Nice chanting...👍🏾 its not easy.....

from the "S/T" CS (NNF372)
Not Not Fun / 2021

DOSE OUTLETS:
https://acidtwilight.bandcamp.com/album/s-t
https://midheaven.com/item/st-by-acid-twilight

Acid Twilight "Days Of Devotion"

from 'Progress Trap' [CD|LP|DIGITAL]
Denovali Records · den362
available on all formats at http://denovali.com/ricardodonoso

Ten years after the transcendent syncopated debut ‘Progress Chance’, Ricardo Donoso returns with a pulsing retrospect of rhythmic determination and wide-eyed wonder with ‘Progress Trap’, his new album for Denovali. As is customary with Donoso, the moods on these electronic miniatures vary from piece to piece; some somber, brooding, and laden with mystery, others starry-eyed, tinged with sci-fi, and hungry for adventure.

Connections are finally forged between Donoso’s early hardware synthesizer arpeggiation experiments, his darker and more abstract work with an emphasis on synthetic textures, pulsation, and sound design and the more recent extreme full throttle electronic mayhem and prog inspired technical opuses found in the Calibrate/Re_Calibrate/Content era. 

Progress Trap is as harmonious as its predecessor allowing dissonance to subtly seep in, providing mere hints at the undercurrent of threat hidden beneath the music's smooth surface. If ‘Progress Chance’ was naive and innocent, ‘Progress Trap’ is mature and calculated. Perhaps some of the optimism has extinguished, but there is a stalking exhilaration which threads through the entire album, taking on merely different shades between sides – as with most of Donoso’s work something verging on a deep longing always lingers heavily as an aftertaste. There's a lot to digest on Progress Trap, as with Donoso’s entire canon, but as always, the effort is repaid.

Progress Trap

Ricardo Donoso - Master and Emissary

Circassian-Turkish Producer Sine Buyuka debuts new solo project Sinemis with lush, graceful album ‘Dua’, gently combining the ancestral Sufi music of her homeland with sophisticated techno-inflected ambient.

Gazel is the first single taken off the album. "Most of the Dua album is created with organic sources of audio and acoustic instruments, lots of creative audio editing and soft synths. However, Gazel is the only track that has a vintage analogue modular analogue synth at its core, a Roland System 100m. I started improvising without a plan and recorded bits and pieces for fun. A couple of months later, after my surgery when I was homebound, I felt like visiting those recordings and decided to use one as a basis of a new track. It was a recording done in a single take, later adorned with ney recordings, vocal chops, and ambient soundscapes. I wanted to see how I could integrate two instruments belonging to two different musical cultures to create something new and perhaps a bit mystical, marrying different musical traditions. The name Gazel, which refers to an age-old improvised singing form that is sometimes accompanied by the ney (or ud or tanbur) in Turkish music is also a nod to the production process – my voice being my synth."

‘Dua’ was also mixed and mastered in Dolby Atmos (available on Apple Music, Tidal and Amazon) to capture the immersive experience of Sufi music.

Please note this is the binaural version of the track. Listen on headphones for the experience.

Binaural and Dolby Atmos mixes by Tom Bailey (Air), mastering by Matt Colton (Metropolis).
Stereo mixes by Mark Dobson (Coda), mastering by Joshua Eustis.
Cover artwork by Özge Cöne.

Gazel

Sinemis - Gazel

from 'An Excellent Spiritual Serviceman' [CD|LP|DIGITAL]
Denovali Records · den358
available on all formats at http://denovali.com/noiseensemble

After a creative break of more than 10 years the Contemporary Noise Ensemble returns with the brand new album called „An Excellent Spiritual Serviceman”. With the band’s line-up reduced and the sound of the brass section replaced with programmable synthesizers comes an entirely new sound of the band’s music. Leaning towards composition instead of improvisation the music is now less jazzy sounding - with electric bass being used instead of double bass and drums actually being the only strictly acoustical instrument. But then again you can hear a lot of other prerecorded instruments like marimba, vibraphone, Rhodes and upright pianos surrounded by arpeggiated synths and other programmable electronic instruments. The album takes you to a journey through jazz, space rock, funk and electronic music with a destination in a form of a rock song which is as well the title song of the album. The Contemporary Noise Ensemble still impresses with maturity and class.

