im using ableton live 8. thanks man it is a chill beat for sure didnt spend too much time on it. 

So umm...basically I had been listening to all star from smash mouth like all week, and a few days later I hoped on my beats maker and started to just make some pretty random sounds. So I resized the album name is Astro Lounge, so I named my song Astro Heads and yeah, umm....that’s really it so I hope you enjoy my first song ;)

ASTRO HEADS

"No One" is a song by American recording artist Alicia Keys from her third studio album, As I Am. This is Keys' biggest hit to date, having topped several singles charts.
The song won Best Female R&B Vocal Performance and Best R&B Song at the 2008 Grammy Awards on February 10, 2008. 

No One

Another week another mini mix🫡 decided to go abit heavier with this one😝

make sure to like, comment, and share. Feedback is always greatly appreciated! And most importantly ENJOY! 

CHOPPA🫡

CHOPPA’S MINI MART PRESENTS: Surge

I Know

Strive To Thrive

Patches from the Quilt

Peace Sign / Index Down (feat. Busta Rhymes)

Fergie - London Bridge (WHVTEΛER Flip)

DjTee2 Yonkaz Zoo York Mix June 14, 2009, 1:35:05 PM Yonkers Anthem Ft. Styles P,Sheek Louch & DMX King Phaze Sheek Louch-Respect Audio Narcotiks The Lox-Ya'll Done Fucked Up Audio Narcotiks Styles P-Gunz Up Audio Narcotiks Intro DMX Its Dark and Hell Is Hot The Lox-Lick Shots Audio Narcotiks The Lox-We Are The Streets Audio Narcotiks Styles P Ft.Bucky-Kill Niggaz Audio Narcotiks So Much Trouble (Feat. Beanie Sigel) D-Block Felony Niggas The Lox Ruff Ryders' Anthem DMX Brother's Keeper D-Block Jadakiss Ft.Lil Wayne-Death Wish Audio Narcotiks Styles P-Ghost Is Comin Audio Narcotiks Rape 'N U Records (Skit) Get At Me Dog DMX The Lox-Everybody Wanna Rat Audio Narcotiks Bring It On The Lox The Lox-Bust Your Gun Audio Narcotiks How's It Goin' Down DMX Can I Live The Lox The Lox-Whatup Audio Narcotiks Alot To Learn (Skit) DMX Scream L.O.X. www.myspace.com/djtee2

DjTee2 Yonkaz Mix 06.14.09

Puff Daddy Faith Evans I Ll Be Missing You

I like the way you work it. No Diggity is a track from the Blackstreet album Another Level. Released in 1996, the featured artists are Dr. Dre and Queen Pen. Fun song, fun groove.

No Diggity

This podcast was produced by MaryCate Most and Namrata Kalliath for the course Culture & Inequality at KU Leuven. In this podcast we analyze the way in which female artists within the genre of hip hop negotiate within the hypermasculine and hypersexualized norms of hip hop. The works cited in the podcast and used to inform our discussion are cited below:

Bibliography:
Foucault, M. (1980). Power/knowledge: Selected interviews and other writings, 1972-1977. New York, NY: Pantheon.
Gomes, Jade. 2019. “How Megan Thee Stallion Earned Her Confidence.” Rolling Stone, March 16, 2019. https://www.rollingstone.com/music/music-features/megan-thee-stallion-freestyle-808378/
Haynes, Jo (2010). In the blood: The racializing tones of music categorization. Cultural Sociology 4(1): 81-100
Hesmondhalgh, David, & Saha, A. (2013). “Race, ethnicity, and cultural production.” Popular Communication 11(3): 179-195.
Lorde, A. (1984). Sister outside: Essays and speeches. Trumansburg, NY: Crossing Press.
McNally, James. “Azealia Banks's ‘212’: Black Female Identity and the White Gaze in Contemporary Hip-Hop.” Journal of the Society for American Music 10, no. 1 (2016): 54–81. doi:10.1017/S1752196315000541
Mears, Ashley. "Girls as elite distinction: The appropriation of bodily capital." Poetics 53 (2015): 22-37.
Panuzzo, Barbara. "Covering Performers, Discovering Femininities: US Hip-Hop Journalism and Female Artists." IASPM@Journal 4.2 (2014): 43-54. Web.
Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown: Wesleyan University Press.
Schaap, Julian, & Berkers, Pauwke. 2019. “ “Maybe it’s… skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content.” Consumption Markets & Culture 1-17.
Sharpley-Whiting, T. Denean. 2007. Pimp’s up, ho’s down: Hip hop’s hold on young black women. New York: New York University Press.
White, Theresa Renee. “ "Missy "Misdemeanor" Elliott and Nicki Minaj: Fashionistin' Black Female Sexuality in Hip-Hop Culture—Girl Power or Overpowered?." Journal of Black Studies 44.6 (2013): 607-26. Web.
Wolfson, Sam. 2017. “Rap and the gender gap: Why are female MCs still not being heard?” The Guardian, September 9, 2017. https://www.theguardian.com/music/2017/sep/09/rap-gender-gap-why-are-female-mcs-still-not-being-heard
2000. “Tip Drill/ E.I.” Track #3 on Country Grammar. Fo’Reel, Derty, Universal. Nelly (Cornell Iral Haynes Jr.).
2002. “Work it.” Track #4 on Under Construction. Goldmind, Elektra. Missy Elliott.
2014. “Only.” Track #6 on The Pinkprint. Young Money, Cash Money, Republic. Nicki Minaj, Drake, Lil Wayne and Chris Brown.
2015. “Hollyweezy.” Track #9 on Sorry 4 the Wait 2. Young Money. Lil Wayne.
2018. “Big Ole Freak.” Track #7 on Tina Snow. 1501 Certified, 300 (Warner). Megan Thee Stallion.

Strive To Thrive

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