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Wolves at the Gate

Rhema

No Altars

Holyname

They See (feat. Convictions)

Psalm of the Depths

Lowborn

Skeleton Psalms

For The Life Of Me

A Voice in the Violence

Sound The Alarm

Step into the storm once more — the candlelight flickers, the cradle sways, and the Mansion breathes again.
Abigail’s Curse is The Black Cross’s most haunting creation yet — a full-length gothic horror metal opera paying tribute to the legendary King Diamond.

Across twelve interconnected chapters, the album resurrects the tale of Abigail la Fey — her bloodline, her damnation, and the eternal echo of her rebirth. Each song unfolds like a cinematic nightmare: ghostly choirs, thunderous organs, and twin guitar harmonies blaze through a cursed house that refuses to die.

Michael’s voice channels the spirit of King Diamond himself — dramatic, tortured, and unholy — while Lilith’s ethereal presence weaves beauty through the darkness, her final song “Eternal Return” closing the saga in tragic grace.
From the galloping fury of “The Seven Horsemen” to the ritualistic lament of “The Feast of Shadows” and the apocalyptic exorcism “The Final Rite,” this is not just an album — it’s a séance.

Recorded under candlelight and shadow, Abigail’s Curse stands as both homage and resurrection — a gothic metal opera where death is reborn, faith burns, and the curse… never ends.

🩸 “Through blood we fade, through sin we begin — forever we fall, forever we return.”

The Final Rite

Rafael Maurell Velvet Collision

O God Save Us All

Once and for All

Back to School

Understanding in a Car Crash

Dust to Dust

East to West

Relief

Types & Shadows

Asleep

Fountain

Big ass kpop stan. I also like Muse, Billie Eilish, and a few other singers and bands as well. Real name is Arayeh but my nickname is Sachi.  It's Japanese and means blessed

East to West

Wolves At The Gate

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