yin emo

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out on Erased Tapes/Kranky (US) on April 28, 2013

PRE-ORDER: 
http://www.erasedtapes.com/store/index/ERATP056 (worldwide excl. North America)
http://www.kranky.net (North America)
http://www.awvfts.com (band shop)

Erased Tapes and Kranky are pleased to announce the release of A Winged Victory for the Sullen's 'ATOMOS VII'. April 28 sees the first installment leading up to the release of the second full length studio album 'ATOMOS', and score for choreographer Wayne McGregor's long form dance piece. 

McGregor was heavily influenced by the duo's 2011 self-titled debut, playing it repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam & Dustin to see if they could write the score for his new oeuvre. 

The duo recorded more than sixty minutes of music over a four month period during the summer of 2013 in Brussels, Berlin and Reykjavik with the help of their longtime collaborative sound engineer Francesco Donadello. This EP also sees the involvement of Ben Frost, who composed the music for McGregor's previous work 'Far'.

McGregor, mastermind behind the Random Dance Company and resident choreographer at the Royal Ballet since 2006, is known in popular culture circles for serving as movement director for the film 'Harry Potter and the Goblet of Fire'. He has also choreographed the Radiohead video 'Lotus Flower' and 'Ingenue' by Atoms for Peace.

"While we were re-amping guitars at Greenhouse studios, Ben expressed interest and admiration in the sounds we had created. We were planning for the B-side to be a metamorphosis of part VII, and Ben seemed the obvious choice. With the multi-tracks transformed, it follows a trajectory that we had not felt comfortable with before. But with Ben's involvement and influence, it was a painless entrance to this crooked, distorted world." - Adam Bryanbaum Wiltzie

"We never imagined 2013 would be such an explosively creative year. The first record took us 2 years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating." - Dustin O'Halloran

'A surprisingly emotional score' ★★★★ The Telegraph
'Intense, reflective, occasionally threatening and wholly enveloping' ★★★★ Times

TRACK LISTING:

A1 Atomos VII - taken from the upcoming full length album ATOMOS
A2 Minuet For A Cheap Piano Number One - outtake from debut album sessions
B1 Atomos VII (Greenhouse Re-Interpretation) - with Ben Frost

LIVE DATES:

24.05. KORTRIJK (BE) – Festival van Vlaanderen Kortrijk
29.05. BARCELONA (ES) - Primavera Sound
20.10. LONDON (UK)  - Milton Court (Barbican)
25.10. ANTWERP (BE) – De Roma

awvfts.com · erasedtapes.com · kranky.net

A Winged Victory For The Sullen - Atomos VII

 Dvine Sun is a deep meditative healing with an interesting story.  Rick was approached by an active memberof the Hopi tribe to create a special healing for the brain as well as overall wellness.  When Rick sat down to channel the vibrations he heard the beautiful gayatri mantra  being sung in ancestral like voices.  It was spirit leading the way as it always does.  As more information came rushing in Rick was also guided to create this healing based on the frequency of 880hz (which science has measured to be a stimulant frequency of the frontal lobe)Once the healing was recorded and delivered the tribe member had outstanding results. Pleased with the healing it was agreed upon that we should share this with the rest of the world. 
 
Now you can shine the divine sun within you, so that its rays may extend to all those around you who need healing as well.  You will find the gayatri mantra, frequencies and harmonics to help you on many levels. This would also be a great tool when making tough decisions or when mental clarity is needed, headaches and anxiety. 

Divine Sun

ITunes

EXCLUSIVE PREMIERE VIA DROWNED IN SOUND
www.drownedinsound.com

A Winged Victory For The Sullen – Minuet For A Cheap Piano Number One

Prana was recorded and improvised live in an underground former silo in the deep southern Utah desert over the winter solstice. The temperature outside was at about 10 degrees below zero, inside a giant wood stove burned away, and all around were about twenty or so sonic journeyers forming a meditative circle on the slate floor. 

The album contains vocals - but no English - rather the vocalizations you hear are more channeled sounds intended keep our language centers quiet and our hearts open. 

5 extended tracks - running time 48 minutes. 
This is a gapless playback continuous listening experience.

Music by Trevor Oswalt
Mastered by Chris Vita at Vita Mastering
Artwork by Ross Bleckner

http://www.eastforest.org


Apana

Udana

A Winged Victory for the Sullen - 'ATOMOS'
Double-Vinyl/CD/Digital out on Erased Tapes/Kranky on October 6, 2014

PRE-ORDER the album now!

Worldwide (excl. North America):
via Erased Tapes: www.erasedtapes.com/store/index/ERATP061
or via iTunes: http://snip.ftpromo.net/atomositms

In North America:
via Kranky: www.kranky.net
or via iTunes: https://itunes.apple.com/us/album/atomos/id894692856

TOUR DATES: 
https://www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.  

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.  

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie  

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES:  awvfts.com · erasedtapes.com · kranky.net

Atomos VI

#1 iTunes Classical Album (US).

