Hypnotic Techno

● Buy Link: www.beatport.com/es/release/indalo-reetah/5554040

● Artist: Stefan Cordery
● Track: Reetah (Nomad In The Dark Remix)
● Album: Indalo / Reetah
● Label: Friday Island
● Catalog: FI05
● Genre: Electronic Dance Music
● Style: Progressive House
● Release Date: 05th December 2025
_________________________________

● Follow the artist here:
@stefan_cordery
https://soundcloud.com/nomadinthedark

● Label's Links:
Soundcloud: @friday-island-music
Instagram: www.instagram.com/fridayisland.music/
_________________________________

Friday Island completes its slate of releases for the year with a debut from Spanish-based UK artist Stefan Cordery, who returns with his first EP in a decade featuring two deep and melodic prog tracks, including top tier remixes from Hobin Rude and Nomad in the Dark.

Before taking a step back from production, Stefan previously ran record label Kinetic Groove and had releases and remixes on the likes of Kindisch and Menomale.

First up on the EP is ‘Indalo’, a Digweed-inspired melodic prog roller with a dark hypnotic arp and deep sustained bass that builds into the break and unleashes a spellbinding tribal chant that keeps the groove moving along.

On the flip is ‘Reetah’, another deep and melodic late night prog roller with a Reese-style bass, dreamy synths and rhythmic vocal chop that carries the track through to its climax. Rising Serbian prog star Hobin Rude delivers his debut remix for Friday Island, a dancefloor-
destroying take on ‘Indalo’ that builds his trademark wide-screen pads and infectious bass groove around the original’s hypnotic arp and vocal.

Finally, Friday Island regular Nomad in the Dark is back with another massive remix that reworks ‘Reetah’ by combining squelchy filtered bass, rhythmic stabs and huge vocal pads that build into an epic synth lead that dials the track up to 11.

Friday Island is a new progressive house label inspired by the magic of the early 2000s but with an eye firmly on pushing the future of the sound. Friday Island’s mission is to make music for dark sweaty rooms and those cosmic 3am dancefloor moments when you forget
where you are.
_________________________________

● Tracklist:
1. Indalo
2. Reetah
3. Indalo (Hobin Rude Remix)
4. Reetah (Nomad In The Dark Remix)

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Premiere | Stefan Cordery - Reetah (Nomad In The Dark Remix) [Friday Island]

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‘Recompiled I/II’ is the first of two vinyl-only archive releases by Function on A-TON, which include previously unreleased tracks as well as music that has long been out-of-print. ‘Recompiled II/II’ is scheduled for release in October 2017.

A-TON is a new edition and platform of Ostgut Ton, focussing on ambient, archive and alternative music, differing from the club-focussed records on the main label.

“I remember in the early ‘90s when the music was changing so rapidly and it felt so revolutionary, separating my records into piles and thinking ‘I need more of this – there needs to be more of this kind of record.’”

Buy Album

Function | Disaffected

Salvation is found by identifying thesis and antithesis of a logically conceived duality as a receptive polarity which is then synthesized and expressed on a higher level.
Thereby practicing what is preached is the all-embracing love in the presence of the creator.
The purest original state pre-dating the judgmental so called ìfall of manî in unity with life itself is the principle of holiness and the root of inner peace.
Glory to G-d!

PRE ORDER NOW: goo.gl/BygFcc

This Album contains:
4x 12 Inch
2x CD

Amazing hight quality printed Gatefold Cover with 8mm Spine and a handpainted picture.
Mastering and Cut by CGB at Dubplates and Mastering.
Manufactured by Matter Of Fact.
Artwork by Markus Suckut.
Cover paint by Rebecca Reja.

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Our mix series returns March 15, 2019 with the 9th edition mixed and compiled by Vatican Shadow. It includes 13 exclusive tracks available for download or on 2x12“ vinyl  [O-TON 119].

Since becoming a Berghain resident in 2017, Dominick Fernow’s risk-taking hybrid live/DJ sets as Vatican Shadow have become conduits for infusing techno with contrasting musical ideas – from noise, industrial and ambient to distorted melodies and rhythms that push the club’s borders in unexpected ways.

It’s an idiosyncratic approach to techno rooted not only in Fernow’s 25-plus years as an experimental and noise musician under more than a dozen aliases (e.g. Prurient, Rainforest Spiritual Enslavement) but also in his role as founder of the vital New York-based Hospital Productions, whose discography exceeds some 500 releases. The label – which in 2017 celebrated its 20-year anniversary – is also home to the majority of Vatican Shadow output to date.

Under that alias, Fernow’s numerous albums and 12”s (including 2017’s ‘Rubbish Of The Floodwaters’ on Ostgut Ton) oscillate between ominous, distorted machine-funk, techno and ambient electronics; equal parts noise, melody and rhythm. Since 2011, the project’s intentionally ambiguous visual identity has been defined by War on Terror-related imagery and track titles – and the media’s role therein.

