For the play by Goodrich and Hackett. Performed at The Broadway Theatre in 2009.

There are many monologues by Anne taken directly from passages in her diary. They are used during scene changes and whilst time passes. I have included the lovely voice of Sally Brooks, who played Anne in this version so that you can hear what the music accompanies.

The final two peices were written for passages where the radio is on. The Oom Pah Pah is a bit tongue in cheek taking off a German (Strauss) waltz so that the characters could dance on stage. The Clarinet Concerto (rather grandly named) is designed to be Chopinesque and played over the final scene as the Nazi guards discovered the families.

00 Chimes the Arrival

02 Silence

03 Running Jump

04 Act 2

05 I Want to Go On Living

06 Spring

08 Camomile Lawn

09 Trio

10 Anne Frank Suite

Oom Pah Pah

I was commissioned to write this for an adaptation of Shakespeare's Midsummer Night's Dream. The setting was a modern Greek holiday island. I wanted to try and capture some of the feel of the local music whilst also remaining vague and timeless with a hint of early British music. Well, that's my story and I'm sticking to it!

Titania's Lullaby - A Midsummer Night's Dream

Various songs from different productions along with some stand alone numbers.

Fables And Fairytales - A Bridlington Fairytale By Alex Weatherhill

Choir arrangements taken from a show with the theme of Films / Hollywood formed into sections: Through the Years, Golden Years, Family Friendly, 80stastic

I run a community contemporary choir in Bridlington, East Yorkshire. I create all of their arrangements from scratch. They are usually performed to pre-existing backing tracks rather than piano accompaniment. We perform in 4 part harmony with 3 parts women and 1 part men. Old fashioned SATB doesn't really apply for modern arrangements, but these arrangements could be considered:

SATB (if your tenors are good up top!)
SSAB

If you are interested in performing any of these then please get in touch. I can also adapt any for your choir format. Ours is:

F1 - Top register singers (those who find any form of belting weird!)
F2 - Mix Belters (those who have a higher belt sound)
F3 - Chest Belters (the rock chicks!)
M - We struggle for numbers with the male section, so this is a generic male range, nothing too high and nothing really low - old fashioned Bari range.

Dirty Dancing Medley

Hooray For Entertainment (Medley of Hooray for Hollywood / That's Entertainment)

Choir arrangements taken from a show with the theme of the 1960s.

I run a community contemporary choir in Bridlington, East Yorkshire. I create all of their arrangements from scratch. They are usually performed to pre-existing backing tracks rather than piano accompaniment. We perform in 4 part harmony with 3 parts women and 1 part men. Old fashioned SATB doesn't really apply for modern arrangements, but these arrangements could be considered:

SATB (if your tenors are good up top!)
SSAB

If you are interested in performing any of these then please get in touch. I can also adapt any for your choir format. Ours is:

F1 - Top register singers (those who find any form of belting weird!)
F2 - Mix Belters (those who have a higher belt sound)
F3 - Chest Belters (the rock chicks!)
M - We struggle for numbers with the male section, so this is a generic male range, nothing too high and nothing really low - old fashioned Bari range.

Beach Boys Medley

Sunshine Medley

Elvis Gospel Medley

Choir arrangements taken from a show with the theme of Broadway / Musicals.

I run a community contemporary choir in Bridlington, East Yorkshire. I create all of their arrangements from scratch. They are usually performed to pre-existing backing tracks rather than piano accompaniment. We perform in 4 part harmony with 3 parts women and 1 part men. Old fashioned SATB doesn't really apply for modern arrangements, but these arrangements could be considered:

SATB (if your tenors are good up top!)
SSAB

If you are interested in performing any of these then please get in touch. I can also adapt any for your choir format. Ours is:

F1 - Top register singers (those who find any form of belting weird!)
F2 - Mix Belters (those who have a higher belt sound)
F3 - Chest Belters (the rock chicks!)
M - We struggle for numbers with the male section, so this is a generic male range, nothing too high and nothing really low - old fashioned Bari range.

Les Mis 1 - At The End Of The Day

Choir arrangements taken from a show with the theme of "Acts who have played Las Vegas".

I run a community contemporary choir in Bridlington, East Yorkshire. I create all of their arrangements from scratch. They are usually performed to pre-existing backing tracks rather than piano accompaniment. We perform in 4 part harmony with 3 parts women and 1 part men. Old fashioned SATB doesn't really apply for modern arrangements, but these arrangements could be considered:

SATB (if your tenors are good up top!)
SSAB

If you are interested in performing any of these then please get in touch. I can also adapt any for your choir format. Ours is:

F1 - Top register singers (those who find any form of belting weird!)
F2 - Mix Belters (those who have a higher belt sound)
F3 - Chest Belters (the rock chicks!)
M - We struggle for numbers with the male section, so this is a generic male range, nothing too high and nothing really low - old fashioned Bari range.

Main Event : Fight

A selection of arrangements using music influences from all over the world arranged for a community choir for their show: Rockin' All Over the World.

Country Medley

Could It Be Magic

O Holy Night - New, Secular Lyrics by Alex Weatherhill

A collection of songs and medleys on a 70s theme written for a community choir or varying abilities and easily adapted.

70s Sunshine Medley

Bridge Over Troubled Water

Chanson D'Amour

Friendship Medley

Bright Eyes

Love Medley

Top Of The World

Disco Medley

Joy To The World

Theatre Creative - a rather pretentious title for someone who dabbles in acting, singing, arranging, MDing, creating production shows and cabarets and generally immersing himself in all things theatrical and musical. 

WEATHERHILL

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