https://soundcloud.com/andreysirotkin
https://soundcloud.com/pyrame
https://soundcloud.com/antakaatweed
https://soundcloud.com/oltrefuturo
https://soundcloud.com/thisberecordings
🛒 https://thisberecordings.com/discography
🔊 https://youtu.be/3rhXz8MWiYg

Andrey Sirotkin makes a remarkable debut on THISBE Recordings with the single “Untouchable”, a synth-infused slow techno track with an electric 80s feel, that should awaken every listener’s imagination from start to finish. The Kyiv-based producer, known for his fine analogically produced leftfield techno tracks released - among others - on Rune Records and Mystictrax and his own label Vyrii records, comes up once again with an original production which strikes the right emotional balance between melancholy and euphoria.

Initially produced as an instrumental tune, such an atmospheric track was begging for an extra melodic vocal ­input, and this is where Pyrame comes into play. Indeed, “Untouchable” features the Berlin-based lyricist and vocalist who conveys a warning message about humankind being reduced to a simple product in modern society, a lame unit in a world driven by statistics where everything is measured and quantified. The writing is on the wall: with “Untouchable”, Pyrame raises awareness about losing every aspect of our freedom, privacy and unbiased opinion. Scary, with the hope of getting sometime, somehow, out of it. We must.

In order to add some other perspectives to “Untouchable” when it comes to genres, the EP is completed by a deep techno remix by Joseph S Joyce, A Caribbean rework by A-Tweed & Oltrefuturo - which also got declined into a dub version - as well as an electro mix by Acid Washed.

Tracklist:

1) Untouchable (Original Mix)
2) Untouchable (Joseph S Joyce Remix)
3) Untouchable (A-Tweed & Oltrefuturo Remix)
4) Untouchable (Acid Washed Remix)
5) Untouchable ( A-Tweed & Oltrefuturo Dub Version)
6) Untouchable (Instrumental Mix)
7) Untouchable (Radio Edit)

PREMIERE: Andrey Sirotkin, Pyrame - Untouchable (A-Tweed & Oltrefuturo Remix) [Thisbe Recordings]

Italian dj/producer based in Rome
1/2 A-Tweed X @oltrefuturo
1/2 @oblakomaranta
Releases on 
@multiculti,
@hardfist, 
@playgroundrecords,
@feinestier,
@insideoutrec,
@electric_shapes,
@karakter-records, 
@sabi_records,
@sonido-moderna
@faunareve
and more
 
[Acid Weird Slow Disco / Rotten Broken Beats]
Radio show: "Coal & Ash Circuit w/A-Tweed" @ Radio AlHara

(◕‿◕))) The Physical World Melting Away

Find Me On:
Multi Culti - Trule - Warning & more  

valerioebert@gmail.com
oltrefuturo@gmail.com

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1/2 of : 
A-Tweed X Oltrefuturo /// Futureisland /// Eurospeed /// Primo 


Contact:
valerioebert@gmail.com
oltrefuturo@gmail.com

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

Attendances was born in 1987 in Ancona, a small city on the east coast of Italy. He's an Italian dj and producer influenced by different types of music, mainly progressive, trance, new wave, electrobeat, EBM, industrial, leftfield, techno, indie-dance, dark disco and electronic music.

His interesting in DJing began almost as a game and he started playing and then working in different clubs and social centres such as Thermos and Kontatto (Ancona).

During university years he began studying different softwares for the creation of sounds, producing songs intended as a photograph of the soul within the passage of time.

After several years of working in sound creation, in 2014 he started his project called "Attendances", he then created his podcast series "Retrofuture" and started publishing some songs with different labels such as Play Pal, Maleante, Esthetique and Emerald & Doreen.

In 2018 he became a member of the Italian-Spanish crew "Carajillo electronique" In 2022 he became also a member of another crew "Circuits" playing in different clubs and festivals in Italy, Spain and France such as:

Bunker 83 Club - Urbino (IT) 2018
Torrione Club - Città di Castello (IT) 2018
25 April REDD BBQ - Ancona (IT)2018
Camping Electronique Festival - Caprese Michelangelo (IT)2018
Freedonia Club - Barcelona (ES) 2018
Sideral Club - Barcelona (ES) 2018
Slow Club - Barcelona (ES) 2018
Torrione Club - Città di Castello (IT) 2019
BE ONE’S club - Arezzo (IT) 2019
El Casal - Valencia (ES) 2019
Umami Club - Manresa (ES) 2019
25 April REDD BBQ - Ancona (IT) 2019
Camping Electronique Festival - Caprese Michelangelo (IT) 2019
ÖND 3rd Birthday at UBU in Rennes (FR) 2019
BE ONE’S club - Arezzo (IT) 2021
DONG (Circuit night) - Macerata (IT) 2022
HANGAR - Ancona (IT) 2022
ELECTRIC WAVES Pescara (IT) 2022
PITINO ELETTRICO (Circuit night) San Severino Marche (IT) 2022
DONG (Circuit night)  - Macerata (IT) 2022
MAGMA - Tolentino (IT) 2023
SISMA (Circuit night) - Macerata (IT) 2023
REDD BBQ - Ancona (IT) 2023
REDD BBQ - Bologna (IT) 2023
COPACABANA July - Porto Recanati (IT) 2023
ELECTRIC WAVE Silvi Marina (IT) 2023
COPACABANA August - Porto Recanati (IT) 2023
LIBECCIO 2.0 - Numana (IT) 2023
BORDERBASS Arcobaleno beach - Cingoli (IT) 2023
MAGMA (Circuit night) - Tolentino (IT) 2023
SPAZIOTEMPO Oct (Circuit night) - Recanati (IT) 2023
SPAZIOTEMPO Nov (Circuit night) A-TWEED - Recanati (IT) 2023
SPAZIOTEMPO DIC (LUST LAST LOST NIGHT ) - Recanati (IT) 2023
SPAZIOTEMPO GEN (Circuit night) NICK HANZO - Recanati (IT) 2024
SPAZIOTEMPO MAR (Circuit night) OLTREFUTURO - Recanati (IT) 2024
SPAZIOTEMPO APR (Circuit night) - Recanati (IT) 2024
SPAZIOTEMPO APR CLOSING PARTY WINTER SEASON - Recanati (IT) 2024
SPAZIOTEMPO AGO CIRCUIT SUMMER FEST - Porto Recanati (IT) 2024

Storytelling with distinct sounds.
Enjoy the journey...🖤😷

Music has always been my passion.
Purchased my first set of second hand turntables and supporting equipment with my first months wages in my late teens with dreams of playing in front of large crowds one day; feeding off the very same energy 'we' give them on the dancefloor.
Sadly, it wasn't to be back then. Living in a four to a block property did have its drawbacks; noise pollution as the neighbours called it, resulting in me having to sell everything a few months later to appease their disapproval of the bass drum.
Back now with a controller since January 2022, promoting great music and balancing my rekindled passion between work and family commitments.

Thanks for the support, and a special thanks to Mrs P for putting up with the noise🖤😷