Cheese 🧀and bloody rice 🍙 this is that bloody filthy that its like having some random wrongun come and spunk in your ears !!!                            What a blooody Tune !!!!!!!!! 

Take Control', the latest single from UK producer Alan Fitzpatrick features the creative genius of his 10 year old son, Mylo Fitzpatrick. 

Kettle drum kicks and a rolling low end are paced by claps and a spritely swung hat line. Melodics build the tension to the first break where a female voice tells us to ‘let the music take control’. Fully responsive, nuanced acid and far away trance pads act as a brief oasis of calm before the final drop explodes from the speakers.

Premiere: Alan Fitzpatrick Feat. Mylo Fitzpatrick - Take Control

Tech/Tribal with a naughty sample.  Not for release.

Disco Dolly (Spectrum Mix)

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

BITT093 - Raffaele Rizzi - Kepler

New music from Slam. 'Nuff said! 

Out 7th December on Soma Track Series.

More info: 
www.facebook.com/SLAM.soma
www.facebook.com/SomaRecords
https://twitter.com/SLAMdjs
https://twitter.com/SomaRecords

PREMIERE: Slam 'Make You Move'

Originally released as part of a vinyl only Drumcode Ltd release, Mark Broom sent me his own version a couple of years back but I decided it was so good that it needed to be heard so I included this never-to-be-released edit of 'Eyes Wide Open' on my Fabric 87 mix compilation. 

Eyes Wide Open

Eyes Wide Open (Mark Broom's Unreleased Edit)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Ghettoblaster - Drumcode - DC160

Johannes Heil - B2 - Exile007

He is renowned for his commanding trance and techno productions, and now Stephen Kirkwood has announced his debut EP release under his Kunky moniker. Come With Me is a captivating listen: 22 minutes of driving techno that is as cerebral as it is emotive.

The title track and opener Come With Me is a bustling, kick-driven techno monster that layers a whispered, sultry female vocal over a base of industrial-strength percussion. Come with me/into this moment, urge the lyrics, before a euphoric build and drop that propels the track to its peak. This is prime dancefloor material, the kind that will fill even the most cavernous of warehouse raves.
Joe Blake delivers an alternative, but no less powerful version, focussing in on the drones and pads for a more direct, dancefloor orientated approach.

Needin' U again employs an imploring vocal sample, but this is an altogether harder, darker track. Moody, atmospheric and driven by wonky, distorted synths, Needin' U lingers in your memory long after the forbidding beats have faded away. 

The record's final track, Oblique, is anything but - this is a direct, thumping closer that flirts with touches of acid and trance to make a resounding closing statement. Kunky's Come With Me EP is an excellent introduction to the versatile talents of this up-and-coming producer.

Buy Now

Kunky - Oblique

https://WeAreTheBrave.lnk.to/ThisIsIt

We Are The Brave stormed onto the scene in 2016, and has since released some truly epic dancefloor bangers from both the established and fresh faced talents the industry has to offer. Alan featuring some of his biggest tracks on the label, as well as inviting Reset Robot, Gary Beck, Skream, Darius Syrossian, and Sasha to be a part of their ever-growing family. 2019 is set to be the biggest year yet, with Alan Fitzpatrick’s Day just around the corner and more planned label showcases than ever before.

‘Poison’ was a vocal smash hit last year from Croydons finest – Skream. He’s teamed up with a UK duo who are already regulars on his imprint, as well as Dense & Pika’s Kneaded Pains – Melody’s Enemy.

‘This Is It’ the lead track, has a story. On a flight to play a festival in Germany, the guys decided on a concept to record Ollie, get a recording that showed a slice of who he really is, what he's all about. “We did wonder if he'd go for it actually, and we sprung it on him unawares on the day he came to our studio - but true to form, he was up for it in an instant!” adds Melody’s Enemy.

A full-on futuristic acid hook, with a driving energetic bassline sitting alongside Ollie’s spoken words which weave in and out between the synth and groove. This is MEGA!

Given the title, ‘5am’ is a bit more of a straight up banger, with its low end kicks and tight punctuation, pads glide through the track along the main rave inspired synth. “Ollie sent us a hook and parts from something he'd been working on. And we went to town on it. The motive here was maximum dance damage’.



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https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
https://soundcloud.com/wearethebraveofficial

Melody's Enemy vs Skream - This Is It

- Sweet Musique | Digging the best Electronic Music since 2014 -

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♫ About ♫
PREMIERE : Michael Klein - Eureka (Original Mix) [Cocoon Recordings]
Buy: https://www.beatport.com/release/yuzu/2696156
Release Date : 2019-09-20

A home grown product of the Frankfurt electronic scene, it’s only right that Michael Klein should find his way to Cocoon Recordings. After a string of releases on BLK DRP, Second State and Micro.fon, together with a DJ schedule that’s established him as a well known face on the European techno circuit, destiny has come knocking and the result is a two track EP 
that will blow the roof off even the most sturdy of clubs. 
Thunder clouds gather on “Yuzu“ - a full-on dose of headstrong, slamming techno. Rampant hi hats, a rasping bass and a frenzied acid riff conjure up a deliberately disorientating electric storm that takes a
certain amount of pleasure in battering the dance floor like a force ten gale. Plastik snare rolls dominate the breakdowns and whip-crack percussion prolong the audio beatings being dished out on 
this ‘next generation’ acid-techno. 
Klein adds some extra bounce to the raw, pounding beats on “Eureka“, creating a cavernous backdrop that transports you back to the heyday of E-Werk. Then, it’s all aboard the night train as the sounds
gradually morph into some kind of demonic locomotive, hissing and spitting out fire and smoke as it cuts a path through the darkness, hurtling full throttle into the abyss where at- mospheric tempo 
changes to the main motif add an extra dimension of mayhem to proceedings. 
Warning! Like a surfer waiting for the seventh wave you either rise to the occasion, get on top of these tracks and ride them ecstatically to the shore or you’re gonna find yourself crushed by the relentless
power and energy of Michael Klein’s music... and that’s just the way we like it. 

♫ Follow ♫
https://soundcloud.com/michaelkleinberlin
https://soundcloud.com/cocoonrecordings

Yuzu EP

PREMIERE : Michael Klein - Eureka (Original Mix) [Cocoon Recordings]

Forward thinking record label, events & clothing brand. Dare to be different, rip up the rule book. We Are The Brave - We Do What We Want.

Melody's Enemy vs Skream - This Is It

We Are The Brave

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