Headspace

GUSH

Everything Combining

Under The Bed

Observe

https://shimmeringmoodsrecords.bandcamp.com/album/spaces-between-words

In a world where every word carries weight, UK based electronic producer Simon Vince (HERE) invites listeners into a sonorous exploration of the unnoticed silences and spaces. With his latest ambient album and second release on Shimmering Moods ; Spaces Between Words. HERE crafts eight beautifully fragile and melancholic electronica tracks that delve into the delicate nuances of love and loss. 
Each piece is a hauntingly wistful soundscape, woven from electro-acoustic ambience and drones to shimmering synths, delicate textures, and gentle pulses that evoke the bittersweet essence of separation. 

From the emotive echoing tones in “Spaces Between Words” to the nostalgic reverberations and drawn out chords of “I Find You In Whispers" this album invites you to embrace the unspoken and the unshared, allowing you to linger in the quiet spaces that define our connections.

releases July 21, 2025 

Music & Cover Design By Simon Vince (HERE) 
Mastering By James Woodsmith 

SoundCloud : @here_music 
Instagram : @here.music.official 

SHM 351 
Shimmering Moods Records 2025

HERE - Spaces Between Words

IV movimento

Image (1983-1998)

Yume Uta (2025 Remastered)

Composed entirely from field recordings provided by the :zoviet*france: Hidden By The Wall Open Remix Project (soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix)

:zoviet*france: | 48 42 54 57 (20 52 45 4D 49 58)

音楽的建築 I - Musical Architecture I

This is the first single from Yara Asmar's new album. This track features John Murchison and Gideon Forbes.

3 wooden giants and mechanical birds

~ LAAPS 047 ~ [SEQ.06 - LP47]

artist : Seabuckthorn
album : A Path Within A Path
duration : 42.03 mn
date : October 03rd, 2025

edition :
-  vinyl : limited to 200 copies / red (oxblood) LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : September 11th, 2025 / official release : October 03rd, 2025
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All music composed by Andy Cartwright, except the guest parts on tracks 2, 5, 6 ( Dean McPhee, Claire Deak, Loscil)
Recorded in Saint-Pierre-d'Argençon, France between July 2024 and January 2025.

Mastered by James Plotkin
Cover photo by Andy Cartwright
Design by Sprflxgrfzm
 
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Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://seabuckthorn.bandcamp.com/music
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℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 7

Seabuckthorn - Black Boar

If you enjoyed this track, please like, comment, and follow to hear more music like this. If you know someone who would appreciate my music, feel free to share this track with them.

Follow me on my social media links to stay up-to-date with my latest projects and releases. Thank you for supporting my work!

https://linktr.ee/xinferis

Negotiating the Fate of a Million Worlds

Gray Acres has always been a space for subtlety and restraint, distinct from the denser, more cinematic atmospheres of Hotel Neon. Where that project often explores process, technique, and narrative arcs, Gray Acres tends to be produced "in the moment" and stays still. It lets you think for yourself. Soft Erasure especially embraces that characteristic stillness.

This is the first full-length Gray Acres album since 2021’s “Dreams and Phantoms.” It’s a project that came together slowly with an intentionally light touch…more about dissolving sounds than constructing them. Subtraction vs. addition.

The title Soft Erasure came about as we noticed a recurring quality across the recordings: a sense of tangible things like guitars, pianos, and strings fading, softening, and slipping just out of reach as we shaped and processed them. The music feels like it’s constantly on the verge of vanishing, or being gently wiped away into an indistinct atmosphere. That idea of erasure not as violence, but as gentleness, decay, or transformation, felt like the right metaphor to latch on to. It speaks to memory, distance, and time, and how all of those forces shape and reshape our perception of sound and self.

Musically, this album is built mainly from resampled acoustic instruments: delicate piano lines, sustained strings, frozen and looped guitar textures. Much of the source material was recorded clean, then stretched, blurred, and layered until it became something abstract…like an impression of a song, or a half-remembered phrase. In some ways, we were trying to find the most washed-out and ephemeral version of each sound. The result is a record that is designed less for narrative and more for immersion.

If you’ve followed this project before, I think you’ll hear a natural continuation of its aesthetic. But if you’re new to Gray Acres, this is a great entry point. It’s music that tries not to demand attention, but rewards those who tune in closely for a while.

Gray Acres - Soft Erasure
Music by Andrew & Michael Tasselmyer
Mastered by Alex at Quiet Details

Gray Acres - Vestige

These are the two singles of my third solo album 'On the grounds of Indecency'. The album will be out on cassette and digital formats on Oct 11th, with Perceptual Tapes. 
Artwork by Elise Wilson
Mastered by Taylor Deupree

Deferral

fabeye

Immersive ambient composer, guitarist, and producer. Co-founder & Director of Envelop. https://christopherwillits.com

Christopher Willits is an artist, musician, and guitarist who creates immersive ambient music. As one of the core artists on the Ghostly International label roster since the early 2000s, Willits has continually evolved his craft, producing one of the most diverse and prolific catalogs within contemporary ambient music. Releases span introspective solo albums, widescreen audiovisuals, and unbridled collaborations. His process is an expression of love, inspired by an international audience of listeners, and the conviction that music can catalyze personal transformation and spiritual awakening.

Willits began his career with a string of critically acclaimed albums on the 12k label. The minimal sound introduced on those recordings remains at the core of his work: warm guitar tones woven into smooth, harmonic surfaces. Willits made his Ghostly International full-length debut with 2006 landmark Surf Boundaries. He’d expand his vision next through collaboration, working with Ryuichi Sakamoto (2008’s Ocean Fire and 2012’s Ancient Future), Zach Hill of Death Grips, Taylor Deupree, and, for 2014 LP Opening, with the whole band of Tycho. He also lent a hand in mastering the latter’s album Awake, composed the original score for documentary The Art of Listening, and continues to lead music production and meditation classes in San Francisco.

In 2017, Willits put forth Horizon, the first ever spatial audio release on Ghostly International. The album’s innovative 3D mix is mapped to surround listeners and align with sleep patterns, meditation, and other mindful practices. Willits is also the director and co-founder of the nonprofit, Envelop; leading a mission to amplify the connective power of music through immersive audio venues and spatial audio production tools. Like Horizon, his 2019 album Sunset utilizes Envelop’s cutting-edge technology to encourage listening from within. The five compositions move from warm to cool designed as a soundtrack to embrace the day's end; a collective letting go. Another skyward, pioneering project from an artist who occupies a unique corner of the electronic music universe.

Observe

Christopher Willits

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