Steinway artist, Chad Lawson, decided Chopin needed a new introduction. Along with violinist Judy Kang (Lady Gaga, Ryuichi Sakamoto) and cellist Rubin Kodheli (Kanye West, Norah Jones), Lawson has arranged ten Chopin works into a minimalist landscape.

It's a risk editing the "poet of the piano" but one that Chopin would be proud of.

Taking 10 Chopin works, Lawson decided to scale the works down to a minimalist setting. "I knew even if bare-bones, Chopin's works could still be as spellbinding as the original compositions we are so familiar with." says the pianist.

Produced by Chad Lawson & Alejandro Clavijo. Mixed by Stephen Lee Price. Mastered by Michael Graves of Osiris Studios (Atlanta, GA).

Chopin Waltz in A Minor-Op. 34, No. 2 (Variation Arr. for Piano, Vioin and Cello) - Chad Lawson

-----------------------------------------------------------------------------------

Written & produced by SOLON

-----------------------------------------------------------------------------------

—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed und leer das Meer.

T.S.E.

-----------------------------------------------------------------------------------

Mastered by Ben Feggans, Studios 301
Cover image by Yuriy Khimanin

-----------------------------------------------------------------------------------

Download

Oed und leer das Meer - a track for savasana

The first single, "Farm Song" from Music To Be Born To.  Full release 2-26-16. 

VIDEO : https://youtu.be/rkeXynKiD2w

The music of Music To Die To and Music To Be Born To both arose from live improvised “sound healing” ceremonies - over five years in development - held between 2011 and 2015 at a ranch in the high desert of Southern Utah and also on an organic farm in upstate New York. In both cases, I improvised live music over the course of several hours, layering vocals, keyboards and original field recordings with the use of looping pedals, later curating a selection of tracks. 

When listening to these albums you are listening to music in its virginal state. All ten tracks on the albums were "discovered" live - sometimes edited for length but with no overdubs or computer wizardry. The result is a rare intimacy that captures a moment in time free of any after thoughts or additions. Each track is a meditation on allowing while aiming for the freedom of the flow state. 

The inspiration for Music To Die To began during my time volunteering in hospice care between 2010 - 2012 as I witnessed a lack of musical tools to assist those both actively dying as well as their families and loved ones. Music Thanatology is a noteworthy existing field in palliative care but is limited to voice and harp. I wanted to offer something different, something broader, something using sound healing science both ancient and new, as well as music that speaks straight to the process of release, acceptance, and surrender. 

Death also made me think about birth. And after receiving numerous requests over the years for “birthing mixes”, I seized this opportunity to create the companion record, Music To Be Born To. Beyond active birthing, I wanted to compile a series of tracks designed for both the mother and the developing fetus (with the aid of “belly headphones”) to be listened to throughout the course of pregnancy. The aim being for the music to have a deep familiarity on a conscious and subconscious level so that when moment of childbirth arrives the music can help ease the stress of both mother AND baby during the process of labor. 

Put together, I hope these two albums serve not only their specific designs but also reach beyond to the metaphorical, to speak to that part in all of us that might be dying in order for something new to be born. I view death and birth as the two primary polarities of reality. If we stood out in outer space and could somehow see all of the life on Earth -- the people, plants, animals, insects, bacteria -- we would see a non stop constant swirling motion of birthing and dying -- this motion being the engine of life. Sometimes death can be a struggle, and so can birth. Let us be a witness to that which is asking to be born and also to honor that which is dying, giving space for the continuity of life.

releases February 26, 2016 

Music by Trevor Oswalt 
Mastered by Taylor Deupree 
Art by Michael Robinson

#eastforest
#eastforestmusic
Instagram:  http://instagram.com/eastforest
FB: http://facebook.com/eastforestmusic
http://www.eastforest.org

Farm Song

Be sure to listen to the twin record, "MUSIC TO DIE TO" for the complete listening experience : http://soundcloud.com/eastforest

Trevor Oswalt's near-death experiences catalyzed a search for answers. After two violent bicycle accidents – the second of which causing almost identical injuries to the first incident – he began searching for understanding; his path eventually lead him to volunteer in a hospice, until Oswalt, aka East Forest, felt comfortable facing his fears. 

"Everyone copes with loss and trauma in different ways," he says.  "I was searching for a way that could help me and others at the same time." 

That search birthed the idea for his next album, Music To Die To, out February 26, 2016 on Aquilo Records.  "People think that nearly everything in life stems from the fact that we know we're going to die, and that real creative freedom comes from accepting our mortality," Oswalt says. "Part of this album is literally music for people to die to, but it's also the soundtrack of my own journey toward acceptance."

Inspired by one of his idols, Keith Jarrett, and his The Köln Concert, Oswalt knew he'd improvise most of the recordings by live looping a combination of vintage pianos, his voice, and original field recordings, all with the theme of life's finite nature in mind.  Recording on an organic farm in upstate New York and a remote ranch in the southern Utah high desert, he bunkered in until he had more than enough for one album. 
"Once you get out into nature and get the ball rolling, the improvisation starts to flow through you," he says. "I love the idea of giving birth to music on the spot, to record something in the moment that won't be made again."

