Honour Thy Error as a Hidden Intention

27 Demos

Something's Wrong with the Morning

I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico

Venus In Furs

Grade Pending

Waffles

Tender Buttons

Tears In The Typing Pool

Amsterdam

Strange Cacti

Some things Cosmic

AMV: https://www.youtube.com/watch?v=hd_jzAtjAMY

prod. by me
Lyrics:

[Chorus]
Days
Passing by
I get
Reminded
How
Lonely I am
Lost in this keyboard
Playing emotions
I can not speak

[Verse 1]
I lost track of
Seeds
I sow
And it feels
Nothing is worth
I don't know
For how long
But I think
I forgot

[Verse 2]
Does it
Matter?
Will you
Answer
If in you
I seek
Shelter?

[Verse 3]
I
Feel so hollow
Singing for the morrow
That will
Never come
I don't know
What or who
To
Follow
Other than
These pills
I swallow

[Chorus]
Days
Passing by
I get
Reminded
How
Lonely I am
Lost in this keyboard
Playing emotions
I can not speak

days

For Your Hands Child, You Walk Like A Peasant

Waiting For The Moon To Rise

Psychopomp

Everybody Wants to Love You

Titanic Rising

Wild Time

A Lot's Gonna Change

Rough Trade Session

A Lot Has Changed (Rough Trade Session)

September

Wishing

Pay Your Way In Pain

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

A Lot Has Changed (Rough Trade Session)

Weyes Blood

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