Absolutely wonderful, mesmerizing soundscape...! Love that gorgeous piano so much!

"Le Songe de Filaments"
Composition acousmatique d'après la partition graphique de Ju-An Hsieh


Composition acousmatique : Shih-Lin Hung (洪世霖)
Partition graphique: Ju-An Hsieh（謝茹安）

“Le Songe de Filaments”（2025）

My submission for Naviar Haiku Challenge #615. More on Naviar Haiku here: https://www.naviarrecords.com/haiku-music-challenge/

Field recordings by Felix Blume via freesound.org under Creative Commons 0 license.

Elixir of Memory Toad - naviarhaiku615

Update: An in-depth patch explanation tutorial video has just been released on YouTube: https://youtu.be/-7Sv6_Epr50 - if you're intrigued how this track was made, check it out 🤗

I wanted to see whether GRM Tools Atelier could do something a little more rhythmic ... It can! 😁 See the YouTube video of the patch (and an upcoming how it works) on the halF unusuaL YouTube channel: https://youtu.be/aY6TNXLZYec

whenever we meet
it’s raining
green walnuts

Tanaka Hiroaki (1959–2004) was a Japanese poet from Osaka. A student of Hatano Sōha, he published many of his works in the journal Ao 青 (“Blue”), of which he became editor in 1979. In 2000, he founded his own journal, Yū ゆう.

Haiku by Tanaka Hiroaki (Italian): https://www.lucacenisi.net/2023/03/24/cinque-haiku-di-tanaka-hiroaki/

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visual (YouTube)

halF meT [naviarhaiku616]

Remix of https://soundcloud.com/whitefawncreations/rhino   by @whitefawncreations

Fancy Rhino (remix of White Fawn)

Never started never ended

2025-11-09

on a desert island

Having a play with the ppooll software, using one of my own samples (also recorded in ppooll in a previous session) and messing around with it. An awesome piece of (free!) software I'd highly recommend for anyone into sound experimentation. More details at https://ppooll.klingt.org/

Inspired by Oval, Jan Jelinek and other 90s trailblazers of the "glitch" genre.
Played in ppooll, then slight refinements after the performance, including fuzz guitars added on softly in the background.


More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

sstart.act.lop {disquiet0724}

Electric guitar, analog bass synthesizer, effect pedals, voice, unsynchronized loops, two tube amps, broken heart beats and a lot of time manipulation. Field recording: electromagnetic waves made audible with Soma Ether. All sounds, voice, mixing and production: Velvet Something Superdark. Image: inside a shop-window in Berlin Neukölln (photo VSS).
This is the second part of https://soundcloud.com/velvetsomethingsuperdark/wonderful-wasted-world-part-1

Wonderful Wasted World, Part 2

JYRANTE, Ambient Yokai - Winds Are Changing

misfortune

Runaway with me

windspace began exploring electronic music in 1982 using analog synthesizers and in recent years has gravitated to ambient music. windspace today mostly uses computers to produce his music, but occasionally some ancient hardware sees the light of day. He also releases more experimental and extreme music under the name of ho66it.  He records his music now in Colorado where he resides with his greatest supporter...his wonderful wife.

Elixir of Memory Toad - naviarhaiku615

windspace

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