Nattradio

Christian Maal presents his new project 'WOLF R' on the ocassion of 'New Orleans Carnival Party' in La Mesa Barcelona.  Live Broadcast by Radio Born, 28.2.2014. 

WOLFRAM is a chemical element with the chemical symbol W and atomic number 74.

A hard, rare metal under standard conditions when uncombined, tungsten is found naturally on Earth only in chemical compounds. It was identified as a new element in 1781, and first isolated as a metal in 1783. Its important ores include wolframite and scheelite. The free element is remarkable for its robustness, especially the fact that it has the highest melting point of all the elements. Also remarkable is its high density of 19.3 times that of water, comparable to that of uranium and gold, and much higher (about 1.7 times) than that of lead.[4] Tungsten with minor amounts of impurities is often brittle[5] and hard, making it difficult to work. However, very pure tungsten, though still hard, is more ductile, and can be cut with a hard-steel hacksaw.[6]

Tungsten's many alloys have numerous applications, most notably in incandescent light bulb filaments, X-ray tubes (as both the filament and target), electrodes in TIG welding, and superalloys. Tungsten's hardness and high density give it military applications in penetrating projectiles. Tungsten compounds are also often used as industrial catalysts. http://en.wikipedia.org/wiki/Tungsten

WOLF R@ LA MESA 28/02/14

Here is a great package of memories in the form of Greg Wilson's headline set for us last month.

GREG WILSON - 2020 CONTENT @ CANAL MILLS LEEDS 29.03.14

Full recording from the Freeze promoted party at The Garage in Liverpool on 05.12.15 to mark the 40th anniversary of my first club appearance on December 6th 1975. For further info: http://www.gregwilson.co.uk/2015/12/40th-anniversary-weekend-recorded/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

5 HOUR 40TH ANNIVERSARY @ THE GARAGE LIVERPOOL 05.12.15 (greg wilson live mix)

深夜のFMチューン風なMIXです
素敵なジャケットはきゃたーいに作ってもらいました。THANKS!

1 Shanice wilson / Summer Love
2 Freddie Jakson/ Tasty Love
3 Billy Ocean / It's Never Too Late To Try
4 Mavin Gaye / My Love is Waiting 
5 Smokey Robinson / Dynamite
6 One Way / Together Forever
7 Ray Parker Jr. / It's Our Own Affair
8 Culture Club / Misake No.3
9 Lee Ritenour / Waiting In Vain
10 Gwen Guthire/ Is It Love 
11 Ray Parker Jr. / After Midnite
12 Janet / Funny How Time Flies
13 DeBarge / I Got You Babe
14 Brenda Russell / Get Here
15 SWV / Weak
16 Fantasista / Ain't Gon' Beg You
17 Asuka Ando / ゆめで逢いましょう　～see you in my dreams～

MIDNIGHT CALL

Recorded @ the Red Light Radio stage at Atlas Festival, Marrakech - 02/09/16



Nu Guinea @ Red Light Radio / Atlas Festival , Marrakech - 02/09/16

www.propermag.com

Moonboots : Golden Hour

Crown Ruler Mix # 7 - DJ Vegetable

Admittedly, we were late to the game and only became hip to the Veg when the Redlight Records mix dropped. 

Few beers later this happened ~

Australia & New Zealand Tour May 2018 w/ Calypso Steve:

04.05.18 - Navy Club, Fremantle
05.05.18 - Freda's, Sydney
11.05.18 - Sugar, Adelaide
12.05.18 - Bless, Brisbane
18.05.18 - 25B, Aukland, NZ
19.05.19 - The Gasometer, Melbourne

Crown Ruler Mix # 7 - DJ Vegetable

NIGHTINTODAYMIX

Hey lovelies, here's the recording of last nights "Funky Friday" at our restaurant Funky Kitchen. 3hrs of sexiness for y´all....don´t mind the mixing, I was eating during the set... :) xx

Funky Friday @ Funky Kitchen

Hailing from Zurich here's Zukunft resident and Phantom Island man Kejeblos (@kejeblos) serving the 15th MFM mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Michael, welcome to the series. How are you holding up during these pandemic times?

K: Actually very well, thank you! I’m spending more time with my son than I usually do and I’m getting better at cooking. Besides that we are preparing some new releases for Phantom Island and I’m helping to keep the record store (Hum Records) I work at alive.

MFM: So the internet says you're a man of big taste and that you could write a doctoral thesis about the art of record digging. Can you take us back a little to where and when all that comes from?

K: First I have to thank Bjorn Schaeffner for those kind words. I was interested in music from a young age, but the record digging really started after I moved to Zurich. Here I was exposed to a lot of great record stores and I took an obvious route from House to Disco and got into it deeper and deeper. Lexx was definitely an important figure for me. He was working at a record store called Zero Zero and I was hanging out there a lot. And through that our friendship grew. At one point he invited me to join him to go t a warehouse that was connected to Zero Zero and housed half a million records. After that first visit I definitely spent a lot of time there and everything took its course.

MFM: Zurich is not particularly known for having a vibrant music scene and it's fairly remote from the cities that are. How did you get your fix as a big music appreciator pre-internet? 

K: I grew up in Liechtenstein and went to school in Feldkirch, Austria. Feldkirch is a small city, but there was a bar called Stone Club where you could listen to proper house and techno. I guess that brought me on the right track and sparked my interest. That’s also where I started djing and learned a lot about it before I was introduced to the Zurich club scene. Anyway, I guess I’m not a music appreciator pre-internet as I’m not that old :) But it was still different back then for sure. I was exposed to all the certified classics before getting deeper into more obscure music from there.

MFM: You're kinda connected to club Zukunft, correct? 

K: Yes, that is correct. That started through Lexx as well. He invited me to play there in 2008 and it really meant a lot to me. I used to visit the club regularly and it was always a dream to play there and it still is. For me it has been Zurich’s best club since it opened its doors and it still is after all these years. First and foremost because of always sticking with quality music. But another key factor is probably the diverse group of people who run the place.

MFM: At what point did you get involved in music production? 

K: Some of my old friends from Liechtenstein who also live in Zurich have been producing for a long time. I always hung out at their flat and out of this we formed Wavetest – but I always saw myself as the DJ in that group and still do. Unlike the others I’m not a trained musician. After some time we started to share a studio with Tobi and Ron (Fuga Ronto) and one day, as Flo (Florin Büchel, CCO), and I were jamming suddenly I was kind of guiding the project. That’s how the first Kejeblos record started. Without Flo, Tobi, Sandro, David, Moritz and Lexx that record would never have happened. I learned more about production during and after this first release but I still see myself predominantly as a DJ. If I have an idea, I try to pursue it. But I’m not constantly thinking about making music. 

MFM: Thanks a lot for contributing a mix! What can you tell about it?

K: Thanks for having me! I wanted it to be a reflection of different influences which turned me into the DJ I am now. A mix which flows well and is not just about track IDs and unshazamable tunes. In the best case you want to listen to it more than once. Also there are some upcoming Phantom Island bits featured.

WOLF R@ LA MESA 28/02/14

Christian Maal

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