Huli Ka

Death of the Phone Call

Strange Cacti

Some things Cosmic

In your orbit  (1)

Méditation sur l'exil, aspiration au départ, retour à soi :
"Je suis en partance" est une ballade nostalgique et lancinante, où résonnent les rêves d'ailleurs et les échos intérieurs.
Avec une instrumentation douce et feutrée, 13Hector déploie une poésie de l'absence et de la reconquête de soi.


Je suis en partance

Psychopomp

Everybody Wants to Love You

Soft Sounds from Another Planet

Boyish

Titanic Rising

Andromeda

Something to Believe

A Lot's Gonna Change

Picture Me Better

a-sides

Jonathan

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

Picture Me Better

Weyes Blood

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