Music and lyrics by Hannah Ashcroft 
Produced by Hannah Ashcroft & Samuel Quinn 

Hannah Ashcroft: Vocals, Electric Guitar, Acoustic Guitar
Samuel Quinn: Electric Guitar, Bass, Rhodes
Adam Dawson: Drums, Percussion
Harry Fausing Smith: String Arrangements, Violin, Viola

Miscellaneous Credits:
Recorded at Pinhole Sound Studies, Manchester
Engineered and mixed by Adam P. Gorman 
Mastered by George Atkins at 80 Hertz Studios

Husk

Little Consequence

Patience

She said the police sketch didn't quite look like him. She said he looked like Ben Gazzara. 


Compost and perfumed by Admiral Krank. Drums by Mo Sheen.

Looked Like Ben Gazzara

Driving all night in the snow
Stuck in Minneapolis 
With a broken cellphone 
watching the skyline grow
I'm feeling alright
Waiting for my friends Downtown

written by echomessenger

Stuck In Mpls.

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Under The Full Moon

Under The Full Moon by Carlos Vivanco & Jason Mowry

All around - original song | demo

Method: vintage lemon drop, voice, field recordings into some of the following: roland vt4, obne dweller, warm audio foxy, zoom r 20, samplitude.
Narration: This is a poem about growing up. I will not include an interlinear translation. Both the nuclear mushroom and the moon are visible in the original text layout.

lyrics / copyright jo richter:

als ich kind
war, betrat ein
flimmernder mensch einen
flimmernden mond. das war wichtiger
als ich, diese befremdung. als ich kind
war, wucherte ein druckpilz in stille lagunen-
wasser der zeitlosen, bisher, atolle. das war mächtiger
als ich, diese tödliche teilkraft. als ich erwachsen
genannt wurde, abstrahiert und fragmentiert, entfremdet und zerblitzt
erreichte mich endlich die erkenntnis

dass

all dies

mit absicht veranlasst
wurde, nicht schicksal gewesen war, bevor
es schicksal wurde. die krähen, die
sich von schlachtfeldern nähren, werden vom
lurenklang eines gier-ich gerufen, einem gier-ich, das ich schließlich
als meines erkannte. als ich erwachsener
genannt wurde, wandte sich diese absicht, die nun meine
war, ins ästhetische und
gab sich auf

nach verworfenem im randmeer, im mare marginis zu gründeln

zufolge

Written and performed by Sara Wolff
Produced by Sara Wolff and Adam Rothschild
Engineered by Adam Rothschild
Mixed by Adam Rothschild
Mastered by Jim Spencer

Magic Hour

Polystyrene

Same Side

Strane percepcije

Taktilni senzor

Watch the music video here: https://youtu.be/IegrTAn-m-w
Available as limited edition cassette single and digitally from our Bandcamp page: https://wearetheimaginaryfriends.band
Other socials:
INSTA: https://www.instagram.com/wearetheima...
FB: https://www.facebook.com/wearetheimag...
TWIT: https://twitter.com/yourfavouriteif

Song produced by Kevin Vanbergen (Paul Weller, Nick Cave).

Find lots of other goodies here: https://linktr.ee/theimaginaryfriends

(Master #3)

The Golden Age of the Narcissist

WATCH OUR BRAND NEW MUSIC VIDEO HERE: https://youtu.be/IegrTAn-m-w

The soundtrack to a dystopian slasher film, written by Bill Hicks and directed by Tim Burton...

Follow us on our other socials, they're rammed full of lots of exciting things at all times ⬇️⬇️⬇️

The Golden Age of the Narcissist

THE iMAGINARY FRIENDS

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