Composed for the film "How They Never Met Themselves" by Florie Salnot and Billur Turan. 
Part of Ron Arad's "Curtain Call" exhibition at the Roundhouse Theatre. 
Choreography by Hannah Cameron and Melanie Clark.

Solitude

Made for the dance piece 247:365 by Hannah Cameron. 

3 distinct sections: 1 to build atmosphere, 2 melodic section for bigger and more energetic movements, 3 urgency and un-ease. The dancers react as if they are being watched. 

I'll post a video link once I get my hands on it!


Scrutiny

A bespoke composition used to showcase an innovative musical interface. The system picks up the proximity, movement and touch of dancers using the Xbox Kinnect video system and a capacitive mat. This piece was used on a video by designer Lingjing Yin to demonstrate the system's capabilities at a Yamaha instrument showcase in Bond Street in 2011. Unfortunately I do not have access to the video so no link! It matched the action very well though. Honest. 

Touch The Sound

Effected piano piece used in Lingjing Yin's demonstration video of the Touch The Sound system. This piece was used in the final project presentation to Yamaha in their instrument designers showcase in Bond Street. 

Breezes

the unaffected piano composition used in Breezes for Lingjing Yin's instrumental showcase. See 'Breezes' for the final piece.

Breezes unaltered

This piece was composed for Harriet Waghorn's short film on the effect that the surrounding environment has on the movement of dancers performing within it. The film was shot by Yelena Popova in the Roca Gallery in London and has featured in several works exhibited by Yelena.

WhistlerMusicUK