energy Yo! Really love this track, the emotion and atmosphere are incredible❤️❤️🔥🔥💯

In this track we are a quintet of players: prepared piano (Pierre-Henri Wicomb), clarinet (Garth Erasmus), Korg synthesiser (Mo Laudi), tuba (Likhona Tokota) and alto flute (Esther Marie Pauw).

Online Play 20_2021-08-11 PH, GE, ML, LT, EMP

Sanderson Dear (@sandersondear)from @stasisrecordings delivers an other-worldly, ethereal ambient mix for your listening pleasure.


Tracklisting:
0:00:00 01. Pierre-Henri Wicomb - Gaia :: MOVIESCORE MEDIA

0:02:55 02. Robert Aiki Aubrey Lowe - Got Taken :: WAXWORKS RECORDS

0:04:56 03. Post Apocalyptic - Aftermath :: STASIS RECORDINGS

0:10:43 04. Jason van Wyk - Subdued :: n5MD

0:13:18 05. Inhmost - Lowdown :: STASIS RECORDINGS

0:18:03 06. Glo Phase - In The Pale White Woods (lotus phades remix) :: STASIS RECORDINGS

0:19:11 07. YMC - Soma :: YOSHITOSHI RECORDINGS

0:22:22 08. Clint Mansell - The Circle Of Women :: SILVA SCREEN RECORDS LTD.

0:25:24 09. Urenga - Floating Island (Off Land recon) :: STASIS RECORDINGS

0:31:00 10. Talk Talk - Happiness Is Easy :: EMI RECORDS

0:37:24 11. Adriano Mirabile - Sonntag Morgens (ft. Joyce Bela) :: STASIS RECORDINGS

0:42:37 12. Maps Of Hyperspace - Dream Seeker :: STASIS RECORDINGS

0:46:40 13. Off Land - Rail :: STASIS RECORDINGS

0:54:30 14. Off Land - The Azure System :: STASIS RECORDINGS

1:00:53 15. Suzuki K1 >> 7.5cc - Satellite Serenade (Transasianexpress mix) :: AO RECORDS

1:13:53 16. Tomi Chair - Dream Universe (Aural Imbalance’s unimix) :: STASIS RECORDINGS

1:18:11 17. Louis Haiman - The Spacial Experience (as told by Sanderson Dear) :: FWDTHOUGHT MUSIC

1:24:22 18. DeepChord - Sunset :: MODERN LOVE

1:33:56 19. Sunday Brunch - Honung :: SVEK

1:38:47 20. Step Time Orchestra - Restless Cinderella :: STICKMAN RECORDS



NOTES FROM SANDERSON ABOUT THE MIX
I’ve always had a love for constructing playlists. The mixes I’ve done in the last few years have found me fully folding 4 traits into a dj-mix or set. First off it’s pretty much a guarantee you’ll hear something from the 80s or new wave (that’s my childhood right there). Second, a few movie scores because that's one of my loves from a composing standpoint. A strong contingent of tracks from Stasis Recordings (the label I manage) or from our close roster when they release on other imprints because it’s all about supporting the crew and family; and last but not least, at least a few of my favourite vinyl tunes I use to play at gigs.

The title Room Temperature is about not being too hot or too cold. A person can interpret that in whatever context they choose to use it for this mix: transition from home stereo to loud sound system, ambient to beats, or slower tempo to more upbeat.

Thank you Kevin and Electrofans for the airtime and hope everyone enjoys/enjoyed my contribution to the party.



FOLLOW SANDERSON / STASIS RECORDINGS:
https://www.stasisrecordings.com
https://soundcloud.com/sandersondear
https://soundcloud.com/stasisrecordings
https://twitter.com/StasisHQ
https://stasisrecordings.bandcamp.com/
https://www.instagram.com/stasisrecordings/
https://www.facebook.com/StasisHQ
https://www.traxsource.com/label/60407/stasis-recordings
https://www.junodownload.com/labels/Stasis+Recordings/


===================


VISIT US ON THE WEB!
https://www.electrofans.com/​

#ambient #chillout #downtempo #leftfield

Sanderson Dear - Room Temperature (Electrofans Guest Mix)

Garth Erasmus is on saxophone, Pierre-Henri Wicomb on prepared piano and Jacques van Zyl on electronic neural nets. Image: prepared piano.

Live Play 8_2022-07-31 GE, JvZ, PHW

Esther Marie Pauw on flute, Garth Erasmus on saxophone, Pierre-Henri Wicomb on prepared piano, and John Pringle on percussion. Image by W Wicomb.

