Engineered and mixed by Mark Rains at Station House Studios
Mastered by Ed Brooks at RFI Mastering
Miya- vocals, synth, casio, acoustic guitar, computer sounds
Josh Grondin- guitar
Jon Engelhard- bass
Cassidy Turbin- drums

Strange Darling

Lyrics and music by Dan San
Produced by Yann Arnaud

https://www.facebook.com/dansanmusic/
https://twitter.com/dansanmusic
https://soundcloud.com/dan-san-official
https://www.youtube.com/channel/UCrm74ob68kUkAnqsEiQ7bdw
https://dansan.bandcamp.com/

http://jauneorange.be/
MGMT : max@jauneorange.be


America

Away for All Time - EP out October 28 on Hit City U.S.A. & Strangers Candy.

https://open.spotify.com/album/7LPZuxY1SPxBwJ7THUdd0J
https://itunes.apple.com/us/album/blue-moon-single/id1161834366

Pre-order EP:
https://manyvoicesspeak.bandcamp.com/album/away-for-all-time

https://facebook.com/manyvoicesspeak
https://twitter.com/manyvoicesspeak
http://manyvoicesspeak.com

Blue Moon

music video: https://www.youtube.com/watch?v=NTkq2CNJ1Oo

from the debut album Looking For Knives

music & lyrics by Alexis Marsh

vocals, woodwinds, electric guitar - Alexis Marsh
electric guitar, strings - Sam Jones
drums, piano - Dan Dorff, Jr.
acoustic guitar - Daniel Martin Moore
mixed by Kevin Ratterman
mastered by Joe Lambert

Of Love

'1990' by JW Ridley
Produced by JW Ridley & John Catlin
Mixed by John Catlin

‘JW Ridley’ EP out on SOME KINDA LOVE / [PIAS] now!
Track listing:
1. Somewhere Else
2. Blitz
3. Jaguar Spring
4. 1990

A signed limited edition vinyl featuring Blitz and 1990 is also available at jwridleymusic.bandcamp.com.

Listen on Spotify: 
http://open.spotify.com/track/0DnZWKg0yPo143OZd8kAbw
On Youtube:
https://www.youtube.com/channel/UCa66SQzQ9uh0QjgujGzr_7A

www.Facebook.com/jwridleymusic

Listen on Spotify

1990

From the full-length album 50,000,000 Elvis Fans Can't Be Wrong available from Western Vinyl on August 4th.

Pre-Order the album:
iTunes http://hyperurl.co/xdhreq
WV http://westernvinyl.com/shop/wv160

50,000,000 Elvis Fans Can't be Wrong is the debut by Alabama-raised, Austin-based Caroline Sallee, aka Caroline Says.  After college Sallee took a job as a waitress in Yellowstone as an exercise in solitude and independence.  With the money she saved there, she took a transformative journey via Greyhound to explore the West Coast before returning to Alabama where she would record her debut album in her parents’ basement.  50 Million puts us in the seat right next to Sallee where we can feel the warm West Coast light through the window, the bus route charting the lines between our youth, and our delayed future.  These kinds of debuts can sometimes feel like an over-promise of what is to come, but in the case of Caroline Says there's clearly plenty more thread to be unraveled. It'll be a pleasure to see where the next bus ride takes us.

Caroline Says
https://www.facebook.com/carolinesaysmusic
https://www.instagram.com/carolinesaysmusic/

Caroline Says - "Winter Is Cold"

From the Mimicking Birds album "Layers Of Us" on Glacial Pace Records.

All songs written by Nate Lacy / Composed by Mimicking Birds.

Produced, recorded, and mixed by Jeremy Sherrer (Spooky Electric Co.) Recorded at Ice Cream Party / Spooky Electric Co. / and The Gravy-Tea Center (Falcon Arts Community) - Fall/Winter 2016-2017

Mastered by Emily Lazar at The Lodge, NY with Co-Mastering Engineer Chris Allgood.

Booking: Eric Gilbert / Duck Club Presents 
Management: Zeke Howard / Trailboss Management
Artwork by Morgan Buck

Belongings

Forget Forgive is the most personal track I’ve written so far. It’s a really intimate lyric about battling some pretty nasty demons and, in overcoming them, figuring out the kind of person you want to be. I wrote and recorded it all in one night (between the hours of 11PM and 4AM) in my home studio in Amsterdam. Just bass guitar, vocals and a sneaky little mellotron and kick towards the end. Some songs take ages to fine-tune and hone, but this one felt like I was just solidifying a strain of thought that had been flowing around inside my head for ages. Playing the song to other people actually always feels a bit icky, like reading an excerpt from my diary out in public. It’s super naked.

Forget Forgive

p a c k  a  d a y

https://open.spotify.com/track/0dSVlicgDqlUGeinRSanQ0?si=wbccRzEKREu9EFqs_WGeCQ

'Softie' is an attempt at proving that there is more than one way of being a functional human being. The album is about coping, growing out of your fears, learning how to distance yourself from your anxieties and the ups and downs that comes with being bipolar. 'Softie' is ultimately about releasing the pressure off of yourself and we want to encourage our listeners to do the same.

