36? is Taylor Cochrane, Ryan Kusz, Eric Svilpis and Scott White

Additional musicians:
Luke Bowman - harp on track 12
Gordon Grayson - jaw harp on track 14 and harmonica on track 17
Kimberley Ilott - vocals on tracks 8, 10 and 13
Alex Meyer - didgeridoo on track 9
Connor Miles - vocals on tracks 14 and 15

Crowd Vocal Singers:
Louis Baydala, Luke Bowman, Brogan Gordon-Cooper, Andrea Hunter, Kimberley Ilott, Andrea Llewelyn, Keegen McKibbon, Mike Meuledyk, Alex Meyer

Cover Art Artists:
Alex Baum, Scotty Bernier, Kathryn Bolton, Luke Boman, Mikaela Cochrane, Taylor Cochrane, Kellie Cornforth, Shifrah Gadamsetti, Brogan Gordon-Cooper, Vickie Grayson, Cameron Gunn, Shalice Hansen, Andrea Hunter, Mark Ikeda, Kimberley Ilott, Nikola Johnson, Mike Kasper, Keegan Mckibbon, Sean McMullen, Mike Meulendyk, Connor Miles, Travis Miller, Amanda Prokop, Valerie Siu, Erica Tufford, Chantal Wall, Scott White, Jocelyn Yet

All tracks recorded and produced by 36?
Mixed by Taylor Cochrane at 2824 studios
Mastered by Grant Howarth at Outhouse Studios
All songs written by Taylor Cochrane
Photography by Mike Kasper
Graphic Design by Sean McMullen
This album was record over the course of 2013

Where Do We Go from Here?

The Man At The Door

SPOTIFY 

Purchase LP/CD 

Women : Eyesore

Taken from "Zoo Du Quebec" - TER038 - December 8th, 2015 

10": http://www.telephoneexplosion.com/products/moss-lime-zoo-du-quebec-10-inch-pre-order

Cassette: http://www.atelierciseaux.com/shop/

Moss Lime "I Always Get What I Want"

Vocals and samples Emma Garnett
Backing vocals Emma Garnett and Sallay Garnett
Guitar Patrick Groenland
Keys and synth Johnny Taylor
Bass Niall Hughes and Ken McCabe
Drum kit Dennis Cassidy
Percussion Emma Garnett, Patrick Groenland and Paul Kenny
Mixed by Ken McCabe
Mastered by Fergal Davis
Artwork Louise Gaffney and Emma Garnett

Like No Other

Vocalist Rich says of the track: “My interpretation of the song is that it’s a reaction to success, which obviously we have no real experience with. But part of why I relate to the song so much is how it deals with how the notion of what’s considered cool can be so fickle. So much of what’s written about music in the mainstream media are often completely devoid of an emotional response, when sometimes that’s really that’s the only thing that matters. Also it’s catchy as hell - Grimes really is the best.”

Happy Accidents - California (Grimes Cover)

From "More" 10" - Out on November 25th, 2016

Working with engineer Graham Walsh (of Holy Fuck), "More" mixes the urgencies or ‘ quickness’  of the bands early songwriting with a more intentional consideration of format (the “impossible” to market/sell 10”) and evolved instrumentation, widening the use of electronics. The result is an artifact that best contains the intensity of their live show.

Purchase "More" 10": https://goo.gl/pf4CK9

TELEPHONEEXPLOSION.COM

New Fries - Mary Poppins' Pockets

"Don't Yah Feel Better" is the first single off The Velveteins forthcoming LP "Slow Wave", set to be released on Fierce Panda Canada in 2017.

Get it now - http://hyperurl.co/DontYahFeelBetter

http://www.thevelveteins.com/

December 2nd, 2016

The Velveteins - Don't Yah Feel Better?

Sseeeedd

A fresh new cut from Swarm Culture by Weirds - the new LP due on Alcopop! Records in May...

Weirds - Phantom

36? - so what?

Thesis composition for my Master's Degree in Composition,
performed in the Philip T. Young concert hall at the University of Victoria, played by musicians from the University of Victoria school of Music, and conducted by Christopher Dlouhy.
for String Quartet, Brass Quartet, and Rhodes electric piano with electronics.

Richard's Album

Cardinal Prophet

36? is an award-winning internationally touring art-rock band based out of Calgary, AB. Originally formed by Taylor Cochrane in two-thousand-and-late, 36?  became the given name for Cochranes frantic basement musings. Moving through their formative years a medically-supercharged-autistic-child, Taylor had trouble making friends, and turned to art as their pathway to self-exploration and at 17-years-old put together their first release. The album: Love, Hate, Bondage! By 36?. It was emotionally jarring, stimulant fueled and all in all difficult to listen to record that Taylor burned, pressed and printed by hand. They would then go to school with a backpack filled with CDs and hand them out to unsuspecting kids in class. 

Now, over a decade later, 36? has grown in size, they regularly play shows all over North America, they have heard their songs on the radio, they have had several award-winning and/or critically acclaimed releases. Once, when 36? was first gaining notoriety, they even got to open for one of young Taylor Cochranes biggest influences as a budding artist, The Ataris.

Much time has passed since 36? first took it’s baby steps but for Taylor Cochrane one thing remains the same, an unrelenting pull towards musical exploration and self-discovery. The sociologically nightmare of growing up as an autistic youth in the ADHD-panic era couldn’t hold them back from finding themselves in their art. More recently, on tour between music festivals 36? was in a triple roll-over in their live-in tour van on the icy highways in Colorado, and still 3 months later Cochrane found themselves back there, driving on the same highways that had once nearly taken their lives, on another adventure, with art leading the way.

The Man At The Door

36?

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