Almost uncomparible, mighty impressive. Looking forward to Kaitlyn's concert in november in Amsterdam

very beautiful haunting melody and atmospheres

www.iamebonybones.com

"UK Producer, singer, and songwriter EBONY BONES! has a wide variety of influences..with a life purpose to reach her full potential and inspire others through the journey.."- JAY-Z (Life+Times)

"A beguiling blend of Afrobeat and the darker end of post-punk.." - THE INDEPENDENT

"Whether on stage or in the studio, EBONY BONES! is set to be a major player for years to come..." – NPR

Ebony Bones isn't really like other artists. Cee-Lo Green hand picked the London based singer to open his 2011 European tour, and her open minded approach has witnessed collaborations with musicians from India and West Africa - CLASH

"A formidable artist, wrestling out the cocoon of her influences.." - THE TELEGRAPH

"Ce nouvel album est rempli de morceaux tordus et chauds, bizarres et fascinants!" - LES INROCKS

"Think X-Ray Spex, Siouxsie & the Banshees, slammed against Afrobeat icons like Fela Kuti.. 'Behold, A Pale Horse', is chockfull of fiery, spirited anthems. Her grandiose vigor is eccentric, but completely contagious and dance-demanding.." - MTV

"EBONY BONES! is art-punk soul warrior!" – SPIN

"The British singer and producer with Punk attitude and Caribbean roots.." - VOGUE

"The British singer/songwriter/producer—once a classmate of Amy Winehouse and toured with Cee Lo Green—releases a feverish mix of punk, funk, and electro.. In the midst of the frenetic melodies always seems to lay a societal message and observation.." - EBONY Magazine

"Like Grace Jones crossed with Tina Turner, Karen O and MIA, the outlandish dynamo has made a name for herself supporting Cee-Lo Green working with artists such as Amadou & Mariam and Yoko Ono.." - THE NEW ZEALAND HERALD

What Difference Does It Make (ft. The New London Children's Choir)

From Right From Real, out September 30th, 2014

PRE-ORDER CD / VINYL: bit.ly/1ym8SjL
PRE-ORDER DIGITALLY: bit.ly/1juplz5

WEB: lydiaainsworth.com
FACEBOOK: www.facebook.com/lydmusic
TWITTER: twitter.com/LYDIA_AINSW0RTH
SOUNDCLOUD: @lydia-ainsworth

Right From Real

Hologram

Lydia Ainsworth - Hologram

Portico Quartet - Isla

Adaptation du Poème "Paris" de Louis Aragon.
Voir le clip sur Youtube : https://youtu.be/LDW5qR3aNNk
Merci à Abigaïl Aïnouz & Bénédicte Schmitt.

Paris

!!!! Premier extrait du nouvel Ep de KCIDY qui sortira le 26 Février chez Ab Records !!!!

Running On The Roof

From the album The Kid out October 6, 2017 on Western Vinyl

Pre-Order The Kid
BLEEP https://bleep.com/release/86790-kaitlyn-aurelia-smith-the-kid
Norman Records https://www.normanrecords.com/records/166212
Bandcamp https://kaitlynaureliasmith.bandcamp.com/album/the-kid
iTunes hyperurl.co/8n4qa5
WV http://westernvinyl.com/shop/wv170

In 2017, the musical term “electronic” is nearly obsolete given the ubiquity of computerized processes in producing music.  Even so, the prevailing assumption is that musicians working under this broad umbrella must be inspired by concepts equally as electrified as their equipment.  Kaitlyn Aurelia Smith has demonstrated in her still-blooming discography that this notion couldn’t be further from the truth, and that more often than not, rich worlds of synthesized sound are born from deep reverence of the natural world.  Smith (who by no coincidence, cites naturalist David Attenborough as a contemporary muse) has embodied such an appreciation on The Kid in as direct and sincere a way as possible by sonically charting the phases of life itself.  The album, which punctually follows up her 2016 breakthrough EARS, chronicles four defining cognitive and emotional stages of the human lifespan across four sides of a double LP.

The first side takes us through the confused astonishment of a newborn, unaware of itself, existing in an unwitting nirvana.  Smith’s music has always woven a youthful thread befitting of the aforementioned subject. Here she articulates it in signature fashion on the track “An Intention,” which serves not only as a soaring spire on The Kid, but on her entire output.  There is playfulness here, but it's elevated by an undertone of gravity into something compelling and majestic that is fast becoming Smith’s watermark.  The emotional focus of side two is the vital but underreported moment in early youth when we cross the threshold into self awareness.  The subject is profound enough to fill an entire album, but rarely makes its way into a single track, indicating Smith’s ambition to broach subtler and deeper subjects than the average composer.  This side offers up another highlight in the form of “In The World But Not Of The World” which serves its subject well with epiphanic, climbing strings and decidedly noisy textures over a near-Bollywood low end pulse.

