Very atmospheric and engaging song, I like the way comes up in waves, good song. Here's onne of mine, when you have time:  https://on.soundcloud.com/ffKdH

Delusion

Electroaoustic music 2023

The composition consists exclusively of edited and unedited vocal samples, which the mezzo-soprano Jannie Pranger provided to me.

Legoo Hangigomaasse

This is a continuous mix of my own music that I did for the excellent Holy Ambience podcast (https://on.soundcloud.com/EiW4Y)

You can also download the mix from here

"The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever."

Tracklisting:

1. Waterfall
2. In The Garden At Midnight
3. Deg miliwn o arlliwiau o wyrdd ("10 Million Shades Of Green")
4. The Force That Drives (Feat Richard Burton)
5. Llwyn Cysegredig ("Sacred Grove")
6. Washed Up On Strange Shores
7. Star Light
8. Genesis
9. Derilict Industrial
10. Ostara Equinox (Feat. Jane Sarah Bingham)
11. Mae byd arall yn bosibl ("Another World Is Possible")
12. Amser y frwydr ("Time of Struggle")
13. The Singularity
14. Ysgyfarnog Gysegredig ("Sacred Hare")
15. Twymyn ("Fever")
16. Tywyllwch O Fewn ("The Darkness Within")
17. Machine Learning
18. Pen y mynydd ("Head Of The Mountain") 

credits
All tracks composed by Marc Dauncey
The Force That Drives features a poetry reading of Dylan Thomas by RIchard Burton

The Force That Drives (Artist Mix)

All in Pieces

moodgroove

Oculus

Simon McCorry is a composer based in Gloucestershire creating music and sound design mainly for theatre and contemporary dance, working with companies such as Old Vic Productions, Tiata Fahodzi, House of Absolute, Javaad Alipoor Company & Fabula Collective. Simon is a cellist, often using the instrument in his work processed and combined with electronics, field recordings, and other instruments. His work has been described as “electro-orchestral drone-scapes of, by turns, gauzy intimacy and soaring grandeur” MOJO. He has recently collaborated with artists including Andrew Heath, anthéne, Requiem and, on this record, Wodwo.Wodwo is the alias of Derbyshire-based musician Ray Robinson.

An award-winning novelist and coveted screenwriter, Robinson's foray into the music world began in 2018, and his gentle ambient guitar and lush neo-classical compositions have quickly attracted a blossoming legion of fans. Ray also records as one half of JARR, alongside fellow Brit, Jon Attwood (Yellow6). Their albums have been released by Hush Hush Records and on the Sound in Silence imprint. Ray's solo output has appeared on NCTMMRN, Soundtracking The Void, Submarine Broadcasting Company and Fallow.

Every Creeping Thing is a celebration of mud and moss and slugs and bugs and roots and damp – songs of the forgotten, the small, the overlooked. A musical approach of letting things unfold and follow their path, passing material back and forth, leaving space and following a philosophy of less is more. A journey that evolved through coincidences, and shared interests in literature and the natural world – the music took its course, taking on its own life. 
 
Guitar, cello, and modular synth are played, processed, and recorded live. Nothing is sequenced or quantised, maintaining an organic breath-like quality flowing throughout the tracks. Through the music’s echoes, whisperings, creeks, calls, fluttering and murmurings – sometimes as walls of sound, often as spiderweb-fine textures – Every Creeping Thing invites the listener to immerse themselves in the intricate net of the beauty of the more-than-human world.

The cover art illustrates John Masefield's lines from The Everlasting Mercy: ‘A rushing comet, crackling, numbing the folk with fear of judgement coming.’ Taken from their collection, The Book of Comets, the artists Christopher Crouch and Cherish Marrington worked together to create something that would be a synthesis of their practices, but which would also propel them into new ways of thinking about representing their ideas. However, these illustrations are less about comets and more about the artists’ retreat into the imaginary.

The track titles for Every Creeping Thing are from Jacob Polley’s wonderful poetry collection, Jackself, which Ray happened to be reading at the time of this collaboration. As the album was coming together, he felt a real connection between the sometimes off-kilter, ‘organic’ music he and Simon were creating and Jacob’s collection. It felt as if they were inhabiting similar worlds: a world of frosty mornings, kidney-coloured pools, rosehips, and buzzards’ wings.

Credits:
Written and produced by Simon McCorry and Ray Robinson
Mastered by Simon McCorry
Art and design by Andrew Heath

The titles in this album are taken from the poetry collection ‘Jackself’ by Jacob Polley (Picador) and reproduced with kind permission.

The artwork is an illustration from ‘A Book of Comets’ by Christopher Crouch and Cherish Marrington, reproduced with kind permission.

Every Creeping Thing

wlr158 Simon McCorry & Wodwo - Every Creeping Thing

Marco Lucchi : organ and synthesizer
*
for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku535-come-outside/

*

Come outside!
we can almost touch
the spring moon

Nakamura Teijo

*

7 aprile 2024

Marco Lucchi - Touch the Moon [Naviar Haiku # 535]

Sinfonía

Unknown of ametrom

Whitelabrecs was set up by Harry Towell in late 2015 as another outlet to put out experimental electronic/acoustic music. It followed Harry’s previous labels Audio Gourmet, Tessellate and Warehouse Decay and focuses on a collectable series of highly limited edition vinyl-effect CDr packaging, with the first 50 releases influenced by white label vinyl records. The label also runs a digital only series called eRecords, with each of these releases including a special PDF booklet.

https://www.whitelabrecs.com
https://whitelabrecs.bandcamp.com/

wlr158 Simon McCorry & Wodwo - Every Creeping Thing

Whitelabrecs

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