from one of dance music’s finest.

Radio Slave - Live My Life

Alan Fitzpatrick & Rebūke - Ultimate Distortion (WATB059)

OUT NOW
Maur & Volaris - Body [WATB142]
Stream & download 👉 https://orcd.co/watb142

PREVIOUS RELEASES
Alan Fitzpatrick & Wehbba - Take U Higher [WATB141]
Stream & download 👉 https://orcd.co/watb141

ZLATA - Tension [WATB140]
Stream & download 👉 https://orcd.co/watb140

Alan Fitzpatrick & HYBRD - Emotions [HYBRD002]
Stream & download 👉 https://orcd.co/hybrd002


We Are The Brave is a forward thinking record label, events & clothing brand. Dare to be different, rip up the rule book. 
We Are The Brave - We Do What We Want.......

Alan Fitzpatrick & Rebūke - Ultimate Distortion (WATB059)

We Are The Brave

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