Name: CHVRCHES - Empty Threat (WHYT NOYZ Remix) by Whyt Noyz in Untitled Playlist
Duration: 8 min 17 s
Description: Here is my official remix of Chvrches - Empty Threat.

where can we get this dope work of hell?! :´D

Can I have the download for this? Will use in a mix!

Untitled Playlist

► Buy this track: https://www.beatport.com/release/confusion-the-remixes/3502045

Confusion (The Remixes)

PREMIERE: Andrea Signore - Confusion (Filterheadz Remix) [Orange Recordings]

THE RETURN OF THE JEDI

● Downlaod: https://www.sendspace.com/file/1iaji6
● Mixcloud: http://www.mixcloud.com/Bestami-Turna/
● Facebook Personal: https://www.facebook.com/Bestami.Turna

Bestami Turna // Deep & Dark Progressive (10,March 2015)

A hypnotic 8K sci‑fi voyage—deep bass, trippy geometry, melodic lift‑offs.
Melodic, psychedelic, progressive—zero‑gravity techno for late hours.
Minimal to massive: trippy textures, deep drive, melodic bloom.

8K Video: https://youtu.be/_6mjYbS_-6Y

(●'◡'●)
Stream / download / buy ➜
(❁´◡`❁)
https://music.apple.com/us/artist/grass-patch-bum/1596136340
☆*: .｡. o(≧▽≦)o .｡.:*☆
https://soundcloud.com/grasspatchbum
ᓚᘏᗢ


The Story ➜
The shuttle cut across the dark like a scalpel of dull chrome, its hull showing only a thin comb of starlight as it banked toward the Quay. Below, an archipelago of structures rose out of the vacuum—a ring of barbed petals and glassy ribs, like a flower pressed between the pages of physics. They called it Tessellation Quay, and at its center—hung on invisible filaments—waited a round, black sheet with a faint sheen, as if it were coated in oil that refused to drip.

Amri Quell watched it tilt, an angle shifting against nothingness, and adjusted her ship’s attitude until her reflection skimmed the slick surface and fractured into a dozen faint copies. The copies kept flying, like she did, but their courses were off by the smallest degree, and she had a brief, superstitious fear each one would plow into some invisible wall she’d avoid only by accident.

“The Mirror’s awake,” said the Quay’s traffic mind, its voice a steady alto that made no effort to be comforting. “Dock on rib seven. Your sponsor is waiting. And Amri—don’t touch the surface.”

“As if anyone comes this far to smudge a priceless artifact,” she said, and let the shuttle kiss the rib with a well-practiced lean.

Mag clamps took hold. The cockpit glass irised open. She climbed down into air laced with a mineral chill and the faint musk of wet soil—the Quay kept gardens threaded everywhere, corridors furry with moss and filaments, a mycelial skeleton that made walking through the place feel like navigating a living lung. The filament glow was gentle, teal and cobalt, as if bioluminescence had learned restraint.

A figure waited at the end of the causeway—a long coat, a thin halo of thin-film iridescence around the shoulders, and the austere expression of a person who conversed mostly with machines.

“Conservator Nals,” said Amri. “You look exactly like your letters, which is mildly disappointing.”

“Pilot Quell,” Nals said, dry. “You look exactly like someone who doesn’t believe in mirrors.”

“I believe in mirrors. I don’t trust them.”

“Good. The Rosette returns mistrust with courtesy. Come.”

They walked a narrow path that spiraled inward, over a dark well where the Mirror hung. From above, it was not perfectly round. Its edge flowered into petals of angle—eight elaborate lobes, like a rosette carved from shadow. Each lobe was the suggestion of symmetry, not symmetry itself; when she tried to count the facets at any given radius, the count changed by one, as if the Mirror reserved the right to differ with her.

“Everyone calls it the Rosette Mirror,” Nals said. “But that’s not its name. It’s an artifact we don’t know how to name.”

“What does it test?” Amri said.

“Continuity.”

“Of what?”

Continues on the website.


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Merch Shop : https://grass-patch-bum-shop.fourthwall.com
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https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
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Support the tunes:
https://paypal.me/grasspatchbum


#techno  #musicvideo  #trippyvisuals  #technomusic  #visualizer  #undergroundtechno  #musicvisualizer  #melodictechno   #4kvideo  #4kvisuals  #psychedelicvisuals  #8kvideo

Rosette Mirror Test - 8K Psy Video on Youtube

Eternity

My 'Dimensions EP' is out now on Dubfire's SCI+TEC! Three fan favourites for you to rock out to this weekend and over the holidays!

Huge thanks to all of you guys who have supported me this year and hope to some or ALL of you on the dance floor next year!

Big Love, 

David x

https://www.facebook.com/WHYTNOYZ/
https://www.instagram.com/WHYTNOYZ/
https://www.twitter.com/WHYTNOYZ/


Spirit Vine [128kbps]

SAM PAGANINI Cobra EP (Plus8 Rec 121)

1. Phantom (original mix)
2. Cobra (original mix)
3. Last Call (original mix)
4. Primitives (original mix)

You can buy it from Beatport
http://www.beatport.com/release/cobra-ep/688687

or M_nus 
http://m-nus.com/#data.pl?release=PLUS8121DMP3;MiddleAndRight




Sam Paganini Cobra EP (Plus8 rec) Preview

Here is my official remix of Chvrches - Empty Threat. 

