Great voice, reminds me a bit of Joni Mitchell!

many run in circles: legacies of cowardly old greed, uncertain where it will ever get enough before it dies; hoping to trap someone to save them from all the others they broke

Last Spa on Earth

Ecstasy

Janky Star

On The Ground

Chasing Ghosts

Freedom

Blame

And In The Darkness, Hearts Aglow

Children of the Empire

It's Not Just Me, It's Everybody

Is It Worth It Now?

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Boys Who Kiss You In Their Car

BACKGROUND:
In Dec 2021 we flew to Austin to record a track with The Song Confessional who gave us a hotel and a selection of stories from people who came to confess their sins, desires, confusions and much much more. We picked a confession and made it into a song over the course of 3 days. The entire track ended up being recorded from our hotel room after we had to cancel our studio time and live performance because of a Covid exposure. Ted had a mysterious fever but somehow managed to write lyrics and a melody in a day and then passed it to me (Adam) to flush out the instrumentals and production. It was a blurry ride fueled by constant room service and random scooter rides in the middle of the night. We called it ‘Trippy Luv’ because the story we based it on is a real fear and loathing style bender following a couple who knows how to have a good time and doesn’t mind sharing their fun or their love.

LYRICS:
I’ve been moving how I want
And way too lit to function
While we’re at the function
We met in the Summer House
Feeling pretty out there
Is anybody out there?

Taking another shot
Just enough to feel a lot
I try tasting on lunar rocks
Don't look down or you might get caught
Inside the wave
I’ve got to twist the knife
Just enough to save my life
Now we’re standing in the restaurant
Like anybody out there

This piston is pumping
My ripple reflection
And this hotel is jello
The echo of my ego

Getting lost inside the walls
And shaky in the transport
I think I need an escort

We go to find our room
Melting into the groove
This time the lights seem to guide us through
I know just what I want to do
And the stars above
Seem closer now
We all can’t help
But move in circles
You make it alright
It’s trippy luv

Trippy Luv

[lyrics]


looking up at the sky in the night
all the stars they shine so bright
overdosing at the speed of light
traversing the multiverse tonight
flying round in the deep dark galaxy
mixing ket with methamphetamines
i just want one look at the moon
i promise ill be back by noon

i never meant to hurt you
i just love drugs so much
i promise i wont desert you
but i probably wont stay in touch
i didnt think i’d hit this low
shooting heroin mixing that with blow
a young dope fiend 18 and alone
a lost junkie barely skin & bone


thats the highs and the lows
feel the warmth feel the cold
at the atm fiending for money
she dont understand she finds my pain funny
got a dirty rig filled up with brown
deep inside my veins, relapse and drown
then i nod out feel so euphoric
listen to the noise its so symphonic
afghan cream got me grinning
opiate addict pupils constricting
thats the darkness thats trapped inside
devil on my shoulder till the day i die

i never meant to hurt you
i just love drugs so much
i promise i wont desert you
but i probably wont stay in touch
i didnt think i’d hit this low
shooting heroin mixing that with blow
a young dope fiend 18 and alone
a lost junkie barely skin & bone

im losing my mind now
i know my time is up
scratching hard at my skin
thats the feeling i love so much
borderline personality
im a self destructive tragedy
blood dripping in the sink
sliced my neck and wrists 
ive left the brink

i never meant to hurt you
i just love drugs so much
i promise i wont desert you
but i probably wont stay in touch
i didnt think i’d hit this low
shooting heroin mixing that with blow
a young dope fiend 18 and alone
a lost junkie barely skin & bone

a young dope fiend, eighteen & alone [gaxillic]

Explore an AI composed musical journey, where AI takes on the roles of composer, lyricist, and singer, infusing each song with distinct lyrics and voice. This track uses the first version of Intro and the second version of Outro of the song labeled AI C-18. Consequently, this results in the track being coded as AI C-18-01-02.

Composed by Udio
Produced by AI composed songs

AI C-18-01-02 In The Silent Breeze

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

Children of the Empire

Weyes Blood

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