Name: Limited Noises - for E-guitar and supercollider by Wingel Mendoza
Duration: 11 min 6 s
Description: Limited Noises is a work for guitar and Live electronics (Supercollider) in which the noise is in the limits of perception.

work of monday

From the Bandcamp EP My Skin’s Blazin’ Thru: https://martinhoogeboom.bandcamp.com/album/my-skins-blazin-thru 

Trampelfad https://soundcloud.com/trampelfad : electronics
Paul Mimlitsch https://soundcloud.com/r369improv : electronics/clarinet
Ulrich Langenbach https://www.ulrich-langenbach.de/ : guitar/violin/cello/piano
Martin Hoogeboom https://martinhoogeboom.wordpress.com/ : objects/electronics/guitar

Mixed by Martin Hoogeboom
Mastered by Rupert Clervaux http://www.rupertclervaux.com/

My Skin’s Blazin’ Thru

My Skin’s Blazin’ Thru II

My Skin’s Blazin’ Thru II (Trampelfad/Mimlitsch/Langenbach/Hoogeboom)

CHIMEfest 2023 live improvisation featuring Kari Watson on modular synthesizer and Dana Jessen on bassoon.

CHIMEfest 2023 - Dana Jessen and Kari Watson

Recorded on 15.08.2023 
Device : ZOOM H4n Pro

Sound of Nyhavn

Excerpt: Anamu alla al'hajiri al'natayi (2022)
Live recording from Festival de Royaumont 2022

Johanna Vargas, soprano
Susana Santos Silva, trumpet/conch
Anne-Claire Baconnais, soprano
ICTUS Ensemble


-

  Ah Malak alzumarud,   
  I feel like this pillow is made of rock... and the mattress as well
  of jagged rock…
  Look, at the moonlight, it’s like a dagger piercing through the table leg,
  It’s boring… 
  like the silence of the night, when the chill of alienation envelops you.
  I wonder...
  If I were in my room now, what would I do?
  Would I make coffee, or finish what I've been reading...
  Hey, Malak...
  Things are turning into stone...
  Even the air in this room
  I can feel it...
  Do you hear me?
  Hey, Malak...
  My voice whispers out
  whispers
  whispers
  ...
  He fades into the silence,
  Disappearing, as usual… leaving me in distress
  I stay in the waves of darkness… 
  listening to jazz
  I remember the news, full of the dead...
  and hear the cries of wounded children...
  Dust rises through the air
  In Ghouta, where there are hospitals and buildings that
  collapse under blind bombardment
  I wonder…
  lying on this jagged rock...
  What was the fault of the people?
  And what was the fault of… 
  Coming down, through the roof...
  — Malak alzumarud, I mean, interrupts my thoughts
  Then he squats under the - quite ordinary - table
  The moonlight, piercing like a dagger, glows green
  The room is stained...
  He places his index finger on his green lips
  and beckons in the silence.
  I hear a plane outside,
  bombing,
  screaming in the street
  I turn up the volume of the music...
  And like a thousand other eyelids,
  I fall asleep on a jagged rock

February 2018, Tikrit, Nadeem Al-Aloosi
March 2022, Dresden, Translation by Rachel C. Walker and Nadeem Al-Aloosi

Excerpt: Anamu alla al'hajiri al'natayi (2022)

the likelihood of forgetting

ON|RUST as it appears here on soundcloud is the first stage of a small project that is actually called O|N|RUST consists of this track, plus a Bandcamp version (January 2024 - supplemented with two short pieces for percussion and electronics) and a 2024 small scale vinyl release. I've built a number of rhythmic sound machines especially for this piece which mainly consists of the hum and interference of electrical equipment supplemented with an electric guitar drone. Mastered by Rupert Clervaux.

ON|RUST

There Must Be Something Better Than This

Blackout Pt.1

mudra : desmotrope ; "π = 1.2" final

Limited Noises is a work for guitar and Live electronics (Supercollider) in which the noise is in the limits of perception.

Limited Noises - for E-guitar and supercollider

My personal interest like a composer and Sound Artist is to expand the context of sound building my own analogue or digital instruments or using external sources like electronic means (live electronics, video, space, image and movement) and also, the interaction with other arts such as dance and/or Theatre, in order to create new possibilities and new ways of perception for the audience. As an Improviser, wingel looks for different devices as a source of sound, from analog to digital and programming, such as; tape recordings, tape loops, toys, DJ turntables and Supercollider for audio Synthesis. Moreover, he had improvised for different theatres and dance companies. In addition, he had improvised as a soloist and with different ensembles.

Limited Noises - for E-guitar and supercollider

Wingel Mendoza

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