CHVRCHES - Empty Threat (WHYT NOYZ Remix)

My brand new remix is out now! :)
https://www.beatport.com/release/ramble-ep/1768505

The Reactivitz - Ramble (Jay Lumen Afterlife Remix) Low Quality Preview

My new album is out now. :)
https://www.beatport.com/release/lost-tales/1855481

Lost Tales

Jay Lumen - Passion 303 (Original Mix) Low Quality Preview

The Beetles One - Twist And Shout

Third Episode of Techno Cave exclusive podcasts with Thomas Schumacher

Thomas Schumacher - Techno Cave Podcast 003

Frazier - Unknown Destination

Read more here: https://www.insomniac.com/music/mark-reeves-closer-is-dusty-driving-techno-magic

Available December 17 via SubVision Records.

Follow https://soundcloud.com/markreeve
Facebook: facebook.com/markreevemusic
Twitter: twitter.com/DjMarkReeve

Follow SubVision 
Facebook: facebook.com/SubVisions

Track of the Day: Mark Reeve “Closer”

Pre-order 
https://www.beatport.com/release/borderline/2488649

"Borderline syndrome is a personality disorder that doctors classify as a very serious psychiatric condition. People with borderline find it difficult to control their often intense emotions. They suffer from violent emotional outbursts and mood swings that significantly affect their everyday lives, the lives of their fellow human beings as well as all interpersonal relationships. The feelings and thoughts of borderline patients can change from one minute to the next on the slightest occasion. Typical of the borderline syndrome are emotional instability, impulsivity, inner tension and a distorted self-image. The reasons are often traumatic situations such as divorce, rape or other profound experiences.

In a relationship, this often leads to so-called "on-off" relationships. The borderline partners often unconsciously reflect the longings of their partner. They can be incredibly affectionate and fulfilling, but the next moment they split up or worse cheating on their partner. If you do not reflect this, it can be a very depressing and frustrating cycle. I dedicate this release to all people who suffer as well as their relatives and partners."

Buy on Beatport

Premiere | Steven Shade - Borderline (Carbon Remix) Do Love Resist Hate

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

11 - Primordial

Whyt Noyz Bookings:

Worldwide: Worldwide: stefan@myfavouritefreaks.com

In the space of just four years, English techno act WHYT NOYZ has risen from an unknown name to a staple of some of the world’s biggest electronic music labels.

Now a solo project of David Sidley, WHYT NOYZ was formed in 2010 by two best friends to formulate their take on sleek, hard-grooving techno – having been raised on a shared diet of electronic and black music. Hip-hop, funk and soul all played formative roles before he discovered house music thanks to the likes of Joey Negro and Masters At Work and began playing in local clubs. His passion for techno soon followed. “As I got more into the electronics of sound and this symbiotic relationship between man and machine, I began to dig deeper” he recalls. The powerful rhythmic components of the WHYT NOYZ sound also give a nod to his background as a drummer – something he has been doing since the age of 6. He began producing in 2007.

Fusing the groove of post-minimal techno with live percussive elements, deft rap samples and high-impact effects, WHYT NOYZ’s is a resolutely contemporary sound – but one that still gives subtle nods to his past. “As my creative mind has developed, so has the sound” he says of his blend of digital and analog. “It has evolved into something more considered and memorable. A sound that has a stronghold in something peak-time and driving but with melodic elements to help captivate the mind.”

Catching Richie Hawtin’s ear with early production Volcano made for the perfect start to WHYT NOYZ’s career, with the track signed to his MINUS12 imprint and featured on the label boss’ Mixmag ‘New Horizons’ compilation. This huge seal of approval set Sidley on a fast track into the upper echelons of the techno scene, with Dubfire signing the Homewerk EP to his SCI+TEC Digital imprint after they met in Ibiza. The release landed in Beatport’s Top 40 Techno Chart, and led to a follow-up (They EP).

Releases and remixes for Sian’s Octopus Black Label, Kaiserdisco’s KD Music and Monika Kruse’s Terminal M all followed, plus an appearance on Pan-Pot’s Sonne Mond Sterne compilation, cementing his reputation and vindicating Hawtin’s early belief in the WHYT NOYZ sound. Impressed by the success of Volcano, he signed the act up for a full release: Back To The Future EP. The Minus boss gave all four tracks heavy rotation during the 2013 season of his Space Ibiza night ENTER. He continues to play digital bonus track Meh Meh to this day. The EP hit Beatport’s Techno Chart Top 5, and received support from Pete Tong on Radio 1 - notably during his Glastonbury Essential Mix.

The ongoing success of the partnership with Minus led to another five-track EP in 2014 (It Grows, supported by the likes of Adam Beyer) and a string of tour dates supporting Hawtin across the world. WHYT NOYZ played alongside him at the hallowed Ten Days Off in Belgium, between him and Disclosure at Kappa FuturFestival in Italy and in front of a home crowd at the legendary fabric in London. His sets continue to garner rave reviews, with bookings at Berlin’s Watergate, Paris’ Le Tunnel (“1200 people going totally nuts, sweat dripping off the roof”) and in Ibiza, Amsterdam, Mexico City, Goa and Istanbul to name a few.

With the release of his third SCITEC Ep Dimensions and a host of remixes to boot, it looks very much like WHYT NOYZ’s rapid ascent will continue and place him amongst the big leagues of electronic music. “My goal is simply to continue producing and playing music to stay connected” he says. “As my sound constantly develops, I feel energised to keep pushing to see where it goes. It is a drug for sure.”

Jak tak to uwi  muzyka mi gra w sercu i t tyle

CHVRCHES - Empty Threat (WHYT NOYZ Remix)

Whyt Noyz

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