Totally ""the Picasso of sound!" :) Beautiful piece.

Memory 218a

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The Echo Society is a Los Angeles based collective of like-minded composers, musicians and artists who gather together to share new sonic and visual art locally.

This track is from the first installment entitled "Winter" which was recorded live to a sold out theater in LA on 12/12/13. It featured a 10 piece chamber ensemble with electronics.

Installment 2 in the works. more info soon.


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Rob Simonsen - Warmth For Wolves

From the album, 'South Wind,Clear Sky,' out now on Second Language Music.  www.secondlanguagemusic.com

Perhaps still most widely recognised for Dreaming With Alice, his 1972 psych-folk debut for RCA Italy as a 19-year-old art student-troubadour, Mark Fry has been turning his creative gaze on the world, and alchemising its elements into shimmering, quietly visionary works of art, ever since. Certainly not an artist who dances to the music of time in any conventional sense, Mark, a respected, and collected, painter, most often to be found holed up in his Normandy farmhouse studio, allowed more than three decades to glide by before recording Alice’s follow up, 2008’s Shooting The Moon. His subsequent musical activity has been frenetic by comparison.

Mark’s beguiling, Arcadian-flavoured 2011 Second Language album, I Lived In Trees, recorded in collaboration with The A. Lords – musicians from a more recent generation of psychedelic-folk experimenters – proved a major critical hit, demonstrating that Mark Fry’s musical stock lay not only in the Paisley-hued haze of his Aquarian Age youth, but also in the full glare of the postmodern, internet-facilitated present. A series of concerts in Japan and Scandinavia, and a widely reported ‘supergroup’ London showcase, featuring members of Mercury Rev, Super Furry Animals, Tunng and Lemon Jelly, further evinced the subtle but inexorable diffusion of the Mark Fry legend, something abetted by BBC Radio 4’s Today programme airing an interview with Mark in the wake of Trees’ release.

All of which brings us to Mark Fry’s latest, most exquisitely realised musical offering to date, South Wind, Clear Sky. Sung with that now familiar alloy of cool restraint and wondering innocence, and passingly reminiscent of the kind of English pastoralism associated with the likes of Kevin Ayers or Bill Fay, the album’s leanly arranged yet immersive songs are propelled by Mark’s glinting, plangent guitars and deliciously embroidered by John Parker’s double bass, Angèle David-Guillou’s piano and backing vocals and Katie Lang’s French horn, all bound together by producer Guy Fixsen (My Bloody Valentine, Stereolab) into a delightfully iridescent whole. For all its finely honed arrangements, and the translucence of its recording, South Wind, Clear Sky is still very much the work of the man who made Dreaming With Alice; the mature Mark Fry’s feeling for wonderment and magic, for the dreamlike and the innocently surreal, is just as pervasive, and persuasive here, only more focused, and etched against a more luminous, even heavenly canvas.

Where the lyrics on his last album found Mark reaching up through the summer branches toward an azure sky, here that celestial dimension provides the focus for eight shimmering chamber-folk essays whose wistful narratives of flight and fancy and empyrean romance purr and soar with a stately grace, like the ‘Aeroplanes’ of the album’s richly melodic opening track.


Mark Fry - Aeroplanes

This track is created in F Lydian, a mode that wants to resolve to its parent scale of C.  This creates a mild tension in the listener who subconsciously wants the tune to move to its resolution, hence the name.

Resolution Dream 3

As a tribute to Susumu Yokota, a much loved friend and colleague who passed away this year, The Leaf Label and Lo Recordings have joined forces to release My Energy, a 6 track EP featuring selected highlights from Yokota’s varied and much acclaimed back catalogue. The EP is available now on Bandcamp as a ‘Pay What You Want’ release with half the proceeds going to Animal Refuge Kensai and half to Yokota's family.

https://susumuyokota.bandcamp.com/album/my-energy-ep

Susumu Yokota - Morino Gakudan

Order Page: https://seabuckthorn.bandcamp.com/album/turns
Subscription Series Page: http://losttribesound.com/declineseries
Subscribe on Bandcamp: http://smarturl.it/declineseriesbc

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns', releasing April 21st on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

Occurring Water

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Seabuckthorn - Occurring Water (from Turns)

Christopher Willits - Olancha Hello
taken from Oktaf#04
Various Artists - Lost In The Humming Air (Music inspired by Harold Budd)
Out on Oktaf (Kompakt) april 9th.

Buy CD/DIGITAL at: oktaf.bandcamp.com

Also at:
itunes:
http://itunes.apple.com/de/album/sleepover/id511873032?i=511873124&ign-mp...
boomkat:
http://boomkat.com/downloads/507702-various-oktaf-lost-in-the-humming-air-mus...
beatport:
http://www.beatport.com/search?query=music+inspired+by+harold+budd
bleep:
https://bleep.com/release/35734

With "Lost In The Humming Air - Music inspired by Harold Budd" oktaf records announces an amazing collection of thirteen exclusive tracks made by a selection of some of todays best known ambient music producers giving their tribute to the outstanding piano legend Harold Budd.

The playlists features names as: Deaf Center, Loscil, Martin Fuhs, Biosphere, Xela, Marsen Jules, Andrew Thomas, Mokira, Christopher Willits, Taylor Deupree, Rafael Anton Irisarri, Porn Sword Tobacco and bvdub feat. Criss Van Wey.

Well known for his spaceful piano playing and his early cooperations with Brian Eno, Harold Budd has inspired a whole generation of modern protagonists of ambient, jazz and especially the so called modern classical genre. WIth his recent releases on David Sylvians Samadhi Sound label as well as on Darla, he is still showing his outstanding musical genius to the world.

