Willow Live at the Royal Room. Columbia City Seattle.
   Bell   Lyrics/Music     Tyrone Lovelace    

There is a Bell. And I know I can hear it ringing.
So now I will follow that sound. Only to see where it leads.
 Will you walk with me.
Then together we will be.
And Able to see the bell of equality Ring.

I know I have my past.  That will always be around to remind me.
All I can do for my future is to just hold on and believe.  
But we are here now.
And so is the change that we need.
So that together we will hear the bell of equality Ring

091719 Willow 02 Bell

Willow Live at the Royal Room. Columbia City Seattle.
RedHead Kittie  Tyrone Lovelace          Lyrics/Music

She’s not a Vamp or a Vixen.
She’s everything in between.
She adds a spark to my heart. 
So I call her my motor queen. 

RedHead Kittie won't you come my way. 
RedHead Kittie won't you come my way.
Here Kittie - Kittie I want to hear you purr.
When you come my way.
 
High heels and lipstick 
Add that pop and a boom.
Making heads turn. 
Even from the other room
 
Every time I see her.
I try to let her pass me by.
But I turn around 
When she flashes those big blue eyes.

091719 Willow 01 RedheadKitty

WILLOw 12 4 19 Seamonster Old Brown Shoe

WILLOw 12 4 19 Seamonster Hey Grandma

WILLOw 12 4 19 Seamonster Bell

WILLOw 12 4 19 Seamonster After The Fall

WILLOw 12 4 19 Seamonster Wreck N Slide

WILLOw 12 4 19 Seamonster Razzle B Dazzle

WILLOw 12 4 19 Seamonster Gimmie Some Truth

WILLOw 12 4 19 Seamonster Lets Go Wav

WilloW is a band created by Seattle based bassist Bob Lovelace.  Seattle Drum School guitar instructor and a studio/touring musician for 30yrs. Playing in Seattle bands: The Ganja Farmers, Phat Sidy Smokehouse, Wheedles Groove, Ayron Jones,  The Diamond hand ,SpIdEr BiTeS, Pigeonhed (live), Marmalade funk, Thaddillac,17th Chapter, Tiffany Wilson, Kissing Potion, Altered States of Funk, Re-Ignition, El-Vez, The Meter Maids, Little Black Devil Burlesque Extravaganza,    Having a lifelong interest in “The Music of the Americas” and “The History of the Electric Bass” has guided me towards a career working in a wide range of musical styles. Giving me the opportunity to work with many different artists in a wide genre of music.  Finding myself either helping others to write songs or just writing them for other people.       

   Eventually leading me to write songs for myself. Trying to it take on the challenge of attempting to write each song in a specific style. Each one becoming  its own unique composition. Finding myself with a large number of songs in a various variety of styles. I wanted to record and perform them live. Taking a focus on the different ways that you are able to present a song. 

   Recording main objective is to have the highest sonic quality and the best single performance you can record. To achieve this I tracked with a limited group of musicians who I have worked with in the studio throughout my career.  Allowing me to retain a certain level of continuity on the tracks. 
   
    With the music containing the elements of Roots Rock/ RnB/ Psychedelic Boogie Woogie/ RocknRoll/ Louisiana Blues/ Memphis Shuffle  turns the live performance into its own  style of party. Using the songs as a guide map  to improvise and expand. Allowing the musicians to build upon the rhythms with heavier intensity. Creating an exchange between the performers and the audience. 

   I reached out towards musicians with the versatility to execute the diversity needed to perform the songs. Players with the ability to improvise within or around any structure. For that I turned to longtime friends:
                           John Ewing (Drums/Vocals) - Johnny and the Moles/Reptet
                           Mark Lerro ( Guitar) - Johnny and the Moles                           
                           Brian Ray (Guitar/Vocals) - StingShark/Marmalade                           
                            David Applbaum (Keys) - SpaceOwl

                                We believe in Empathy  and Love. We stand for Unity and Compassion.