Cannot explain how much this song makes me melt

Boys at School

Watch This Liquid Pour Itself

Mother Nature's Bitch

And In The Darkness, Hearts Aglow

Twin Flame

God Turn Me Into a Flower

from Overseas, a new Tonstartssbandht live double LP out June 24th on Company Etc / Arbutus Records

pre-order here: http://arbutusrecords.com/?shopp_product=tonstartssbandht-overseas

"First Taape" is a song written & originally recorded by Montreal's Sugar Boys
http://sugarboys.bandcamp.com/

First Taape

Neptune Estate -King Krule

Castelo de Conchas

This is the second track "Crazy Dream" featuring @loyle-carner from my Reverie E.P out on July 15th, available to pre order / stream now.

iTunes - smarturl.it/reverieepdl
Apple Music smarturl.it/reverieepam
Spotify smarturl.it/reverieepsp
Vinyl - smarturl.it/reverieepvinyl

Crazy Dream

Crazy Dream (feat. Loyle Carner)

Video

Slow

All I Wanna Do

Psychopomp

Everybody Wants to Love You

Dreams Tonite

4real

Titanic Rising

Movies

Something to Believe

All Mirrors

Spring

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

Movies

Weyes Blood

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