Live Play 11B_2022-10-11 GE, EMP, PHW, JP

performed by Musarc with
Cara Houghton (flute), Rowan Jones (clarinet), Michelle Hromin (bass clarinet), Andrew Hamilton (violin), Andrew Liddell (viola), Rebecca Burden (cello), Steve Potter (piano).
conducted by Jack Sheen

recorded 2022

PRODUCT#1    Musarc/Sheen

Garth Erasmus plays saxophone and Pierre-Henri Wicomb piano, recorded on the 18th of June, Cape Town.

Artwork: Garth Erasmus

2023-vi-18a GE PHW

Esther Marie Pauw (C-flute, two stones), Pierre-Henri Wicomb (prepared piano), Carina Venter (cello) and Jacques van Zyl (electronic neural nets/tupperware set-up). Mixed by Jacques van Zyl. Art by Garth Erasmus (detail).

2023ii28 AOI

2023-ii-28b EMP PHW CV JvZ

This song is a raw, emotional reflection on the search for purpose and meaning. 

It begins with a single lamenting voice that gradually builds as more voices join—one after another—until they form a haunting, layered harmony. 

The repeated phrases, like “trying and failing” and “retrieving or dying,” create a cyclical pattern, mirroring the feeling of being stuck in life’s challenges. The piece powerfully echoes the universal struggle of seeking meaning while trapped in patterns of uncertainty and doubt.

Echoes of Yearning

A work for solo flute and soundtrack. The title consists of synonyms referring to ‘holding on’, alluding to the interaction of the flautist with her flute and also to the soundtrack. The playing techniques frequently rely on the rolling of the flute blowing into the instrument at different angles. The ‘holding on’ can be seen both as a metaphor for a delicate dance, while also trying to keep up with a ‘moving’ soundtrack. It has a concealed, pulse-like character, with pulses mostly scattered throughout the work, making consecutive ones an infrequent occurrence. This absence does not prevent the meticulous following of the soundtrack and its synchronisation. This supports an ongoing goal of the composer working towards a more involved and musical ‘coming-together’ of the electronic and acoustic, without the use of, for example, a click track. The soundtrack thus functions as both an aesthetic
( sound/musical world) and practical artefact (cue provider/machine).
The soundtrack is constructed from a recorded session in which the playing possibilities and extended flute techniques of the flautist Liesl Stoltz, for whom the piece was written, were explored.

The flute was recorded by Stradisphere Music.

Love.Lock.Nestle

Performed by ensemble Sound Icon 

In one of the Chinese cultural heritages, “lunar calendar”, each month has its own particular name and meaning, which allows providing more literary and elegant. Most of the designations and significances are quite related to nature. In the fourth month of the lunar year was called “early summer” and “blossom month”. It has been described into two Chinese synonyms: the first one 清 means: clear, distinct or pure, and the second one 和 means: soft, warm, peace, harmony or union. Composer employed these two literally words: 《清 . 和》as the title of this piece.
Tranquility in Consonance is a place where to find and collect the most natural sound and of their own original or primitive manner. In this single movement piece, it conjures a new sonic environment, of natural airy tones, percussive piano plucking, free sliding tone and some harmonic voice to capture the beauty of nature. Meanwhile, the music unfolds at more than one voice simultaneously, the interactive of each voice creates its own character and somehow the contrast of the sound is related to each other and was mingled gently with a coalition. Repeating musical gestures and passages were mentioned, always transitory, within a process of continuous change in color and tone, in which to demonstrate the changing of the season and time.

很久以前東方文化中已把四季，十二月份等天然時節很細緻地描繪出個中的特色。十二月份中的四月稱為「清和」，大概是
「立夏」之初的節氣與清明春雨和順之間中的美態。中國文化中的不同漢字組合和變化往往可以進入觸不到的的意境。作曲
家借揚雄的作品「劇秦美新」中「鏡純粹之至精，聆清和之正聲」把清和解作「清越和諧」。
曲中主要以簡單清新的音節，淡然優雅的氣象和韻律，以不同的自然發聲演奏技巧中描繪出一幅富於時象氣節的聲、響圖。

Tranquility in consonance II(live)

An improvisation made in my studio in April 2020 on the modular synth. It is largely based on ethnographic cylinder recordings from the Kodaly archive, made in April 1914. These small fragments are sampled with oscillators controlling the grain, loop size and time points of the samples. Pitch and envelope followers on the samples in turn control these oscillators and other physically modelled sounds. Yannis Kyriakides, Amsterdam, April 2020.

Love.Lock.Nestle

Pierre-Henri Wicomb

Recent comments

No Mates Ensemble

Luxralphxs

Jim Lynch

Related tracks