Great Song ! Was great to see it live !!!

@chriskeymusic: Do you agree that The Homosexuals did same style of music ? I totally do !!!

Wire

'Dangerous' is out now on @savedrecords

follow:
@realdjpaige
instagram.com/realdjpaige
facebook.com/realdjpaige
twitter.com/realdjpaige

Welcoming to the forefront of the next in our mix series is none over then the Melodic & Progressive genius… Paige. With releases on Saved Records, Toolroom, Zerothree, REALM and Love & Other with his partner in crime Nihil Young, Paige is taking his music to new heights! So let’s jump in with the sound Paige. 

TRACKLIST
01. Paige & Nihil Young - Body Language (feat. Sara Sommerer) [Toolroom] – 00.00
02. T.I.O - Star Of Darkness [Saved Records] – 04.03
03. Nic Fanciulli - Imitations (Kaz James Remix) [Saved Records] – 09.58
04. Paige & Nihil Young - Dangerous [Saved Records] – 13.30
05. Dilby - Tomahawk [Saved Records] – 18.05
06. Paige, Nihil Young & M.Maggie - Down [Toolroom] – 23.52
07. Da Mike - Kaavan [Saved Records] – 28.11
08. Maxinne (feat. Hayla) - Running [Saved Records] – 33.10
09. Citizenn (feat. Kat Leon) - Stay With Me (Black Circle Remix) [Saved Records] – 37.06
10. Made By Pete - Tabora [Saved Records] – 41.01
11. Paige & Nihil Young (feat. MAYLYN) - Love You Or Don't [Zerothree] – 46.01
12. Kaz James, Nick Morgan - Dazed [Saved Records] – 50.21
13. Lewis John - Lighter [Toolroom] – 55.52

Paige - Saved Mixtape

Lucky EP

Hubris

Artist: @andybach
Label: @lisztomaniarec
Format: Digital

PREMIERE: Andy Bach Feat. David Edward - Under Control

'Citizens Of Vice return from their summer break with an EP full of summer vibes. The EP in question is a ‘Lanowa’ Remix’s EP featuring reworks of tracks from his first three EP’s...'

Read More: https://whenwedip.com/2021/09/premiere-somethin-sanctified/

Follow: @somethinsanctified // @citizensofvice

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Lanowa - Clubber Lang (Somethin' Sanctified's KO Mix) [Citizens Of Vice]

Daft Punk - Intergalactik Disko (1998) [Rare]

Novaj 新し Sensations & feelings


Listen on Youtube
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Get it
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Richelieu
https://soundcloud.com/richecomlieu
https://www.facebook.com/Richelieu32000/
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Harrison BDP
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https://www.facebook.com/harrisonbdp
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Pulse Msc 
https://soundcloud.com/pulse-msc
https://instagr.am/pulsemsc 
https://fb.me/PulseMsc 

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Listen on Youtube

Richelieu - Surch The Menhir (Harrison BDP Acid Remix)

A1. Slam - Intensities (In-Ten-Cities) [Deep Space Liftoff Mix]
A2. Laurent Garnier - Au Clair De Ta Lune (Deep Space Liftoff Mix)
B1. Romanthony - The Wanderer (Journey Man Thump) [Deep Space Liftoff Mix]
B2. The Eternals - Walk For Me (Deep Space Liftoff Mix)

A side is for Techno, B side is for House.

Slam - Intensities (In-Ten-Cities) [Deep Space Liftoff Mix]

Alex Smoke - Dust (Mano Le Tough Remix)

Red Barked Tree

Please Take

Out Sept 13 on LuckyMe. 

Video here: https://www.youtube.com/watch?v=e27B3l5ie6I

- nathan

I'm Your Huckleberry

Track One from the forthcoming Wire album "Change Becomes Us"

Change Becomes Us

Doubles & Trebles

Pre Order Ltd Edition

WIRE – CHANGE BECOMES US – pinkflag (pf20)

“Well, it seemed like a good idea at the time…,” laughs Colin Newman when asked to explain Wire’s original motivation for Change Becomes Us. While that might sound like the kind of feeble excuse you’d offer in mitigation when a drunken escapade goes horribly wrong, not only was it a good idea, it actually turned into a superlative one. 