We decided to make a record that was turbulent, back and forth and non-conforming, because we wanted our second album to hit you in the face rather than rock you to sleep or move you to tears.

Softie

Spotify

Wy - Swedish Summer

EP OUT NOW: https://itunes.apple.com/au/album/texture-like-sun-ep/id572417541

'ONE GREAT PRIZE' CLIP: http://www.youtube.com/watch?v=Ac74zs34zbM

FACEBOOK: https://www.facebook.com/TextureLikeSun

TOUR INVITE: https://www.facebook.com/events/123107967839504/

---

BLANK TAPE ANNOUNCE DEBUT RELEASE AS LABEL - Melbourne's Texture Like Sun have just completed their debut EP, and it's now time to launch with three special shows down the east coast w/ Patrick James.  The EP is available digitally and physically through Blank Tape Music/MGM on the 2nd of November.

The self-titled EP was recorded across Darwin and Melbourne's Bounce County Studios, produced by award winning Pip Norman (Countbounce - TZU, Sparkadia, Ash Grunwald) and mixed by Dan Rejmer - a man who counts Bjork, Foals and Paul Kelly among his working credits. While the six piece’s sound couldn't be further away from anything they’ve done before, their cohesive approach remains apparent; evident through the effortless guild that bridges each of the songs on the EP.
The earthy vocals may draw ghostly parallels to Jeff Buckley and Scott Matthews, while there’s a certain zealousness that sees the band paint their folk and roots stylings through accounts of both brighter times and others of fragile refrain.
Compelling song writing doesn't need embellishment. Texture Like Sun may just seem to be another band dwelling on the human condition, but there’s a quality about the EP that descends well beyond just plaintive lyricism. Haunting track ʻBottleʼ is a moving account of addiction and loss in all its forms. The strength of this EP may be evident in its honest subject matter; the striking string section featured in ʻRubber Manʼ and the pacing melody of ʻOne Great Prizeʻ still salvages a sense of great warmth. Similarly, the slow, ruminative guitar of ʻWeekendʼ distils a dreamlike imprint of early mornings spent with the one you love.
There are releases that stay with you for a long time; songs which mirror our own stories, artists who mark themselves distinct - and others who, put more simply, are just quietly brilliant.

---

All tracks written, arranged & performed by Mark Pearl & Pip Norman

Produced by Countbounce (aka Pip Norman) at Bounce County Studios, Melbourne

‘Weekend’, ‘Ever Wanted More’, & ‘Rubber Man’ mixed by Countbounce @ Bounce County Studio. ‘Bottle’ & ‘That Evening’ mixed by Dan Rejmer @ Artillery Studios (London). ‘One Great Prize’ mixed by Dan Rejmer & Countbounce

Mastered by David Walker @ Stepford Audio Melbourne

Additional musicians: Drums: Rory McDougall, Violin: Elizabeth Welsh, Viola: Ceci Dowling, Cello: Lachlan Dent, keyboards: Dustin McLean, BV's on 'Bottle' and 'Weekend': Toph Morrey & Jemi White


Cover Photo: Cesar Rodrigues
Design: Gerardo Godinez

Thank You: 
Pip (Countbounce) an ocean of calm in a land of chaos. Thanks for sticking by it.
Cesar - well you single handedly brought this to completion. Thanks for being pushy and amazing.
The live band: Duzzy, Ceci, Silas, Alex - but of course…
Also in no particular order: Rory McDougall, Toph Morrey “Roll”, Nicky & Buckley, Tim Levinson, LW ydm, Dave Ellis @ Tooth And Claw, Jamie Bretman, David Walker, Dan Rejmer, Dave Rubin, Jemi White, Jane Tyrell, Simon Gorman, Keith Parsons, Ash Sambrooks @ Show Off Services, Carlo Santone, Bill Page @ Mushroom Music, Mark Bolton @ MGM, Rob G @ Select Music, Gerardo Godinez, Paul O’Donnell @ The Whiteboard Project, and the Blank Tape Music team - all part of it or an inspiration for it.
Special Thanks: Eden and Jonah - "my boys".
Bianca - my lover - your support has always been unwavering – love. My entire family… and of course Grandad who will always be a part of everything I ever do.

© 2012 Texture Like Sun

LABEL & MGMT
BLANK TAPE MUSIC
www.blanktape.com.au
cesar@blanktape.com.au

DISTRIBUTION
MGM
www.thegroovemerchants.com
mark@thegroovemerchants.com

PUBLISHING
MUSHROOM PUBLISHING
www@mushroommusic.com.au
billp@mushroommusic.com.au

PUBLICITY
www.showoffrecordings.com
ash@showoffrecordings.com

BOOKINGS
SELECT MUSIC
www.selectmusic.com.au
rob@selectmusic.com.au

One Great Prize

An independent record label based in Austin, TX.

Caroline Says - "Winter Is Cold"

Western Vinyl

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Masaki Uchida

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