love the ambience. posted http://acidted.wordpress.com/2012/07/28/balmorhea-pyrakantha/

Absolutely beautiful http://kindofbleu.com/2012/07/27/balmorhea-pyrakantha/

LVIII Travel

Julia Gjertsen - Skog

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Crazy

April 1st will see Peter Broderick’s classic Erased Tapes debut Music For Falling From Trees reissued on vinyl and CD.

Through relentless touring and multiple album recordings, Portland-based Peter Broderick has established himself as a contemporary composer, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.  The scope of Peter’s work is vast – his recordings and original score work currently feature in dance arrangements, art installations, films and documentaries. He collaborated with many like-minded contemporaries such as Nils Frahm and Greg Haines, and featured on Clint Mansell’s Last Night soundtrack. Peter’s signature emotional depth cuts through any instrument to create stirring, personal music that is full of artistic detail. Currently an artist in residence at Sirius Arts Centre in Cobh, Ireland, 2016 has much in store for Peter.

2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres. 

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. 

IN HIS OWN WORDS: “In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers. 

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano. 

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work. 

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

'Painfully young and unnervingly talented' 
– The Economist’s Intelligent Life

Buy CD/LP/DL

Peter Broderick – Part 4: The Dream

A Winged Victory For The Sullen - Belgium 31.05.2012 - We Played Some Open Chords

This is an original piece written by Felix Penny.

Le Petit

I began this piece around 3 years ago, when I had hit rock bottom mentally and emotionally.  I had only created the intro portion and had forgotten about it, only to resurrect and finish it this year. This is part of a series of deeper, more moody, but uplifting pieces that I plan to release as an EP.  I hope you enjoy the journey, and stay tuned for more!

And as always...
~Thank you for listening~

*I do not own the artwork and do not know the artist.  Let me know if you do.

Broken But Alive

Ghost

from 'Jörð' [CD|LP|DIGITAL]
Denovali Records · den266
available on all formats at [http://denovali.com/petrels]

Following on from 2015's Flailing Tomb LP, which appeared in numerous 'best of the year' lists, Petrels – the solo project of London-based musician and illustrator, Oliver Barrett – returns with new album, Jörð.

From the ethereal choral build of 'A Little Dust' (adapted from words by W. B. Yeats), to the euphoric aural scree of 'The Last Shard Falls', and the driving, long-form song structures, interwoven arrangements and mythological trappings of 'The Long Man', previous listeners of Barrett's work will find much to welcome in a record that builds on the distinctive, ecstatic Petrels sound.

Elsewhere, Barrett teases this sound into new shapes; 'Terra Nullius' takes an oscillating woodwind cluster and hangs from it a defiant and densely constructed (almost)pop song; 'Waldgeist' slowly unravels a deceptively simple string refrain in an elegiac and gently expanding, haunted pastoral arrangement; and 'Seithenyn Sleeps' encapsulates the joyously overwhelming live Petrels sound into a swirling, enveloping closer.

Drawing together the numerous strands of Petrels releases so far whilst confidently weaving them together into something new that promises even more to come, Jörð is another singular release from this restlessly inventive and inventively restless artist.

Since releasing his debut Haeligewielle in 2011, Petrels has toured across Europe and shared a stage with the likes of Tim Hecker, FIRE!, Nate Young (Wolf Eyes), Trouble Books, Demdike Stare, Nadja, and Hans-Joachim Roedelius (Cluster). Having also collaborated with and provided remixes for artists as varied as Duane Pitre, Brassica, Talvihorros and Max Cooper, Petrels' output is proving to be thrillingly eclectic and unpredictable.

Jör_

Petrels - A Little Dust

This track appears on the Touched Music compilation "Touched 3", which features a staggering 417 artists, including: Digitonal, 808 State, Isan, Olan Mill, Greg Haines and so many more great artists.  It was released by the wonderful Martin Boulton to raise money for Macmillan Cancer Support. So far he has raised over £50,000 for the charity.

Please listen, share and support this very important cause. You can buy this amazing compilation here: https://touched.bandcamp.com/album/touched-3 Antonymes on Spotify: http://spoti.fi/2cAJxyL

Drawn Away

A little loopy ditty I wrote for all my friends in the states. 

Burleson, TX

⚡⚡⚡ (◔◡◔) Listen to our NEW TRACK - SUGAR here: bit.ly/1MTwIb1 ⚡⚡⚡

Youtube:
http://www.youtube.com/watch?v=CV8kwZg24oc


in respect of the amazig original track:
http://www.youtube.com/watch?v=kuC2sc-1CMU

Daughter - Youth (Wild Culture's Leo crazy in love mix)

The American Dream

Balmorhea - "Pyrakantha"

Fourth single from the upcoming album "Is Not Defeated", out August 16.

Listen: ffm.to/ascentofeverest
Merch: https://theascentofeverest.bandcamp.com/album/is-not-defeated

Is Not Defeated

Dreadful Patient Persistence

☞Press ♥ and ↻ to share this song if you like it.

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An independent record label based in Austin, TX.

Balmorhea - "Pyrakantha"

Western Vinyl

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