Name: Wine & Whiskey - Road to Somewhere (Original Mix) by Wine & Whiskey
Duration: 3 min 16 s
Description: Some new stuff for you guys. Really different but hey, it's music.

Tell me what you guys think!
And if you really want to you can like our facebook page <3 http://www.facebook.com/pages/Wine-Whiskey/233789829998263

@green-raver-x-basssmith: Thanks so much man :)


♥  Aquatic Friends ♥ 

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Photo by Tomas Appleby
UV boi x Tomas Appleby shoot
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Credit:
Gloria - Only In a Love Song

♥  أصدقاء Aquatic ♥ - UV boi فوق بنفسجي

Ultramajic goes for the jugular with the second chapter of its Metaphysix series after Aden and Creepy Autograph's first installment won over many new hearts in 2013 (particularly with the much-buzzed about "Whip") while keeping existing acolytes very happy.

Inspired in equal parts by legends of early Detroit music and arcane philosophical-religious concepts, these are savage drum tracks slimmed down to their meanest and leanest states - dance music at an elemental level, pure rhythmic bliss that would do past drum machine wizards like Plastikman very proud while sitting nicely alongside modern operations like Night Slugs' Club Constructions series. It's no surprise, then, that Night Slugs co-founder L-Vis 1990 makes an appearance here under his Dance System alias with the rugged "RZ1", effortlessly bridging the gap between forward UK styles and vintage Detroit soul. Matrixxman steps up to the plate in a big way with the hard drum rolls of "Simulation" and two different incarnations of the jacking, rimshot-crazy "Stop It". Creepy Autograph is back for his second appearance in the Metaphysix series with a ferocious remix of "Simulation" while Lando (formerly Lando Kal) rounds things out with "Loveplay", adding soulful vox and bouncing synths to the machinelike motif.

All in all this a lethal set of no-frills, drum machine-inspired workouts that demonstrate the "less is more" maxim with sterling results, revealing each artist to be a virtuoso of rhythm and Edgar to be a consummate curator. Complete with magickal cover art by Jimmy Edgar and Pilar Zeta reportedly made while traveling in Egypt, there is indeed much magic to be mesmerized by here. 

Early support from DJ Hell, Eats Everything, Danny Daze, Groove Armada, Jimmy Edgar, Loco Dice, Eclair Fifi, Para One, Louisahhh!, Boys Noize, Catz N Dogz, Djedjotronic, Shadowchild, Claude Von Stroke, J Phlip, Kill Frenzy, TWR72, Kastle, Distal, Len Faki, James Zabiela, Troy Pierce, Speedy J, Shadow Dancer, Dubfire.

ULTRAMAJIC LVX007 // RELEASE DATE APRIL 21ST

METAPHYSIX: II, RHYTHM

MATRIXXMAN "STOP IT"
MATRIXXMAN "STOP IT" (PERCAPELLA)
LANDO "LOVE-PLAY"
DANCE SYSTEM "RZ1"
MATRIXXMAN "SIMULATION"
MATRIXXMAN "SIMULATION" (CREEPY AUTOGRAPH TRANSLATION)

COVER ART BY PILAR ZETA AND JIMMY EDGAR

Buy on Beatport

LANDO "LOVE-PLAY"

just made this in like and hour have it for freee!

Danny Brown - Blunt After Blunt (Skepp & Hawk Flip)

Official audio for the Flume Remix of Lorde 'Tennis Court'

Get the Flume: Deluxe Edition now
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Live visuals by Toby & Pete
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Lorde - Tennis Court (Flume Remix)

Premiere Details: http://smarturl.it/GoDeepAWE

Wax Motif & Neoteric - Go Deep (Astronomar Remix) (AWE Bootleg)

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Wax Motif & Neoteric - Go Deep (Astronomar Remix) (AWE Bootleg) [Thissongissick.com Premiere]

"Cosplay" by Captain Murphy

Download this track for FREE at adultswim.com/singles beginning August 18.

Captain Murphy - Cosplay

Our new track “Knees On The Ground” might benefit from an explanation. This is the most unguarded I ever intend to be when writing about Clipping.

What had happened was this: our very brief UK/Europe trip got called-off the day before we were supposed to get on a plane to London. Since we didn’t have any other plans, we met up in the studio with an idea to crank out a new track. On our list of songs to finish was one particular piece aimed directly at the club (or, at least, our twisted idea of what clubs should play). But none of us were in the mood for it. Each of us had spent the previous several days following the news of protests in Ferguson, MO. It was the only thing on our minds. We couldn’t bring ourselves to think about anything else, so we decided to direct our fear, our revulsion, our heartbreak into a new track.

The problem was that we’d defined our band — in interviews and to each other — as decidedly-not-an-activist-project. Diggs’s lyrics have been criticized for seeming apolitical, at least in comparison to what many listeners (perhaps rightly) expect to hear from an ‘experimental’ rap group. I have many times said (perhaps naïvely) that our politics lie in our structures, in our formal engagement with the rap genre. We love its conventions, its clichés, and we’re not above them. We see our participation in rap as something resembling an old punk flyer — an out-of-context collage of charged images with an fractured, contradictory, multiple point-of-view. I hope that our more dedicated listeners hear this and understand that we’re not interested in spoon-feeding them a position. At the same time, I’ve always assumed that they pretty much agree with us on most issues anyway. (We have yet to meet the misogynist, homophobic, white supremacist Clipping fan with an MBA and an NRA membership).

So what do we do when all we can think about, all we can feel, is a profound injustice — yet another young unarmed person of color is murdered by a police officer? How does a band, which overtly rejects affect and the emotions, address something that is, for its authors, a deeply felt, deeply affecting topic? Well, we don’t entirely know. But the fact is: there’s more truth in Diggs’s lyrics than we generally let on. “Inside Out” describes a drive-by shooting in Oakland, “Chain” is about three stick-ups. They are presented with a lot of detail and specificity (perhaps the result of personal experience). But at the same time, they represent archetypal scenarios within rap music. One trope we had yet to explore as Clipping was the anti-police rap — the lineage of Public Enemy, NWA and Paris, straight through The Coup, and all the way into the ‘stop snitching’ panic of the early 2000s. “Knees On The Ground” is a paradigmatic white-cop-kills-an-unarmed-black-kid-and-gets-away-with-it tale — a story that happens all the fucking time in the US. What we have learned — from our first hand experience in Oakland in 2009, and from the media coverage of Ferguson in 2014 — is that the second part of this story involves a police response better suited to a war zone than to an American city. Cops think they’re playing Call Of Duty when they’re supposed to be part of a community. If Ferguson were in Iraq, Obama would have sent in an airstrike already.

This is the least obtuse Diggs’s lyrics will ever get. We’re embarrassed by the timeliness of this track. We do not intend to capitalize on what is, undoubtedly, a terrible tragedy. But journalists make think-pieces and we make songs. Writers write what they know, and this is what we know right fucking now.

— William Hutson, Clipping.

Knees On The Ground

“Something They Don’t Know” contains twenty four samples. We will send a free, one-of-kind, edition-of-one, Clipping t-shirt to the first fan who can name them all. (Note, this count does not include the samples from CLPPNG which appear in the scratch solo.)

download

something they don't know (ft. sb the moor, nocando, open mike eagle, and cuts by baseck)

Download: https://www.hive.co/l/2ixw

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Ian Munro - Burn It Up (Original Mix)

Some new stuff for you guys. Really different but hey, it's music.

Wine & Whiskey - Road to Somewhere (Original Mix)

Wine & Whiskey

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