Armed with a surplus of material, East Forest realized the perfect bookend: Music To Be Born To, the sister album to Music To Die To. To me, birth comes from the space created by the destruction of something, not the other way around. Out of death comes birth.” 

Together, the twin releases form a perfect pair, complementing the other in not only theme, but in musical substance. The former is an optimistic glow bathed in waves of his "blissful" (NPR), ethereal sound; the latter is more direct, more organic, and more focused - embodying an increasingly-mature sound and aesthetic.  but provides a fresher start with a newer beginning.

In 2016, he's back in Portland, but is now armed with a live show that is continually evolving; sometimes performing solo, sometimes with a string section, and often with cinematic projections. With experience as a performing pianist for a dance troupe, in a hospice volunteering as well as in the Amazonian jungle searching for answers, his music is a connected journey that's been dubbed "a revelatory excursion in sound" (Under The Gun Review) that invites listeners to "go on a journey of self discovery" (Earmilk).  He's been featured on NPR's Second Stage and Tiny Desk Contest, and shared the stage with Moby. 

"We forget that we are nature. We feel so much separation in our modern life, inundated with so much information; I believe our solutions will come from the inside out. They're already here, we're just uncovering them." 

"It’s all a process of discovery.  We need to give space for that which wants to emerge  -- something needs to die for something else to be born.  Making these albums was my way of creating some space, and inside I hope to hear an answer.

WEB - http://www.eastforest.org 
FB - http://www.facebook.com/eastforestmusic
INSTAGRAM - http://instagram.com/eastforest
YOUTUBE: http://www.youtube.com/user/eastforestmusic
TWITTER - http://www.twitter.com/eastforestmusic

#eastforest #eastforestmusic

Trevor Oswalt - live looped music, field recordings, vocals
Taylor Deupree - mastering
Michael Robinson - art direction

Formats CD/DIGITAL/CASSETTE

For Elena

BE SURE TO LISTEN TO THE TWIN RECORD, "MUSIC TO BE BORN TO" FOR THE COMPLETE LISTENING EXPERIENCE : 



Let Go

Grounded

La bohème

Carrie & Lowell

Death with Dignity

Get it here: idealismus.bandcamp.com/album/rainy-evening-ep
or here: www.toneden.io/idealism/post/rainy-evening-ep

Been raining a lot here recently
Cool, my first ep ever. Decided to go for a smooth piano and rainy style, tried to create some ambience.
I hope you guys enjoy it as much as I did making it.

Tracklist:

01 - tsuyu
02 - controlla
03 - monster gambling in Tokyo
04 - hishitsu
05 - nagashi
06 - waon to ame
07 - how many stars are there


Twitter: twitter.com/idxxlism
Facebook: https://www.facebook.com/idxxlism/

りそうしゅぎ

rainy evening ep

Get it here :3

rainy evening [ep]

OTC - Meditation

Om Gan Ganapataye Namaha - Shri Ganesh Mantra

Rick Batyr (feat. Vladimir Khrobystov) - Lovely Morning (feat. Vladimir Khrobystov) - Rick Batyr. INTEGER is an exploratory collaboration between Rick Batyr and renown flutist Vladimir Khrobystov. This album will take you on a meditative voyage around time and space. Drawing upon influences from India, Japan, Russia. The beautiful flute sounds will take you into deep relaxation while the atmosphere and percussion raise your vibration. An excellent choice for shamanic work, yoga, meditation and relaxation. INTEGER references completeness  unity and oneness with the universe. During this album Rick channeled shamanic guides and spirit animals to assist in the healing vibrations. Connecting us through sound with nature, the universe and the never ending stream of ancient wisdom.

INTEGER

Lovely Morning (feat. Vladimir Khrobystov)

Breakers

Twins

Aphex Twin - Avril 14th

‘blind’ is a reflection about human limitations. Interviewed about agnosticism, David Attenborough brilliantly stresses the point whether we’re missing senses to perceive and understand the world around us - what a pretension it would be! Built as a subtle transition from acoustic to electronic, the piece blends genres, deconstructs categories, pushes back boundaries alongside a spectrum reflecting human’s potential to self-transcendence. Might we be blind at night, at least we aren’t deaf.

'blind' est une réflexion sur les limitations humaines. Un jour interviewé à propos de l'agnosticisme, David Attenborough s'interrogeait à savoir si nous possédions tous les sens nécessaires pour percevoir et comprendre le monde qui nous entoure - quelle prétention ce serait d’y croire! Construite en subtile transition de l'acoustique vers l'électronique, la pièce métisse les genres, déconstruit les catégories, repousse les limites en proposant un spectre reflétant le potentiel humain à l'autotranscendance. Bien qu'aveugles la nuit, au moins ne sommes-nous point sourds.

jeanmichelblais.com

yin emo

Will Charbonneau