"Lost in the Humming Air (Music inspired by Harold Budd)" will be released on April 9th (March 26th digital) on oktaf records. Exclusively distributed by Kompakt.

Olancha Hello

Angèle David-Guillou, fresh off the back of October’s 'En Mouvement' accompanying EP 'Mouvements Organiques', released in February, develops her compositional skills with ‘The Valley Of Detachment’ – a potent and formidable study in writing for the saxophone family.

Available physically as a special Record Store Day release in selected shops, and digitally from 4th May.

Angèle David-Guillou - The Valley Of Detachment

Two By Four is Piano Interrupted first full length record, compiling the work of three years of collaboration between laptop / electronician Franz Kirmann and pianist and composer Tom Hodge. 


Son Of Foug

Composer and drummer of Dawn of Midi, Qasim Naqvi, releases his debut album for Erased Tapes on May 3rd. 'Teenages' captures the sound of electronics living, breathing and mutating of their own accord – almost autonomously – with only subtle, sparing but perfectly-judged and masterful guidance.

This album is one singular synergy between Qasim and his machine within a broader milieu of sound, also explored by contemporaries Sarah Davachi, Alessandro Cortini, Caterina Barbieri and also the forefather, Morton Subotnick. At points tonal, textural and rhythmic, over six evolving and growing audio organisms, the album flourishes upwards in stages, from initial micro-sonics to something bigger, brighter and anthemic.

With 'Teenages', Naqvi summoned all the material on an analog modular synthesizer – a voltage-controlled sound generating system comprised of multiple modules. Naqvi built this synth over the course of two years and amassed a collection of works for this album. The album chronicles both Naqvi’s understanding of writing for this type of instrument and the growth of the instrument itself:

“I started with just a few modules. And naturally things had to be layered and pieced together but as the synthesiser and its components grew over time, I was able to create broader and more complex strokes in the moment. And by the time I got to ‘Teenages’, it was possible to create a robust, large-scale piece spontaneously. This is very much an experiential album for me because it was borne out of my direct experience of learning the instrument. And as the synthesiser grew over time with more components, it matured. At times I felt like it was even rebelling against my instructions or surprising me with what felt like its own choices. When everything was finished and I was thinking about track titles, this idea of artificial intelligence came into my head; a machine that reacts to your impulses and is capable of giving you something different from what you ask, and even defying you. It felt like different stages of growth and adolescence, and that lead to the album title, ‘Teenages’.”

Deeply rewarding on close listening, Naqvi has created an inspiring and synapse-stimulating new masterwork, within the analogue/modular cannon.

· pre-order 'Teenages' on LP/CD/DL: https://idol.lnk.to/QasimTeenages

Teenages

No Tongue

Buy LP/CD/DL

Qasim Naqvi - No Tongue

Music Inspired by the book "The Outlaw Ocean" by Ian Urbina.

"Music can express the unknown, like feelings beyond words. This music reflects the mystery and magnitude of the ocean, but below the surface of the sound is a story of heartbreak and healing. For me, this music is about grieving problems beyond our control while inspiring change within ourselves in order to make a difference." - Christopher Willits

The book, "The Outlaw Ocean", reveals the dark secrets of the high seas and, in doing so, illuminates hope for change. Author Ian Urbina listens to the voices of the unknown, salvaging stories and mapping their ethical murmurs for others to discover.

Download: https://shop.christopherwillits.com/track/the-unknown-sea
Spotify: https://open.spotify.com/album/7iZrVACezmJTAP5BF3tSbD?si=t8XKUvKKTIuaaXeh_7JMfg
Website: 
https://www.christopherwillits.com/

Viola - Charith Premawardhana
Guitar - Christopher Willits
Production - Christopher Willits
Mixing and mastering - Christopher Willits
Produced at Overlap Studio in Oakland, CA
Inspired by The Outlaw Ocean by Ian Urbina

The Unknown Sea

Immersive ambient composer, guitarist, and producer. Co-founder & Director of Envelop. https://christopherwillits.com

Christopher Willits is an artist, musician, and guitarist who creates immersive ambient music. As one of the core artists on the Ghostly International label roster since the early 2000s, Willits has continually evolved his craft, producing one of the most diverse and prolific catalogs within contemporary ambient music. Releases span introspective solo albums, widescreen audiovisuals, and unbridled collaborations. His process is an expression of love, inspired by an international audience of listeners, and the conviction that music can catalyze personal transformation and spiritual awakening.

Willits began his career with a string of critically acclaimed albums on the 12k label. The minimal sound introduced on those recordings remains at the core of his work: warm guitar tones woven into smooth, harmonic surfaces. Willits made his Ghostly International full-length debut with 2006 landmark Surf Boundaries. He’d expand his vision next through collaboration, working with Ryuichi Sakamoto (2008’s Ocean Fire and 2012’s Ancient Future), Zach Hill of Death Grips, Taylor Deupree, and, for 2014 LP Opening, with the whole band of Tycho. He also lent a hand in mastering the latter’s album Awake, composed the original score for documentary The Art of Listening, and continues to lead music production and meditation classes in San Francisco.

In 2017, Willits put forth Horizon, the first ever spatial audio release on Ghostly International. The album’s innovative 3D mix is mapped to surround listeners and align with sleep patterns, meditation, and other mindful practices. Willits is also the director and co-founder of the nonprofit, Envelop; leading a mission to amplify the connective power of music through immersive audio venues and spatial audio production tools. Like Horizon, his 2019 album Sunset utilizes Envelop’s cutting-edge technology to encourage listening from within. The five compositions move from warm to cool designed as a soundtrack to embrace the day's end; a collective letting go. Another skyward, pioneering project from an artist who occupies a unique corner of the electronic music universe.

Olancha Hello

Christopher Willits

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