Ruffien - Regen (Bonus Track)

Will Samson - Lua

First release on Archives this year is a reimagined version of Warmth's first ambient album 'Essay', with each one of the original pieces revisited by talented artists, including Alex Humann, SineRider, Wil Bolton, Robert Farrugia, Shaded Explorer, Tobias Hellkvist and Darren Harper.

Mastering by Rob Small. 
Archives31 // ArchivesCD012 
Archives / 2017

Buy CD/Digital

Warmth - Time As A Reward (Wil Bolton Remix)

'Short Stories' is the debut album by japanese artist Shuta Yasukochi. The album comes in a 6-Panel CD.

Written and Produced by Shuta Yasukochi. 
Mastering by Rob Small. 
Archives39 // ArchivesCD020 
Archives / 2017

Shuta Yasukochi - Into The Forest

GRM Bloom

Robert Farrugia is a composer from Malta who has released through labels such as Assembly Field, Post Global Recordings, Batenim and more recently Spanish imprint Archives. Robert is a classically trained pianist although his earlier work saw him produce experimental guitar-based music before returning to focus more on piano recordings in 2013. 
Citing Ólafur Arnalds, Stars of the Lid and Taylor Deupree as his major influences, Robert’s work usually starts off with small motifs which are layered with a largely improvisational approach. 

Robert has also performed live many times alongside artists such as Jimmy Bartolo, Joseph Wilkins, Timothy Garrett & Cosmicomics and he has also collaborated with Roman Willi, Warmth and SineRider. He’s also a member of Eyes To Argus, an atmospheric/shoegaze band who have recently released an album entitled ‘VEER’ in October 2017.

‘Almost There’ is an Ambient record with droning synth/piano texture in a similar vein to the aforementioned Stars of the Lid as well as Hammock and is a record that Robert quotes as being his first serious attempt at recording a full length album. It was recorded during the examination period of his first year at University and he used it as a means of breaking away from his hectic routine, over the course of 3 weeks. The contents of the record are soothing yet dramatic as they map out a relaxing space that pauses all of life’s challenges into microscopic slow motion frames. Almost There gives a sense of being on the brink of achievement and as the finish line comes into focus, moments of reflection and triumph overflow. 
credits
releases February 24, 2018 

Written and produced by Robert Farrugia 
Mastered by Tim Diagram 
Artwork by Chris Vella

Almost There

wlr035 Robert Farrugia - Almost There

This track is quoted from the album 'Ascension / Descension'.
Listening to all tracks of the album and purchasing are available on the link below.

https://gallerysix.bandcamp.com/album/ascension-descension

All tracks are written, mixed and mastered by Hidekazu Imashige. 
Cover art by Hidekazu Imashige

at the river bank

A two part collaboration between Dewtone and Gallery Six. Coming Sep 24, 2018

Written and produced by Hidekazu Imashige 
Mastered by Pheek // audioservices.studio 

Photography by Jonas Kaiser // unsplash.com/@kaiser1310 

Download Part II: dewtone.bandcamp.com/album/bansyun

Geisyun

Download

Tsubomi

Kaleidoscope ( tomonari nozaki / 2019 )

"Rionnach Maoim" - shadows cast on the moorland by clouds moving across the sky on a bright and windy day (Gaelic)

Music by Benoit Pioulard
Artwork by Gregory Euclide 

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of  new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: https://stationarytravels.wordpress.com/place-language/

Benoit Pioulard - Rionnach Maoim

2nd track from the ep “Somnolent” by @Hilyard
https://open.spotify.com/album/7mtYE21I5eKozv4spdgauR
https://music.apple.com/us/album/somnolent/1484020783
https://hilyard.bandcamp.com/album/somnolent

Somnolent

Hilyard - Iridescent Path

Whitelabrecs was set up by Harry Towell in late 2015 as another outlet to put out experimental electronic/acoustic music. It followed Harry’s previous labels Audio Gourmet, Tessellate and Warehouse Decay and focuses on a collectable series of highly limited edition vinyl-effect CDr packaging, with the first 50 releases influenced by white label vinyl records. The label also runs a digital only series called eRecords, with each of these releases including a special PDF booklet.

https://www.whitelabrecs.com
https://whitelabrecs.bandcamp.com/

wlr035 Robert Farrugia - Almost There

Whitelabrecs

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