Echo Minott was born Noel Phillips in 1963 and grew up in the Maverley area of Kingston, Jamaica. He started singing from an early age, appearing in local talent contests and school concerts. His first break came in 1980 when he recorded the album "Youthman Vibration" for legendary producer Prince Jammy, at the age of 17 years. This album wasn't released in Jamaica and appeared on the Starlight label based in London, U.K.

In 1983 he recorded the tune "Ten Miles" for his cousin, producer Errol Marshall, and this was his first tune to be released under the name Echo Minott. He then recorded his first UK hit "Man in Love" (Oak Sound) for Dillinger and an album "Echo Minott meets Sly and Robbie" (Jam-Can) for famous producer George Phang. 

Echo Minott feat Sly & Robbie . 'de Gyal next Door' from Showcase LP

na mundo di opresson, rodiadu di influencia, rodiadu di iluson, ninguem ca kre contenta ku tuston

VOZDIRUA

LANDIM feat PUTO G . EPISÓDIO1 VOZdiRUA

When BANDONEON Meets DUB 'REPENT'* feat Inês Vaz (Bandoneon)
La revancha del DUB 'REPENT' 
Inês Vaz Bandoneon n´ acordeon
Jahwise selections
*'repent' original twinkle brothers n´gussie P records 


'Repent IN DUB' La revancha deL Dub feat Inês Vaz (bandoneon)

Gregory Isaacs . EASY NATTY EASY Rmx

RAW & Heavy One Drop Roots Reggae Music!
Vocals, piano, organ, percussion : Winston Chedda Thomas
Bass : Winston Stoney Gardener
Drums : Gregg Edwards
Rhodes : Lawton Roy Wright
Rythm Guitar : Barrington Mc Cullum
Lead Guitar : Mitchell Porter
Engineer : Peter Lewis


Black SkuLL . A Black Slavery Day RAW&HEAVY

www.youtube.com/user/katanaproducoes 

LANDIM: K O V A M  L A N D I M nu bai  ami ta vivi nha dia a dia, na nha bairro poko spectativa  putos sta brinka, sireni ta uiva otos sta espera novu tempu novo briza um dia tudu ta muda niggas na rua expidiente na luz de lua vida ta kontinua dentu sintra zona sul lisa kacete dura pirataria tuga thug vida ami nta vivi nha dia a dia safoda fama, rap basofaria niggas na ka dia maioria pegadu na korreria, ku parceria ta buska oto kualidadi vida bro pensa nisso yo, god dam, ta pidi lord, pa djo ben  tudo nha passo em falso, é manko, um abraço nha rosto na t-shirt kolado,  djo imagina, dja ba ta vivi nha vida vivi life sima ki manha nha sa finda nu brinda, mo fuckaaaz IURY: sta fudido txeu problemas na noz vida, sem tempu rekonheci  kualidadi kez ta dano dentu street ka ta rendi djo brodas vivi vida ma ku nos ta premaneci black ben di nigga ki sofri sem mereci pa ki pensa ma vida sta midjora, ka sta dor ami kre vivi sossegado longi praga longi dor justiça, ta furta undi ka existi tempo passa nada muda mano tem ki sobrevivi igualdadi peranti mi ku bo kuzas estranho sobrevivencia longo prazo na dias d'hoje é raro ami ta vivi sima da, si ka da  nu ta disgadja bo inveja ez kel ku tem ki ta survivor na batalha nada ez ka ta dano, nada ez nunka pidi a nau ser noz liberdidi ki é pa nu podi ser livri imagino, djo tropa la di kana sem espaço pa respira nesse mundo cheio di drama kriminalidadi aumenta, fla kel ki ta governa ninguen ka ta respeita, kualidadi di vida ki nu ta leba sen tempo di planeja bu destino preso na konsciencia sima libra sta fudido nigga, djobi pa vida kualidadi di vida ka sta longi noz korrida nu bai é KP KS KOVA M PUTO G: KOVA M studios, puto G maz un bez por maz ku tenta leba vida exato ser alguen pakato, nada e ka barato luta pa bu poe piteu na prato konvivio ku intrunja ku rato ez kualidadi vida manu ami sta farto sempre tanta pedra di sapato su corri bo pegado, su fica bo fitxado  djo situaçon marado por isso krazy life kenha stado sempre bem stonado a pala di nha weed kuze ki podi fazi mundo ben atchan assim ku bitchez ku thug sima mi stressado, frustado, sem txeu razon pa ri sem nada, pragado, ka podi fika assim ko espera pa ninguen, pamodi ez ka ta ajuda ten situaçon da vida ki so bo ki podi muda djunkuta, ou buli ou furta maz nunka kodipendi de ninhum fidja da puta(x2) RIDELL: un ta txiga mic, KOVA M KS sem kualidadi dia ja ta passa tudo igual fitchado na um ghetto perto vida marginal dentu moves ilegal, riba tchon di portugal rikos ata enriqueci e ami ? kada vez maz pobri largado num ghetto so sofrimentu  djo talento ta fugi na tempo na keima na fumo, ta segui si rumo  ta manti parado, kabeça relaxo bu sta relaxadu atividadi todu o dia odjo aberto fokado na mira kova m sta kurrida KS di lado ta pika, thug life es noz batida riba del nu ata ta rima rapaz na pedrada desdi manha, branka kastanha AX pakistan na skuridon di noite, un mesti luz di manha un ta xenti nada obi diabo ata tchoman

