Lockdown 2.0

Track number 9 from the upcoming album 'Seafields' available from Dronarivm 260321

'She & Him' - Seafields - [Dronarivm, 2021]

Sekunder, eoner

Kasta loss

The Golden Dawn

Support

Support and follow @Wickerbird on Bandcamp here: https://wickerbird.bandcamp.com/album/the-sea-weaver

Wickerbird is the atmospheric dream-folk project of Blake Cowan, started in the wild foothills of Mt. Rainier. It began as a means of relating the understanding he found wandering the woods, told in distilled daydreams and wrought within the distant strands of tranquil, wistful guitars and cavernous, haunting harmonies.

His prior work includes The Crow Mother (2012), The Westering (2013) and The Leaf Maker (2015) — collections of music that are steeped in allegories of disillusionment and transition, casting personal insights under layers of natural metaphor and mythical imagery. 

Where this past work concerned itself with forest-bound introspection, examining the forces of change in their capacity for growth, Wickerbird’s upcoming full-length record The Sea Weaver shifts its perspective outwards to the horizon, reckoning instead with the destructive aspects of change. 

While his vantage remains lodged in those same diminishing natural spaces, The Sea Weaver instead explores his relation to the rapidly unraveling human context that envelops him and in doing so, contends with a haunted acceptance of being bound to its fate. It is a collection of threadbare elegies for the end, as overheard through the walls of a crumbling house. 

With gauzy, liminal atmospheres, stark finger-picked melodies, reverberant choirs, and mythologized natural imagery, Wickerbird makes an accounting of what emotions remain – when the anger and fear of a stolen future have long burnt off.”

The Sea Weaver

in altar wine

Wickerbird - in altar wine (from The Sea Weaver)

Single released from https://soundcloud.com/winwin-records : https://itunes.apple.com/gb/album/stones-in-the-water-single/id924857878

Forward

“A Kindness” is a short ambient suite tracing the residue of memory, soft gestures, and quiet absurdities. From the scent of wet earth to a lullaby lost mid-sentence, it leaves you in a stillness that lingers.

Just In

Chant Tibetan Art

Etherium - Db with Low and High Bbm Flutes

This track is quoted from EP "
the vanishing point".
Listening to all tracks of EP and purchasing are available on a link below.

https://gallerysix.bandcamp.com/album/the-vanishing-point

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Tidal Shift

Now available on tape, and as a pre-order on CD. 

Recorded by øjeRum (Paw Grabowski; https://soundcloud.com/oejerum).
Post-production by Andrew Chalk.
Mastered by Jos Smolders (EARLabs). https://soundcloud.com/earlabs

Released on glass-mastered CD in a 6-panel digipak, featuring 7 collages from øjeRum’s Silent Figure With Landscape series.

An Image of a Bird Seconds Before It Appears

øjeRum – An Image of a Bird Seconds Before It Appears [first 6 minutes]

A Baleia (pronounced 'a bal-e-a', meaning The Whale in Portuguese) is the seventh solo release from British musician, Will Samson.

After the electronic-infused folk songs of September 2017's Welcome Oxygen (released on Talitres), Samson presents a 22-minute album of tape manipulated soundscapes.

The idea to focus on wordless ambient works was originally inspired by time spent in a flotation tank (a soundproof pod in which the participant floats in highly salted warm water in complete darkness, experiencing weightlessness) during Summer 2017. The first in a small series of events that proved to be deeply healing.

A Baleia features violin performances by Beatrijs De Klerck (a frequent collaborator of Samson, both live and in the studio) and Matt Resovich of The Album Leaf, as well as collaborations with Benoit Pioulard + more.​​

A Baleia

Will Samson - Faroleiro

Aion

From the mini album: Memory Drawings - Phantom Lights

Physical copies and digital downloads available here:
http://soundinsilencerecords.bandcamp.com

Sound In Silence is proud to welcome Memory Drawings to its family, presenting their new mini album Phantom Lights.

Memory Drawings is an Anglo/American collective led by Minneapolis-raised, Casablanca-based hammered dulcimer player Joel Hanson (Judgement Of Paris), alongside guitarist/multi-instrumentalist Richard Adams (Hood, The Declining Winter, Western Edges), violinist Sarah Kemp (Lanterns On The Lake, Brave Timbers), pianist Gareth S Brown (Hood) and multi-instrumentalist Chris Cole (Movietone, Manyfingers). Since 2012 they have released three albums and two EPs, all praised by critics, on labels such as Second Language, Hibernate Recordings, Zozaya Records and their own Signal Records.

Phantom Lights, originally self-released by the band last year as a very limited tour CD and now getting a wider release by Sound In Silence, is a short form album that moves on from the marvellous sweeping The Nearest Exit album with a pick and mix example of what this band are good at. Memory Drawings continue to manipulate their dulcimer, guitar and violin sound into inventive new shapes and on the title track create their most vibrant moment yet. As on their latest album, the band's sonic palette is more expansive and unpredictable than their first two albums and after the addition of the polyrhythmic drumming and extra instrumentation from Chris Cole, they are now also joined by Yvonne Bruner (Big Hat) who provides some ethereal vocals on the last track of this mini album.
Phantom Lights consists of six tracks with a total duration of about 25 minutes. Four of them are new and unreleased, one is getting a release in physical format for the first time, as so far it was only available as a download on an older digital EP, and as with all their previous releases a remix is also included, this time from brilliant Bristol-based electronic composer Barnaby Carter. 
Carefully mastered by Antony Ryan (ISAN) in Denmark, Phantom Lights is a perfect mix of post-rock, folk and modern classical, highly recommended for devotees of Pygmalion-era Slowdive, Hex-era Bark Psychosis, Tortoise, Rachel’s and of course mid period Hood recordings, Brave Timbers and Manyfingers. 

This is a limited edition of 300 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 280 gsm graphite cardboard envelope with the front cover image printed on a polaroid style photo paper and an insert with the tracklist and the credits printed on a 170 gsm light cream cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

Memory Drawings - The Final Curtain

We Were Strangers - All The Good That We've Done

HAARP

MGMT: katie@someonegreatpr.com
PUBLISHING: jenna@fabermusic.com
GENERAL: contact@willsamson.co.uk

Will Samson - Faroleiro

Will Samson

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