William Orbit

Strange Cargo

Via Caliente

Fire And Mercy

Strange Cargo II

Dark Eyed Kid

Strange Cargo III

Gringatcho Demento

Best Of Strange Cargo

Water From A Vine Leaf

A superb loungy downtempo track, with a deep atmospheric vibe

Laguna Mystique

For Beaux

For Beaux (feat. Amtrac & Felix Bloxsom)

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No stranger to Eskimo Recordings Andrew Armstrong now brings his latest project, Daddy Squad, to the Belgian label with Love On The Rocks, an exquisite modern disco track that provide the perfect backdrop for the seductive vocals of celebrated French chanteuse Corine. https://soundcloud.com/daddysquad https://soundcloud.com/corine-fille-de-ta-region

“I’d long been a fan of Corine’s soft vocals and disco jams, so I was delighted when she followed me back on Instagram,” Andrew explains. “We finally met in Madrid when Corine was performing there and we quickly cemented the idea of working together."

The pair have turned their hand to a faithful, if wonderfully pumped up, cover of Lama’s 1983 Italo classic Love On The Rocks. Corine’s breathy vocals find the perfect foil in Andrew’s analogue machines as they deliver a heady mix of oiled up arpeggios, disco beats and chichi melodies that sparkle like a well-polished mirrorball. Fantastique!

DHS Premiere: Daddy Squad feat. Corine - Love On The Rocks

There’s a moment at the very beginning of Frolojaz where the track seems unsure whether to reveal itself or remain in reflection. The rhythm stutters gently, as if sound were testing its own balance – not yet settled into groove, but circling it with curiosity.
Organic percussion – tactile, earthy, full of breath and hand – opens the space with a kind of living pulse. A soft yet weighted kick joins, not in insistence but in calm invitation. It doesn’t impose. It suggests.
Then come the strings – quartal, echo-drenched, gently disintegrating across vast imagined halls. They hover, not so much leading the track as dissolving into it. There is no urgency here. Just atmosphere, tone, and time – stretched.
Gradually, without fanfare, the structure coalesces. The four-on-the-floor returns, unobtrusive and patient. A vocal sample loops into earshot – filtered, cycling, shimmering. There’s a sense of French house here, but blurred at the edges. Less homage, more daydream. Labels like Kompakt, All Day I Dream, Sol Selectas or Do Not Sit On The Furniture might come to mind – aesthetics that favor tone over tempo, and repetition as revelation.
Then the tension shifts. A bassline sneaks in – playful, thick, warm. The groove fattens. Just before the break, the drums recede, as if stepping aside. The vocal remains, now fully exposed, soft-spoken yet commanding. A snare build begins – understated, but full of intention.
And when it returns, the track opens wide.
The second movement feels sunlit. Chords rise – smooth, cool, summery. The bass grows bolder, but never brash. This is house music, clearly – but refracted through warmth, ease, and texture. It's not about climax. It's about continuation. A horizon stretched out in rhythm.
Frolojaz doesn’t chase energy – it reveals it slowly. There’s a subtle lineage here, to labels like Lump Records, or Innervisions – imprints that understand dance music as architecture, as emotion in form. But Frolojaz keeps its own posture: steady, self-contained, and quietly generous.
It doesn’t demand to be heard. It waits – and for those who do, it rewards in depth, not volume.


Frolojahz

[Deep Organic House] Westend Ghetto - Frolojahz (122bpm)

unbenannt001

”Vision“ opens the EP with a subtle melodic flow that initially echoes the minimal elegance of early Luciano (Cadenza), before evolving into a hybrid of emotional depth and collective euphoria something we haven’t heard in this particular intensity since Ron Flatter`s ”Mantequilla“ or Jønicht. Sweeping in its emotional scope yet carried by an effortless momentum, “Vision” doesn’t dictate the dancefloor it flows with it, merging dancer and track into one.

Vision

Here is a special mix I recorded for a contest held by "Ibiza Club News" to get a chance to play a DJ set in Ibiza, at the infamous Café Mambo. From balearic mid-tempo and disco-tinged tracks to afro-ish and deeper sounds for pacing down the mix by the end, there's something for any taste but with my own touch ! I kept in mind this could be played before the sun sets and the night comes...   
   
If you feel the vibe, you can either "like it", "repost it", "share it" or even add a "comment" ! Your help could bring me to the White Island on August 1st, during the Ibiza Club News radio takeover. Thank You.  
 
*** TRACKLISTING ***
1. Love Ape - Dance Of The Apes (Gold Suite remix) [SHADES OF SOUND RECORDINGS] 
2. Arno E. Mathieu - Colline (Mark E Remix) [COMPOST RECORDS] 
3. Tuccillo & Kiko Navarro feat. Amor - Lovery (Slow Cuban Vibe extended mix) [KING STREET SOUNDS] 
4. Da Chick - Chick-A-Boom (Pete Herbert Piano dub) [DISCOTEXAS]  
5. Martin Brodin/Dumb Dan - Gamma Ray (Pete Herbert Remix) [MUSIC FOR SWIMMING POOLS] 
6. Agoria ft. Blasé - 3 Letters (Stereocalypse Remix) [SAPIENS RECORDS] 
7. Bertrand Burgalat - Icare (Yuksek Remix) [PARTYFINE] 
8. Radio Slave - The Lunatics (A Clinic Full Of Cynics Dub) [REKIDS] 
9. David Kitt - Till The End (X-Press2 On A Sultry Bed Of Violence Remix Dub) [RE:WARM]  
10. Dim Kelly - Gold & Fire [ALL DAY I DREAM] 
11. Rampa & Whomadewho - Tell Me Are We (Mass Digital Remix)

#IWannaPlayMambo  @cafemamboibiza

#IWannaPlayMambo ICN Mambo DJ Competition

late 1

https://www.williamorbit.com - Grammy award winning recording artist and music producer based in London, UK.

All Artists, P-Funk-A-Teers, Bill Laswell, Alex Patterson, Producers, Audio Engineers,The SAE Community, NPR Radio, Washington D.C. The U.S.A. BBC World, DJ’s
Carpe Diem.

Dark Eyed Kid

williamorbit

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