Both the ‘Berghain 09’ mix and accompanying exclusive 12”s – featuring exclusive tracks by Genesis Breyer P-Orridge, Virile Games, Los Angeles Death Cult, Ron Morelli, Volvox, JK Flesh, Alberich, Ugandan Methods | Prurient and Merzbow – reflect Vatican Shadow’s composite musical influences and relationship to Berghain as a club. Stylistically, the two vinyls are divided between clubbier and experimental electronics, with vocal samples of Genesis Breyer P-Orridge acting as a bridge between the two. All tracks on Side D end in locked grooves.

As Fernow describes in his own words:

“My interest in DJing developed naturally out of industrial music traditions such as mail art, tape trading, and sound collage. While this mix, of course, does not solely focus on cassettes, they were used as the bridge between the seemingly disparate areas and cross-sections of underground electronic edits you will find sewn together from diverse factions to create a sonic ‘cut up’. Accordingly, the artists featured with exclusive tracks span several continents and generations of electronic music subculture, from the birth of industrial in the UK and the rhythmic loops of Japanese noise, to the raw collision of genres found in the NYC underground. ‘Berghain 09’ is a tribute to the techno mixtapes that influenced me during my introduction to raves and dance music in the 90s.”

Buy 2x12" EP

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Fernweh

Hexagon

Whyt Noyz Bookings:

Worldwide: Worldwide: stefan@myfavouritefreaks.com

In the space of just four years, English techno act WHYT NOYZ has risen from an unknown name to a staple of some of the world’s biggest electronic music labels.

Now a solo project of David Sidley, WHYT NOYZ was formed in 2010 by two best friends to formulate their take on sleek, hard-grooving techno – having been raised on a shared diet of electronic and black music. Hip-hop, funk and soul all played formative roles before he discovered house music thanks to the likes of Joey Negro and Masters At Work and began playing in local clubs. His passion for techno soon followed. “As I got more into the electronics of sound and this symbiotic relationship between man and machine, I began to dig deeper” he recalls. The powerful rhythmic components of the WHYT NOYZ sound also give a nod to his background as a drummer – something he has been doing since the age of 6. He began producing in 2007.

Fusing the groove of post-minimal techno with live percussive elements, deft rap samples and high-impact effects, WHYT NOYZ’s is a resolutely contemporary sound – but one that still gives subtle nods to his past. “As my creative mind has developed, so has the sound” he says of his blend of digital and analog. “It has evolved into something more considered and memorable. A sound that has a stronghold in something peak-time and driving but with melodic elements to help captivate the mind.”

Catching Richie Hawtin’s ear with early production Volcano made for the perfect start to WHYT NOYZ’s career, with the track signed to his MINUS12 imprint and featured on the label boss’ Mixmag ‘New Horizons’ compilation. This huge seal of approval set Sidley on a fast track into the upper echelons of the techno scene, with Dubfire signing the Homewerk EP to his SCI+TEC Digital imprint after they met in Ibiza. The release landed in Beatport’s Top 40 Techno Chart, and led to a follow-up (They EP).

Releases and remixes for Sian’s Octopus Black Label, Kaiserdisco’s KD Music and Monika Kruse’s Terminal M all followed, plus an appearance on Pan-Pot’s Sonne Mond Sterne compilation, cementing his reputation and vindicating Hawtin’s early belief in the WHYT NOYZ sound. Impressed by the success of Volcano, he signed the act up for a full release: Back To The Future EP. The Minus boss gave all four tracks heavy rotation during the 2013 season of his Space Ibiza night ENTER. He continues to play digital bonus track Meh Meh to this day. The EP hit Beatport’s Techno Chart Top 5, and received support from Pete Tong on Radio 1 - notably during his Glastonbury Essential Mix.

The ongoing success of the partnership with Minus led to another five-track EP in 2014 (It Grows, supported by the likes of Adam Beyer) and a string of tour dates supporting Hawtin across the world. WHYT NOYZ played alongside him at the hallowed Ten Days Off in Belgium, between him and Disclosure at Kappa FuturFestival in Italy and in front of a home crowd at the legendary fabric in London. His sets continue to garner rave reviews, with bookings at Berlin’s Watergate, Paris’ Le Tunnel (“1200 people going totally nuts, sweat dripping off the roof”) and in Ibiza, Amsterdam, Mexico City, Goa and Istanbul to name a few.

With the release of his third SCITEC Ep Dimensions and a host of remixes to boot, it looks very much like WHYT NOYZ’s rapid ascent will continue and place him amongst the big leagues of electronic music. “My goal is simply to continue producing and playing music to stay connected” he says. “As my sound constantly develops, I feel energised to keep pushing to see where it goes. It is a drug for sure.”

Night Night

Whyt Noyz

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