KATANA Produções/kOVA M . Vida Marginal feat Landim Ksj, Yuri pkp, Puto G, Ridell

Hi-Tech Roots Dynamics 'Measured Words' HEAVY DUB

Ini Kamoze * Them Thing Deh RMX slow tempo

Ini Kamoze * Them Thing Deh RMX

Pupa Chaplin:
Charlie Chaplin rose to prominence in the early '80s during the first years of the dancehall era. In contrast to the '70s roots reggae period, with its decidedly spiritual and cultural world view, dancehall music reflected the secular world of clubs and sound system dances -- the earlier cultural bent remained, but decidedly secular and slack lyric matter came to dominate. This age-old contrast between human folly and religious salvation was first forecast in Jamaican music via the contrasting styles of the jazz and R&B-inspired ska and rocksteady of the '60s and the Rastafarian-centric roots period of the following decade; the two views have informed the music ever since, whether it's the almost comic slackness of early '90s ragga or the retro-rasta sentiment of late '90s bobo dread circles. Chaplin reflected this contrast in his own style: he embraced the modern (at the time) dancehall rhythms, but -- unlike many of his fellow DJs of the late '70s and early '80 -- he focused on cultural lyrics instead of slack subject matter. 

Charlie Chaplin - Mother In Law

Clint Eastwood & General Saint - Cyant tek another World War 1983 BBC Radio

Augustus Pablo meets Mr. Bassie Riddim (extended DUB mix)

BASS CULTURE

Clancy Eccles, Deva Bratt, Kris Ron - Ganja Free rmx

Brother Ayouba || Burning DubwiZe

Ras Nyto & Hi tech Roots Dynamic . Ghana | Killa

Linval Thompson - Inna The Hills & Version

My obsession with "Guerrilheiro" made the song a compelling window into Angola's struggle for independence, a topic I knew little about previously. Unfortunately, this window afforded a very narrow view: my sympathy for anti-colonial movements combined with a lack of accurate information on Angola in the '70s helped me invent a mythology that grossly oversimplified the complex nature of the fight against Portugal and the following civil war. This essay seeks to better understand the meaning of "Guerillheiro" against the background in which it was created, as well as look into the life and tragic death of a talented artist.

David Zé - O Guerrilheiro . 1975 Angola Mwongolé

Produced by Pedro Delmas aka Delmighty sounds, producer, engineer, musician based in Lisbon, Portugal.

***GUERRILHEIRO 7" IS AVAILABLE - VERY LIMITED CUTS***
O EP "GUERRILHEIRO" É A PRIMEIRA COLABORAÇÃO DE IJAWAL COM DELMIGHTY SOUNDS.

