I remember when I told her I love her and she responded, that was 3 years ago

loneliness is like a beautiful white moth that casts a weeping shadow, it craves the living and it seeks within you. loneliness makes you comfortable laying on your own cries of despair, safe and sound. loneliness can be a harmful creature if not understood well sometimes loneliness can be pleasant makes you feel that you have time left to think but sometimes the bittersweet feeling when dealing with loneliness can can be painful my friend…

она показала мне, что такое любить по настоящему

- 𝘨𝘰𝘰𝘥𝘯𝘪𝘨𝘩𝘵 𝘥𝘢𝘥 𝘐 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶.

left - sign crushes motorist (slowed)

other nothing // ww — slowed version by weareflorence.

follow playlist for more
https://comfyambient.sbmt.to/

playlist

ww by other nothing — but it's a + slowed version.

The best version of the instrumental you will find. I try my best to respond to anyone who comments. You’re not alone. 🫂

loser monologue (Instrumental Extended)

a glimpse of heaven, or wherever you are slowed.

Aurenth, Jasper Lucas - derealization

ww – other nothing

DISCLAIMER : This track explores themes of mental anguish and self-destruction. If you are struggling, please seek help. You are not alone.

playlist with songs like this : https://open.spotify.com/playlist/1gBKGsn4v0dUPp9H9W7ayS?si=7Z0jHKvoRMitr27P5XmXqA
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Spotify

my little winter.

I Don't Like Mirrors - Repressed (Slowed + Reverb)

every single note on this song is a reason to cry

With his seventh full-length release, Unterland, Austrian composer and sound artist Kobermann (Johannes Piller) presents a meditative counterpoint to a culture spinning ever faster — one where the next reel, the next drop, and the next dopamine hit scream for attention. Unterland withdraws from this dynamic, offering instead a deep, slow-burning exploration of repetition, space, and sonic ritual.

Created primarily using modular synthesizers, field recordings, and minimal post-processing, the album moves between ambient, dub, and avant-garde minimalism, drawing influence from early New Age cassettes, contemporary drone practices, and tape-saturated club ghosts. But more than genre, Unterland is a terrain — an imagined topography where each track marks a physical and emotional waypoint.

The 60-minute journey begins with Waves, where blurred field recordings and gently detuned drones wash over the listener like fog over a valley. A child’s voice introduces the piece, speaking of “huge waves” — a fitting metaphor for the undulating nature of what follows.

The 23-minute Hokus Pokus becomes the album’s gravitational core. It’s less a composition than a space to inhabit: modular sequences, feedback loops, and noise textures evolve gradually, encouraging listeners to surrender to a slower sense of time. It’s an invitation to recalibrate — to listen in a way modern life rarely allows.

Alebrijes follows as a surreal, protective presence: ghostly rhythms, laugh-like tones, and deconstructed dub pulses drift through the mix like dream-guardians.

The B-side opens with Strobe Pad, where shimmering pads, panned percussion, and reverb-drenched harmonics suggest a moment of clarity — a brief emergence from the murk. The track serves as a light source before the final descent into abstraction.

Small Cases and Unfold mark a psychological ascent: from the minimalist weightlessness of travel into the oxygen-thin air of revelation. Granular textures and filtered drones evoke both euphoria and disorientation — the moment after a summit, when the world reshapes itself around your breath.

The closing track, Future Schmelz, places the listener at a glacial edge, where crumbling drums and filtered sequences collapse into a dance of entropy. Delayed hats, decaying Moog DFAM sequences, and feedback bursts create a post-dub atmosphere — as if memory itself were dissolving.

All seven pieces were composed and recorded between February 2024 and February 2025 using a modular system, recorded and arranged in Ableton Live. 
credits
released July 13, 2025

All Tracks written and produced by Kobermann
Mixing & Mastering by Johannes Piller
Photography by Jonny P.
Artwork by Tanja Tuner
All rights reserved © A.T.C. Records 2025

ww – other nothing

webrone

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sxov

𝕝𝕠𝕨𝕝𝕚𝕗𝕖𝕛𝕠𝕙𝕟𝕟𝕪

Vacuus

frank

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