Side three emphasizes a feeling of being confirmed enough in one’s own identity to begin giving back to the formative forces of one’s upbringing, which is arguably the duty that all great artists aim to fulfill.  This side ends with the exploratory album cut “Who I Am & Why I Am Where I Am” recorded in a single take without overdubs on the rare EMS Synthi 100 synthesizer. This humble piece of sound design serves as a contrast to side four’s verdant orchestral moments, all written and arranged for the EU-based Stargaze quartet by Smith herself.  This final side represents a return to pure being, the kind of wisdom and peace that eludes most of us until the autumn of life.  On “To Feel Your Best” this concept is voiced in the bittersweet refrain “one day I’ll wake up and you won’t be there” which Smith intended to be a grateful acknowledgement of life rather than a melancholy resentment of loss. The song has both effects depending on the mood of the listener, and both interpretations are equally moving.

Kaitlyn Aurelia Smith belongs to an ilk of modern musicians who are defined by their commitment to creating experiential albums despite the singles-oriented habits of modern listeners, and here she represents her kind proudly.  The subjects on The Kid are not simple to convey, and yet through both emotional tone and lyrical content, Smith does just that. There is a similar gravity to both birth and death, and rarely is that correlation as accurately and enthusiastically mapped as it is here.  As Kaitlyn Aurelia Smith explores her existence through music, she guides us in gleefully contemplating our own.

Kaitlyn Aurelia Smith - "An Intention"

Buy/Listen: http://s.latenighttales.co.uk/gcm/ 

Garden City Movement have signed to Night Time Stories - Late Night Tales’ sister label for original artist releases - releasing single ‘Slightly All The Time’ and plan a debut album release in 2018.

The trio of Roy Avital, Yoav Saar and Johnny Sharoni produce a blend of sounds drawn from their diverse cultural worlds; ranging from art-pop to experimental house to horizontally aligned vibes. Since surfacing at the close of 2013 with their breakout track ‘Move On’, Garden City Movement have released ‘Entertainment’ and ‘Bengali Cinema’ EPs, the ‘Modern West’ 12” in collaboration with The Vinyl Factory, climbed the Hype Machine Popular Chart with multiple singles, recorded live sessions for Boiler Room, Majestic Casual and FACT, opened for Bonobo, Caribou, Alt-J and played all over the world. The band's music video for ‘Move On’ received a nomination for Best Music Video at the LA Film Festival, won “Best Video of The Year” at the MTV Israel Music Awards and the video for ‘She’s So Untouchable’ screened at the Raindance Film Festival in London this September.

The signing comes with the release of a new single, ‘Slightly All The Time’, a combination of dream-like vocals, languid beats and deftly deployed guitar hooks. The bittersweet music balances the song’s account of abuse committed during the breakdown of a fading relationship. This melancholic fusion hints at an emotional and confessional album filled with forward facing sounds and beats. 

Launched in 2013, Night Time Stories is Late Night Tales’ sister label for original artist releases. The label hosts a family of artists creating a timeless and diverse array of sounds, connected by a common thread of authenticity. Releases have featured the likes of Khruangbin, Rae & Christian and new Bristol artist Chaouche. 

“A gregarious, dancefloor-primed attitude” Pitchfork
“Rising stars” FACT
“Deconstructed, R&B-splashed electro” Stereogum
“Softly seductive” i-D
“Laden with pop potential” Clash
“Dazzling” Boiler Room
“Alt R&B textures” Consequence Of Sound

Garden City Movement - Slightly All The Time

Zero 7 - Distractions

Devendra Banhart performs "Für Hildegard Von Bingen," from "Mala," his eighth studio album and his Nonesuch debut, due out March 12, 2013. The album took shape in Los Angeles, where he and longtime cohort Noah Georgeson produced the album together, playing most of the instruments themselves, using borrowed equipment and a recorder they’d found in a pawn shop. 

Download this track now when you pre-order "Mala" at http://www.nonesuch.com/albums/mala

Mala

Devendra Banhart: "Für Hildegard Von Bingen"

watch the music video here: http://www.youtube.com/watch?v=dJnIq15wysY

I'm To Blame

Premier single extrait de l'album "LATITUDE" déjà disponible en digital [http://bit.ly/12rWpf0]
Sortie en CD / LP le 3 juin 2013

Pour télécharger le single : http://itunes.apple.com/fr/album/megalomania/id624381698?i=624381833

Pour regarder le clip de "MEGALOMANIA" : http://youtu.be/llIo5Mvubwc

Pour plus d'infos :
http://www.david-lemaitre.com
http://www.twitter.com/DLemaitreMusic
http://www.facebook.com/DavidLemaitreMusic



Acheter

DAVID LEMAITRE - Megalomania

An independent record label based in Austin, TX.

Kaitlyn Aurelia Smith - "An Intention"

Western Vinyl

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