An Excellent Spiritual Serviceman

Dance Of The Headless Jazz Expert

Contemporary Noise Ensemble - Dance Of The Headless Jazz Expert

Import/Export - G. Prokofiev Suite for Global Junk - Murcof Remix

Somi

Minism

→ http://shelter-press.org/tomoko-sauvage-musique-hydromantique-sp087/

TOMOKO SAUVAGE 'Musique Hydromantique' (SP087)
SAMPLE MIX

Musique Hydromantique is the second solo album by Tomoko Sauvage archiving many years of her performance-based practice on the waterbowls - the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones). While her first album Ombrophilia (released on and/OAR in 2009) was studio-recorded /composed work, «Musique Hydromantique» is about experimentation and improvisation with the environment - acoustics affected by the architecture, temperature, humidity and the human presence. 

For more than ten years, Sauvage has been investigating the sound and visual properties of water in different states, as well as those of ceramics, combined with electronics. Water drops, waves and bubbles are some of the elements she has been playing with to generate the fluid timbre. Since around 2010, hydrophonic feedback has been an obsession for the musician - an acoustic phenomenon that requires fine tuning depending on the amount of water, a subtle volume control and interaction with the acoustic space. 

Calligraphy was recorded in a genuine echo chamber, with about 10 second reverbs, situated in a former textile factory. Like an endless exercise to draw perfect curves and forms floating in the air, the subaquatic feedback frequencies are pitch-bended with the mass of water sculpted by a hand changing its quantity. Fortune Biscuit is about the singing bubbles emitted from the pieces of ‘biscuit’ (porous terra-cotta). Depending on the texture of the surface, each biscuit makes different sound : insect and animal voices in a forest, motors, crying babies changing pitches and rhythms while absorbing the water… Clepsydra (meaning water clock) features Sauvage’s classical technique, a random percussion with dripping water. She tunes the waterbowls by adding and removing water, making flowing glissando, to find the balance point in ever-changing tonalities. 

Just as the flow of water is subject to a number of variables such as temperature and pressure, water clocks mark a time that is shifting and relative. However, slowness dominates throughout the album as a result of favoring the full resonance of the instrument, leading to a path to experiencing timelessness. 

Hydromancy is a method of divination by means of water. Unpredictable bubbles and water ripples become oracles. Evaporation and acoustic space constantly play a chance operation. Through primordial materials and ritualistic yet playful gestures, Musique Hydromantique questions contemporary divination.

All the tracks are live-recorded without electronic effects or editing. They were recorded during the night or very early in the morning and the whole album is to be listened to during that period of a day. 

—
LP edition of 500 copies with reverse board-printed inner and outer sleeve. Digipack CD edition of 1000 copies. Mastered by Rashad Becker at Dubplates and Mastering.

TOMOKO SAUVAGE 'Musique Hydromantique' Sample Mix (SP087)

from the "Diego" CS (NNF349)
Not Not Fun / 2018

TAKE IT HOME:
https://marble-music.bandcamp.com/album/diego
https://midheaven.com/item/diego-by-marble

Mårble "Kobuleti Tooth Master"

From the album With Voices available January 18, 2019 from Western Vinyl.

With Voices is the newest recording by Dutch composer Rutger Zuydervelt under the moniker Machinefabriek. True to its title, the album’s eight pieces exhibit Zuydervelt’s use of cassette recorders, tone generators, radios, synths, and other hifi curio to construct bewildering aural architecture around vocal contributions from Peter Broderick, Marissa Nadler, Richard Youngs, Chantal Acda, Terence Hannum (of Locrian) and others. These human voices are featured as musical instruments rather than mere vehicles of lyrical content, resulting in a sub-linguistic mosaic of primordially stirring moods.

The initial spark of With Voices was kindled while Zuydervelt was in Taipei creating music for a dance company. In the final days of his trip, a dancer named Wei-Yun Chen caught Zuydervelt’s ear with an instagram video featuring a voice that turned out to be Wei-Yun’s own (she would end up on the album’s seventh movement, a piece that features dissected bits of Taiwanese poetry amid low-pitched murmurs and whispering fogbanks of static). The encounter stirred Zuydervelt to create a single 35 minute soundscape upon which each vocalist on With Voices was encouraged to improvise, be it talking, reading, singing, or wordless, guttural intoning. Such vocal smatterings were then used to determine how the other tonal elements should be arranged, dictating where each musical passage would ultimately lead. “The idea was for everyone to just do what came naturally” he recalls, “the element of unpredictability was important to me.” 

