I put my dear friend up to this because I had an "idea" I couldn't let go...it haunted me.... Thank you Justin Gracer for art therapy and endless help with "that thing stuck in my head".  This got me through years of waiting to move out of DTLA.  <3

Cinring

The Mighty Knights

Higher

leap of fate

moon magic

Ekasha Gada is the mace wielded by Lord Shiva, one of the three primary deities in Hinduism. According to mythological accounts, a single blow from the Ekasha Gada is said to be as powerful as being struck by a million elephants, emphasizing its immense force and destructive capabilities.

Guitars, Bass, Mandolin, Vocals: PS Perkins
Drums, Percussion, Backup Vocals: R Thomas

LYRICS:
-----------------------------------------------

God Killer
World Eater
Thunder Breaker
Widower Maker
Ekasha Gada!

Storm Rider
Soul Slayer
Time Twister
Holy Diver
Ekasha Gada!
 
Space Bender
Life Ender
Eye Melter
Death Bringer
Ekasha Gada!

Moon Razer
Cloth Cutter
Dragon Brother
Chaos Mother
Ekasha Gada!

Horn Blower
Smoke Maker
Night Chaser
Day Tripper
Ekasha Gada!

Head Chopper
Code Cracker
Bone Chewer
Sonic Reducer
Ekasha Gada!

Fire Breather
Lava Seeper
Spirit Seeker
Energy Reaper
Ekasha Gada!

Earth Shaker
Sea Splitter
Galaxy Smasher
Planet Basher
Ekasha Gada!

Boulder Buster
Ship Sinker
Steel Bender
Mountain Wrecker
Ekasha Gada!

The Ekasha Gada

Some things belong underground, though they may emerge every now and then to feed in the night.

"The Busy Worms" is a sweet little bedtime story about things which wiggle and dance in the serious moonlight. So let's dance. But then it's time for bed.


LYRICS
----------------------------------------
(What? Oh I guess I can tell you one little story. Ok, lay down...)

A wee little wiggle, deep underground
Turn of the shovel, see what we've found
Yes you can hold one but don't squeeze too tight
They'll squirm from your fingers and slip out of sight

Now don't worry darling, don't catch a fright
The worms are just hungry, they feed in the night
Slippery, slimy and hidden from sight
Twisting and turning they dance in the moonlight
Dance in the moonlight

The worms are busy tonight

Yes you can hold one but don't squeeze too tight
They'll squirm from your fingers and slip out of sight

The earth is no object, it's just passing through
They keep the soil healthy for me and for you
Slippery, slimy and hidden from sight
Twisting and turning they dance in the moonlight
The serious moonlight

The worms are busy tonight

Did you ever think when a hearse drives by
That you may be the next to die?
They'll wrap you up in a big white sheet
That covers you from your head to your feet
They'll lower you down in a deep dark pit
And leave you alone to rot in it
The big black bug with the big red eyes
Crawls in your innards and out your sides
The worms crawl in, the worms crawl out
They dance the watusi upon your snout
The worms crawl in, the worms crawl out

(Good night, sweet dreams. See you in the morning!)

The Busy Worms

Chained Melody

The Crystal Caves is a symbol of submission, revelation, and the enigmatic boundary between knowledge and madness. It depicts vast, gleaming caverns deep beneath the earth’s crust, where immense quartz crystals grow like frozen lightning. These radiant formations are not merely geological wonders — they are conduits of consciousness, forming the neural lattice of an ancient, mythological intelligence.

In the lore of this card, humanity’s collective fears and desires are imprinted upon the crystals, forming an unfathomable archive of thoughts and memories. Faced with an existential crisis — be it environmental collapse, war, or spiritual disillusionment — a select few are chosen to hear the ringing. This sound, like a chorus of distant bells reverberating inside their minds, is a calling from the depths. Those who submit to the summons venture into the Crystal Caves, seeking understanding. Others resist, unwilling to face the knowledge that awaits — and in doing so, are consumed by the madness of dissonance.

This card challenges us to confront our inner callings. It asks whether we are willing to descend into the recesses of our own minds, face the uncomfortable truths that lie within, and emerge transformed. Alternatively, it warns of the destructive consequences of rejecting growth when the time has come to evolve.

Drums, piano, vibes: R Thomas
Guitars, Bass, Vocals, PS Perkins
Recorded, mixed and mastered by Mystic Tape Deck
Tascam DP24SD + StudioOne 7 + a bunch of cheap mics

LYRICS
---------------------------
In the ways of the world from the crib to the grave
Everybody’s a slave
Ain't nobody gonna save us

Save your bellyachin for another day
Baby they got ways
Of making you behave

When you hear those bells ringing in your brain
Before they drive ya insane
Get on a boat or a plane

Take the golden taxi to the crystal caves
It’s a little like doomsday
You’re gonna have to be brave

Come join your friends in the crystal caves
Meet the underground conclave
At the standing wave

Gonna put the computer right into your vein
Connect the aqueous membrane
To the mineral mainframe

Gonna jump and jive when they play that jazz
Sprinkle on the pizazz
And just a little bit of zip zap biddly bap foo bar baz

Come and disappear in the crystal cave
Everybody’s a slave
Ain't nobody gonna save us

Now that you’ve arrived, won't you come on in?
We’re all about to begin
To start shedding our skin

Make like a snake, and gobble up that tail
It’s a hwale of a fairy tale
On the shell of a snail

In the mystery maze deep under the ground
A little magic we found
A way a watch can be unwound

To begin again inside the cave alone
A place we’re gonna call home
Amidst the shimmering stone

In the ways of the world from the crib to the grave
Everybody’s a slave
Ain't nobody gonna save us

The Crystal Caves

This song is a vibrant echo of a desperate grasp of a heart broken beyond reason.  For anyone who ever felt like diving into the abyss over love lost in slow motion.

Lyrics:

Have you ever felt the heat of hell
'Cause I could feel it
When I was fighting
to keep you from yourself
it's just so dangerous
In this industry
To love anyone or anything

And I was never good enough for me
But you always saw something I couldn't see
And I

I'd rather die with you
Than to watch you go alone
You know I love you
But I need you more
When you're on the floor
You tell me you can't help yourself
And you just want to end it all
You know I love you
You're all I dream about
While we're bleeding out

Have you ever loved something so much
You let it go
You say you love me
But you just hate you more
How could I have known
We would come so close
Still I felt so alone

And I was never good enough for me
But you always saw something I couldn't see
And I

I'd rather die with you
Than to watch you go alone
You know I love you
But I need you more
When you're on the floor
You tell me you can't help yourself
And you just want to end it all
You know I love you
You're all I dream about
While we're bleeding out

Together ... Forever ... In heaven... wherever...
Together ... Forever ... In heaven... wherever...

Bleed
Bleed
Bleed
With me

Bleeding Out

Third single from @A-Beacon-School's "Cola" LP ~ out March 23 !

Cola is the full-length debut from Brooklyn multi-instrumentalist Patrick J Smith, whose previous credits include playing with Modern Rivals, Bluffing and Fiasco. Having spent the last year working on a new project called Maxband with Max from Parquet Courts, A Beacon School marks Smith’s first entirely solo effort and the beginning of a new musical journey.

PURCHASE 🍦

A Beacon School - It's Late

Utilizing transmedia visionmagick to unlock access the chambers of conception to repair the karmic engine of the oversoul.

Bleeding Out

Wizardhead