IJAWAL ESTREIA-SE COM LETRAS QUE DESCREVEM A SUA DEDICAÇÃO ESPIRITUAL E AS SUAS AVENTURAS TANTO EM AFRICA COMO NA EUROPA.
AS VOZES FORAM GRAVADAS EM 2012 DURANTE UMA BREVE PASSAGEM DE IJAWAL POR PORTUGAL E PELO QUARTEL GENERAL DE DELMIGHTY SOUNDS.
THE EP "GUERRILHEIRO" IS THE FIRST COLLABORATION OF IJAWAL WITH DELMIGHTY SOUNDS

IN HIS LYRICS IJAWAL DESCRIBES HIS SPIRITUAL DEDICATION AND HIS ADVENTURES IN AFRICA AND EUROPE.
HIS VOICE WAS RECORDED IN 2012 AT DELMIGHTY'S H.Q. WHEN PASSING THROUGH PORTUGAL.
credits
released 05 October 2014

LYRICS BY IJAWAL
ARTWORK BY JOÃO VAGOS
COVER DESIGN BY JAHWISE
PRODUCED, MIXED, ARRANGED BY DELMIGHTY SOUNDS


SPECIAL THANKS:
LINO MARIA
GUILLAUME MOWGLY
JOSEMAR 

http://delmightysounds.bandcamp.com/

Guerrilheiro B Side . Ijawal meets Delmighty Sounds 7''

Riddim Culture Sound 2008
Papajuju aka Junior vocals
chase the devil riddim

Afraid Of Da Ghost - Santo André Lagon Version (chase the devil riddim)

riddim outta ' Junior Cony  Inna Roots Tradition '

Fred Mineiro 'Julgamento' Riddim Culture Archives

www.burntberry.net 

Sippin' lemonade i was livin in the shade
Selling tinted goggles at the p.r parade
I had a cascade
A thought so sublime
A future like picasso my canvas was written rhymes
I was hanging wit gorillas thats the sign of the times
Until i understood we was designed by divineness
Thats the kinda thinkin make u wanna kill wit kindness
Opposite of you seein the world through blinders
So what you sayin, so what you playin wit
You snort a little power now you power and legit, shit
Sour skits hit the nail on the head
They cut it with some coolant now you end up fukin dead
Such a shame is shaitans plan my jinns is deenin
Why can't you make up your mind, and dead the in between a
Rock and a hard place hummin that rob base you basic
Seein scarface dreams man you need that lasik face it
We in a million dollar studio with beats from the basements, nig-ga!

[Verse 2: BLAKNERD (aka Daktur Banff)]
This is original ban-tissue
Stance of a top official
Got the signals
And sound waves to stop a missel
Plus a green lou ferrigno
Vibrate crystals with the intent to hit you
Where its meant to
The weight of the pencil times the mental
Equals pressure points getting pushed into
And make mince meat out of mices
Take cover intense heat out of mic devices
Breaks over, heathens
Wack rappers only hearing they dope from other wack niggas breddin
Now thats biting made easy
So exciting and appeasing
Barely breathing, rock hard from all the cock teasing
Execs call it pocket breazing
For the well oiled machining
One body blow
Leave you floor wobbled, stoned and cobbled
Clone in the bottle get smashed at full throttle

[Verse 3: STAN ILLA (from theEARDRUGZ)
My neutrons circle around my atoms in high velocity
Robin hood of the game attack the opposite of passively
ST spit aggressively like the government been testing me
Intensity like when the french carried they kings head thru the streets
Emcees nowadays be faker than diglycorides
So high, i can teleport to the deck of the enterprise
They just rhymin words
Figure out what you tryin to do
We bond jewels to melodies, iconic individuals
Exploitation of art i can never respect
A nigga said my flow old skool i wave em off like a fair catch
They need to exit stage left
They front an emulate death
Ready to hop off the ledge
The noose tight around they neck
The system with the music for my somalian cousins
And bars blarin hiphop on the narrow streets of dublin
And my aight lookin chick, from the south side of london
She said she diggin BURNTBERRY and our style she lovin
I got my passport up, from the hood to the pub stage
Then i might copulate with a cousin
Just another bar in the new ass ripper
16 bar serial killer STAN ILLA


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