In spring 2012, Wire’s plan had been to convene at Rockfield Studios in Wales to review the rudimentary blueprints of songs that had never made it beyond a few live performances in 1979 and 1980 – a time when the band-members were in creative overdrive yet the band was disintegrating. The aim wasn’t simply to resuscitate and record old songs – in fact, many of them hadn’t become proper songs in the first place, existing only as basic ideas or undeveloped parts. Rather, the objective was to approach that unrealised work as an oblique strategy, a potential springboard for Wire’s contemporary, forward-looking processes, a possible point of departure for new compositions.

This took place with Wire firing on all cylinders, as a four-piece studio entity again, the core line-up of Newman, Graham Lewis and Robert Grey now enhanced by guitarist Matthew Simms. Simms had played a key role in helping the band to cultivate and shape its new sonic landscape throughout the preceding year’s live work. Out of the exploratory Rockfield session and subsequent, extensive development and production at Newman’s Swim Studio, the ostensible source material became, in the classic Wire tradition, something quite other than what it may have once been or what it might have become if it had been pursued in 1980. 

“Love Bends” is a case in point. Its roots lie in “Piano Tuner” -- the raucous, octave-hopping number performed in February 1980 at the Electric Ballroom in Camden and preserved on Document and Eyewitness -- but it’s now morphed, improbably, into an irresistible, totally modern pop song. “It had to be turned into something else,” explains Lewis, “because it only really had one bit.” Just as improbably, the gently lilting “Re-invent Your Second Wheel” is tangentially connected to the notorious “Zegk Hoqp,” which was more of a one-time happening than a song at the Camden gig -- mostly shouting and banging, executed by a stage-full of Wire cronies in funny hats. “It was written for performance, around people with newspaper headdresses; not with music in mind,” Lewis emphasizes. Similarly transformed, “& Much Besides” is a six-minute oneiric-melodic interlude that gives no hint of its putative origins in “Eastern Standard” --  a dreary, obtuse three-minute geography lesson delivered with former manager Mick Collins at the Electric Ballroom concert.

Newman’s writing and production reimagines the past in ways that ultimately break any substantive connection with it, making entirely new pieces; and these songs themselves enact Wire’s restless drive to become other, often thriving on a fundamental tension between opposing sonic characteristics. With its stop-start, soft-hard, quiet-loud structure, “Adore Your Island” veers between what Newman describes as “prog and unhinged punk rock,” never quite resolving itself; the drama of “Attractive Space” hinges on a progressive splitting of the song’s personality, between its calm expansive, anthemic orientation and an increasing sense of intensity and claustrophobia. 

Change Becomes Us encapsulates the paradoxical essence of Wire’s creativity. The tendency of these new songs to refuse a single, settled identity is emblematic of the band’s ever-evolving aesthetic -- one that’s always hinged on sustained tensions and oppositions: between the familiar and the unfamiliar, the comfortable and the unsettling, the melodic and the brutal, the cerebral and the visceral, the smart and the moronic, the obvious and the inscrutable, the rational and the absurd. This intrinsic, core ambivalence generates the essential otherness that has characterized Wire’s most memorable, distinctive work -- from the epochal innovations of Chairs Missing and 154 to the electronic-pop deconstructions of A Bell Is A Cup to Send’s postmodern-punk expressionism and the widescreen lyricism of Red Barked Tree.

Change Becomes Us is an undeniable part of that illustrious lineage. Definitely more than just a good idea at the time.

Wilson Neate


Keep Exhaling

Adore Your island

Re-Invent Your Second Wheel

Stealth of a Stork

Okokok

Since their formation in London in 1976, the members of Wire have maintained and advanced a musical project which treats the creative potential of a rock band as a fluid, amorphous medium. As removed from self-conscious intellectualism as they are from the inherent conservatism of much rock music, Wire employ their unique, endlessly restless and risk-taking creativity to question every aspect of songwriting, recording and performance. They delight and disturb in equal measure, troubleshooting the circuitry of perfect pop, or patrolling the limits of focused experimentalism. In terms of working together as Wire, the group's members disbanded in 1980, reformed in 1985, disbanded in 1992 and reformed for the second time in 2000. Such sabbaticals from their career as Wire have served to sharpen the group's edge and focus, updating the tactics with which they pursue this shared project.

see more - www.pinkflag.com

Please Take

WireHQ

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