Indicative of this approach “III” (the tracks are simply titled with Roman numerals) slowly winds like ivy through staccato phrases spoken by Zuydervelt’s peer Peter Broderick, whose micro-incantations skip along mechanically only to telescope into monastic grandeur at the track’s midpoint; the vibrations of vocal cords are often stretched to a seismic hum to form the heavy implements in Zuydervelt’s toolkit. On “V”, tape recordings of Berlin electronic artist Zero Years Kid (aka Joachim Badenhorst) sputter with their own apparent intelligence like a faulty AI attempting to interpret reels of human speech in some ruinous library of the distant future. Finally, a siren-like Marissa Nadler leads the suite to its lullabic endpoint with overlapping wisps of harmony devoid of accompaniment ending the album on an angelic note.  

In these moments, like much of With Voices, warm-blooded arteries seem to have grown around bits of well-designed artifice to form something warmly alien, soberly futuristic, and inherently satisfying. More than simply an album of collaborative features, With Voices is a mutating collage of modern minimalism that challenges as often as it comforts. There is an alchemical, metallurgical quality that arises from Zuydervelt’s unique way of merging humanness with abstraction, harshness with beauty, and unintelligibility with familiarity on what may be the most affecting Machinefabriek release to date.

With Voices

Machinefabriek - "III (with Peter Broderick)"

vital006
2020 élan vital recordings

Private Mountain's third long-form release СТРАТУМИ (STRATUMI or STRATUMS in Cyrillic) uses the metaphor of geological strata to meditate on the different aspects of reality, their relationships and tectonic confrontations. Political, Economic, Cultural, Mental, Morphogenetic, Libidinal strata are the constituents of what the personal and social realities are. Now is the time to stop taking it for granted, to come out of the philosophical cave and learn personal and social responsibility, solidarity, communication and collaboration especially in these troubling times of capitalism pandemic accelerating beyond our ordinary powers of comprehension. 

After 'Dark political stratum', slightly noisier and experimental release (which development came out as an outtake of this material), on 'СТРАТУМИ' they return to more subtle plateaus, combining field recordings, drone and ambient sound, this time supported by the piano and synth of the drone superstars Carlo Giustini and Robert Farrugia! 
* * * 
Private Mountain is audio and visual project of Dimitar Dodovski and Toni Dimitrov releasing their debut album 'Blue Mountain' on UK label Neotantra (curated by Lee Anthony Norris). It is a project about their shared fascination with nature, art, philosophy and many discussions about the past and future of ambient music, that resulted with a beautiful introspective album, a complex blend of field recordings, drone and ambient sound that captivates fans of this genre with its emotional impact and subtle nostalgia (and that entered the bandcamp chart of ambient bestsellers and received many great reviews). The second album 'Dark Political Stratum' (published on Élan Vital Recordings) is a conceptual album that refers to the global geopolitical changes and turbulence at the beginning of the 21 century. Produced in Macedonia, a center of the global geostrategic clashes of the superpowers, it is a sound statement to these global political shifts, observed through the local prism. 

Produced by Dimitar Dodovski. Field recordings and arrangements by Toni Dimitrov. Additional synths and piano by Robert Farrugia, Carlo Giustini. Cover design: Dimitar Dodovski. Photo inlay: Toni Dimitrov.

releases July 20, 2020 
buy the album https://elanvital.bandcamp.com/album/stratumi

Private Mountain - Glow

In mythology, fiction and fantasy, sea creatures have always been associated with an emotional realm too deep to convey in a real world. An emotional depth musicians, artists, aim to convey through their work, in creating their own versions of the worlds they live in.

In their first collaboration, lifelong friends Michael Sarian and Olec Mün created MAKARA, channelling the legendary sea creature from Hindu mythology. Whether a dragon, a crocodile, or a gigantic fish, MAKARA is an ever-changing being, adjusting its form to fit its surroundings or necessities. Trumpet, flugelhorn and FXs from the Americas, copious synthesizers and mood-setting from the old continent, Michael Sarian and Olec Mün bridge the gap between Brooklyn and Barcelona with a 20 minute EP reminiscent of the depths of the ocean and its magical creatures - all while bound by a global pandemic, adapting to their current realities in the spirit of MAKARA.

Olec Mün and Michael Sarian - Ravda

An independent record label based in Austin, TX.

Machinefabriek - "III (with Peter Broderick)"

Western Vinyl

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